Joined in 2023 
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63 About this deal
Some brands have a cork or rubber disc inside this knuckle to make the grip really tight, which is obviously great for rigging heavy stuff. Then when I shoot product, I put black paper tape on the stands that might reflect light into my set. Due to the heavy-duty design of the C-Stand, this helps to create a more secure Boom Stand set-up compared to a standard boom stand or adapted light stand and boom arm combination. You move your weight along the arm to find the perfect balance so that there is very little stress on the actual knuckle. If your camera has a rotating screen, then you can swing that screen out so that you can easily see what you are doing.
I personally prefer a tripod lateral arm because I like my set being lower to the ground but I know many bloggers tend to shoot on tables for overhead shots so this could be handy. In recent years, C-stands have found a new use, supporting the brackets used for balancing Steadicam (and similar) camera sleds. Whilst C-Stands are predominately designed to be used as stands for heavy lighting and modifiers, they offer a wide range of different uses.The knuckle can also completely come off the stand so you can use the stand for a light stand or grip other things onto the stand. This style of photography is ideal for capturing down facing shots, and is predominantly used in shooting products. The C-Stand, or century stand, was named for the company that first produced bespoke lighting gear for live theater and filmmaking: Century Lighting based in New York City, which later became Century Strand and eventually Strand Lighting.
By using two C-Stands, this allows you to change out the crossbar being used to offer a selection of different lengths to suit your background requirements. With its heavy-duty Stainless-steel construction, this grip head can effortlessly hold heavier accessories. I have two C-stands currently, and my supplier told me that the name refers to the fact that they can go to 100-inches or higher. Made from Stainless Steel, C-stands are capable of holding heavy lighting fixtures such as light banks, and strobes with large or heavy modifiers as well as other accessories such as scrims and flags, etc.You’ll be playing the game of getting the sandbag in the perfect position so that there’s less stress on the knuckle in the middle. C-stands or Century Stands are widely used by both photographers and movie makers alike due to their robust and sturdy build quality. The bag is slung over the top of the tall stand leg so the weight is fully on the stand and not the ground. C-Stands are suitable for combinations of heavier lighting and modifiers due to the larger maximum load capacity and stronger build quality compared to standard light stands.
When setting and tightening a grip arm, flag or other equipment in the grip head, it is crucial that the gear be set to one side of the grip head such that the weight causes the locking knob to tighten clockwise, or "righty tighty". Most C-Stands will come with a 5/8” Spigot/Stud on the top, which is the most common size on the market, allowing them to be used with most modern lighting units.This 161cm Studio C-Stand Stainless features a thick sturdy two-sectioned telescopic central column, that can be extended, giving this c-stand a minimum height of 71cm and a maximum height of 161cm. Avenger C-stands primarily designed to hold grip products, are an effective way of articulating the item they support using grip heads and arms. In film production, a C-stand (or Century stand) [1] [2] is primarily used to position light modifiers, such as silks, nets, or flags, in front of light sources. Anyway, this will be a good stop-gap until I need something a bit more heavy-duty for my bigger video camera. Since a stand is used to hold a piece of gear high above or far off to the side, the base of the stand must be weighed down, commonly with shotbags, sometimes with sandbags.
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