Quantum Listening: 2 (Terra Ignota)

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Laurie Andersonis one of America’s most renowned – and daring – creative pioneers. Known primarily for her multimedia presentations, she has cast herself in roles as varied as visual artist, composer, poet, photographer, filmmaker, electronics whiz, vocalist and instrumentalist. The Quantum Pod by Zapata Computing is a deep dive into the world of quantum computing. Focusing on the problems quantum computing can actually solve ... for enterprise use-cases, we break down what you actually need to know about how quantum computing will revolutionize the world. more

Quantum Computing Podcasts You Must Follow in 2023 15 Best Quantum Computing Podcasts You Must Follow in 2023

Delle Monache, S., Rocchesso, R., Bevilacqua, F., Lemaitre, G., Baldan, S., & Cera, A. (2018). Embodied sound design. International Journal of Human-Computer Studies, 118, 47–59. Palazzeschi, A. La fontana malata, from Poemi. Firenze, Cesare Blanc (1909). Retrieved from https://www.pensieriparole.it/poesie/poesie-d-autore/poesia-38384. Pauline Oliveros' life as a composer, performer and humanitarian was about opening her own and others' sensibilities to the universe and facets of sounds. Her career spanned fifty years of boundary dissolving music making. In the '50s she was part of a circle of iconoclastic composers, artists, poets gathered together in San Francisco. In the 1960's she influenced American music profoundly through her work with improvisation, meditation, electronic music, myth and ritual. Verma, T. S., Levine, S. N., & Meng, T. H. Transient modeling synthesis: A flexible analysis/synthesis tool for transient signals. In Proceedings of the International Computer Music Conference (pp. 48–51) (1997).Oliveros thought a lot about the distinction between hearing and listening. Hearing, she writes, ‘represents the primary sense organ – hearing happens involuntarily’. But listening is voluntary. ‘All cultures develop through ways of listening.’ Some thoughts are dreamier. ‘What would you want to hear if you had a bionic ear that could let you listen to anything, anywhere, any time?’ she wonders. ‘Would you like to zoom into a waterfall to hear individual sounds of the falling drops?’ Oliveros – caught in rapt attention – appears to be almost, unwittingly, describing a fatal level of abstraction. Deep Listening is my life practice," Oliveros explained, simply. Oliveros founded Deep Listening Institute, formerly Pauline Oliveros Foundation, now the Center For Deep Listening at Rensselaer, Troy, NY. Her creative work is currently disseminated through The Pauline Oliveros Trust and the Ministry of Maåt, Inc at PoP+MoM Publications. anchor.fm/quantum-ai-institute/episodes/Quantum-AI-Series-Dr--Hans-Melo--CEO--Menten-AI---Exclusive-Interview-by-Mava-Ghonda-e1c8gru Hear the latest news about everything from quantum computers to astrophysics, all straight from scientists at the University of Maryland. Relatively C ... ertain is produced by the Joint Quantum Institute and hosted by a rotating cast, featuring Chris Cesare, Emily Edwards, and Sean Kelley. Episodes from Quantum Conversations, a prior series focused entirely on quantum physics, will remain available under the new name. more On Pauline Oliveros – American avant-garde composer and hippy theorist – who dedicated her life to expanding our field of sensory perception

QUANTUM LISTENING by Pauline Oliveros - Good Press

In response to the anti-war movements of the 1960s, pioneering musician and composer Pauline Oliveros began to expand the way she made music, experimenting with meditation, movement and activism in her compositions. Fascinated by the role that sound and consciousness play in our daily lives, Oliveros developed a series of Sonic Meditations that would eventually lead to the creation of Deep Listening – a practice for healing and transformation open to all. Oliveros was Distinguished Research Professor of Music at Rensselaer Polytechnic Institute, Troy, NY, and Darius Milhaud Artist-in-Residence at Mills College. She founded "Deep Listening ®," which came from her childhood fascination with sounds and from her works in concert music with composition, improvisation and electro-acoustics. She described Deep Listening as a way of listening in every possible way to everything possible to hear no matter what you are doing. Such intense listening includes the sounds of daily life, of nature, of one's own thoughts as well as musical sounds. When speaking, I try to remind myself to listen from the heart space without expecting to convince or dominate a conversation. Sitting with what’s uncomfortable and detaching from an outcome invites possibilities to arise from the quantum field and a willingness to explore new opportunities. As an executive coach who works with leaders, I’m demonstrating a readiness to take in what’s ready to emerge from a space of mutual and emergent wisdom. It’s edgy inquiry considering ideas from the fringe of not knowing, what’s messy and possible chaos. Honoring my voice and the voices of others, I lose attachment to ritualistic rule-bound thinking and pre-determined outcomes. von Helmholtz, H. (1870). Die Lehre von den Tonempfindungen als physiologische Grundlagefürdie Theorie der Musik. F. Vieweg und sohn. anchor.fm/meet-the-mequanics---quantum-computing-discussions/episodes/meQuanics---QSIUTS-Seminar-Series---S06---Maria-Schuld-Xanadu-and-U--Kwazulu-Natal-efkscqShe had a huge and generous heart and gave freely of her musical treasures… She has left a rich, vastly detailed legacy. A meaningful life lived to the fullest.’ Terry Riley

