Revolver

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Music Arctic Monkeys’ Alex Turner on fame, Frank Sinatra and the elusive search for the ‘mega-riff’ Kent, David (2005). Australian Chart Book (1940–1969). Turramurra, NSW: Australian Chart Book. ISBN 0-646-44439-5. While working on the stereo remix, Martin vowed not to do anything that his father and the Beatles would not have done if the technology had been available in 1966. “It’s not my interpretation,” he insists. His priority was to enhance the album’s youthful, anything-goes vitality. “The band are always going to be 25 on ‘Revolver’ — they’re younger than Harry Styles — so they might as well sound like that. That enthusiasm!”

Turner, Steve (2016). Beatles '66: The Revolutionary Year. New York, NY: Ecco. ISBN 978-0-06-247558-9. New Zealand album certifications – The Beatles – Revolver". Recorded Music NZ . Retrieved 14 April 2020. Over tea in Los Feliz, Turner discusses his band’s new album, ‘The Car,’ and the ‘amusing choices’ he made as a younger singer. Cleveland, Barry (March 2014). "Why modern audio recording might not exist without British DIY audio pioneer Joe Meek". Tape Op . Retrieved 25 May 2017.By 4am on June 22, The Beatles finished “She Said She Said”, wrapping up their Revolver recording sessions. The album’s final mono and stereo mixes were completed that evening, and the next day The Beatles were once again off and running on tour. They would next return to Abbey Road in November 1966 to begin recording Sgt. Pepper’s Lonely Hearts Club Band. Album Top 40 (14/09/2009)". charts.nz. Archived from the original on 21 May 2017 . Retrieved 28 June 2017. Grammy Hall of Fame". grammy.org. Archived from the original on 22 January 2011 . Retrieved 24 June 2017. Rodriguez writes that, whereas most contemporary acts shy away from attempting a concept album in the vein of Sgt. Pepper, the prototype established by Revolver, whereby an album serves as an "eclectic collection of diverse songs", continues to influence modern popular music. [85] He characterises Revolver as "the Beatles' artistic high-water mark" [432] and says that, unlike Sgt. Pepper, it was the product of a collaborative effort, with "the group as a whole being fully vested in creating Beatle music". [84] Appearances on best-album lists and further recognition [ edit ] Larkin, Colin, ed. (2006). The Encyclopedia of Popular Music (4thed.). London: Oxford University Press. ISBN 978-0-19-531373-4.

Canadian album certifications – The Beatles – Revolver". Music Canada . Retrieved 15 September 2013.

Prince

The Beatles Chart History (Greece Albums)". Billboard. 10 December 2021 . Retrieved 10 December 2021. Oficjalna lista sprzedaży:: OLiS - Official Retail Sales Chart". OLiS. Polish Society of the Phonographic Industry. Retrieved 10 November 2022.

I spoke to Giles last year about mixing The Beatles and I specifically asked him about Revolver and whether the so-called ‘de-mixing’ technology was good enough to allow him to remix the 1966 album. His answer suggested not, but he left the door open for it to happen: Variety further notes that an official announcement about the project, including release date and details on what material will be included, will likely come in September. Badman, Keith (2001). The Beatles Diary Volume 2: After the Break-Up 1970–2001. London: Omnibus Press. ISBN 978-0-7119-8307-6. George Martin– producer; mixing engineer; piano on "Good Day Sunshine" and "Tomorrow Never Knows"; Hammond organ on "Got to Get You into My Life"; tape loop of the marching band on "Yellow Submarine" Lennon later said "The Void" would have been a more suitable title, but he was concerned about its obvious drug connotations. [269]He had previously experimented with this idea in Ron Howard's 2016 film The Beatles: Eight Days a Week – The Touring Years, butit wasn't until now that the technology has been fully available and useful. Martin described it as being something "like an autopsy," a slightly unsettling analogy that nonetheless emphasizes the importance of each of Revolver's moving parts. "You open it out, and it's really healthy," he said, adding thatit was still crucial to not go overboardwith new technology, using it to only enhance what was already present. "We never do things for the sake of it."