About this deal
This one features a simple turntable that is remarkably sleek all the while being sturdy and stable to provide you with a unique audio fidelity. A proper shielded, symmetrical cable costs X-times more than just a standard cable. You will agree, that’s a simple fact too.” As part of the demonstrations, we were also teased with an X1 vs Debut Pro shoot out. This post is all about that shootout In the X1 B, the motor drives a purpose-made, heavy, non-resonant Acryl platter via a sub-platter drive system and a premium grade main bearing, for liquid smooth rotation. This is the perfect platform on which to place your precious vinyl records, guaranteeing absolute reliability in its performance and sonic character. The X line in contrast aims at another objective. With the X1 you get a nearly perfect budget audiophile turntable out of the box. The sound itself is more neutral and balanced & it requires a better amplifier and better speakers to get the best possible sound.
From the first P1 to the latest X1, Pro-Ject has been constantly improving its turntables, learning from the rich experience with its customers. The increased mass, 4 pin point cardan bearing construction with lesser friction and the choice of various platters for the turntable leads to a more analytical sound. Tech Info This Pro-Ject is terrific at digging deep into the production and revealing layers of instrumental textures that most at this level ignore.
Reviews
Pro-Ject’s Heinz Lichtenegger is not shy about expressing his contempt for el-cheapo turntables coming from China and elsewhere. He thinks these mediocre-sounding turntables ruin the sonic experience for a young generation getting into vinyl. A proper machined resonance free platter costs 8 times more than a pressed steel with a rubber mat. That’s a simple fact.” And herein lies one of the strengths of the X1. It does not sound as accurate as a Technics SL1000R or a Rega P10, instead it plays music in a far more appealing and attractive way, than usual for players in this price range.
Please note that our couriers will try to deliver as arranged but we will not be held responsible for any costs incurred because of non-delivery or factors introduced by third-parties. This service is based upon best endeavour and is not guaranteed. The Pro-Ject X1 is great turntable, especially those looking to get their first taste of the hi-fi world. While it’s not as good as the Pro-Ject X2, it’s also not as expensive. And while we can have a good debate as to whether it’s better than the Rega Planar 3, it’s definitely a better table than the already very solid Debut Carbon. Yes, I used a few hundred dollar digital microscope to set 92 degree, but considering the price of these records, it’s worth doing and once set there it’s good (though not perfect) for all records. However, I’m not changing VTA/SRA for every record, though you might. On this record I preferred the Ortofon’s overall balance but on other records the Rainier was more effective. So it goes. We reserve the right to refuse installation should our engineers think that the existing electrical or plumbing points are unsafe and in need of maintenance or if they are unable to install to existing furniture.This means that Rega has around 50 years of experience under its belt, which is why many of its products won several awards over the years. Benefitting from a True Balanced Connection, the Pro-Ject X1 B advances an already award-winning turntable to a whole new level of turntable excellence. Perhaps most striking about its character is the surprisingly wide window that it opens up on the recording. If you’re used to entry-level digital, for example, you’ll be really surprised by just how ‘out of the box’ this sounds. For example, my 12” white vinyl pressing of Too Strong for So Longby Manixsounded expansive, with an upfront feel that saw the drum machine pushing out hard into the room, allied to wonderfully deep sub-bass that had my curtains flapping. The X1 set the scene really well for a budget turntable, floating the sound way beyond the physical boundaries of my loudspeakers. Vocals dominated the centre of the mix, giving things even more impact. There was decent stage depth too, especially when compared to budget digital that tends to render music only in two dimensions.