Listening to quantum radio - Phys.org Listening to quantum radio - Phys.org

In response to the anti-war movements of the 1960s, pioneering musician and composer Pauline Oliveros began to expand the way she made music, experimenting with meditation, movement and activism in her compositions. Fascinated by the role that sound and consciousness play in our daily lives, Oliveros developed a series of Sonic Meditations that would eventually lead to the creation of Deep Listening – a practice for healing and transformation open to all, rooted in her musicianship. After Silence: Improvised Music, Listening and Environmental Sound. Other Thesis, University of the Arts London Letting go of a need to be right and genuine listening takes focus, concentration and is definitely work. The purpose of dialogue reminds us that listening for understanding is an exchange of ideas whose purpose is obtaining insights unavailable in the beginning. Being fully present is autumn listening; we learn to trust, let go of agendas and our attachments to them.When I do, l appreciate why someone supports or opposes an idea or position. I begin listening for commitment; my own and the other person’s perspective taking and meaning making. Her holistic approach to making music is a testament to the generative powers of listening, noticing, improvisation and responding to what is already here rather than seeking to overwrite it. Her work doesn’t shut out the world; it remains thoroughly connected to it.’ Claire-Louise Bennett Dypdykk I Musikkhistorien - Del 30: Kvinner I Eksperimentell Musikk (14.09.2020 - TFB) Oppdatert 25.09.2020The key to multi-level existence is Deep Listening – listening in as many ways as possible to everything that can possibly be heard all of the time. Deep Listening is exploring the relationships among any and all sounds whether natural or technological, intended or unintended, real, remembered or imaginary. Thought is included. Deep Listening includes all sounds expanding the boundaries of perception. Through Pauline Oliveros and Deep Listening I finally know what harmony is... It's about the pleasure of making music. Lemaitre G., Houix O., Voisin F., Misdariis N., & Susini P. Vocal imitations of non-vocal sounds. PLoS ONE, 11(12), e0168167 (2016). Retrieved form https://doi.org/10.1371/journal.pone.0168167. Vivienne Griffin (they/them) was born in Dublin, Ireland and lives in London. Griffin studied fine art at Hunter City University New York supported by a Fulbright Scholarship. Moving between digital and physical worlds Griffin is an anti-disciplinary artist who uses video, sound, metal, stone and drawing. Griffin explores the emancipatory prompts that technology can offer us through the ancient technology of the voice, raw materials and the digital binary. Quantum computing is an exciting and rapidly developing new field at the interface of quantum physics and computer science. In the Quantum Podcast, I ... interview the leading experts and thought leaders in the field from academia to startups and big-tech. I aim at providing insights into the latest developments and personalities that drive innovation. more

Quantum Listening | Zulfikar Rachman - Academia.edu (PDF) Quantum Listening | Zulfikar Rachman - Academia.edu

This podcast takes you behind the scenes into the world of quantum computing research: through conversations with researchers, we explore the latest a ... nd most exciting ideas in the field. The podcast is aimed at anyone interested in quantum computing. moreLemaitre, G., & Rocchesso, D. On the effectiveness of vocal imitations and verbal descriptions of sounds. The Journal of the Acoustical Society of America, 135(2), 862 (2014). Retrieved from https://iris.unipa.it/retrieve/handle/10447/370549/745030/1.4861245.pdf. Laurie Anderson is one of America’s most renowned – and daring – creative pioneers. Known primarily for her multimedia presentations, she has cast herself in roles as varied as visual artist, composer, poet, photographer, filmmaker, electronics whiz, vocalist and instrumentalist.