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Aputure 120d Mark II Studio LED Video Light Light Storm LS C120d II 180W 5500K LED Video Light 30000Lux (0.5m) CRI96 + TLCI97 + Bowens Bracket + Ultimate Upgrade

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As far as the colour rendering goes, above you can see the light recorded an average CRI (R1-R8) of 96.6 and an extended CRI (R1-R15) of 95.0. For accurately reproducing skin tones it recorded 97.6 for R9 (red), 98.6 for R13 (closest to caucasian skin tones), and 97.1 for R15 (closest to asian skin tones). These figures were very impressive and tell me that the light is very accurate in producing correct colours. Spectral distribution of the Aputure 120d on the left and a tungsten bulb on the right.

So, I say stunning light, and I guess, like almost everything in photography, that’s a subjective statement. But I really love the light this unit produces, in the situations I’ve used it. I held off working on this article as I wanted to get some good use in with the light as I’d originally planned for this review. That was to use it as my key light for food photography. DMX is the worldwide industry standard for film & television studios, theatre, broadcast, and all forms of digital networking systems. The C120D II comes with DMX capability, allowing studio creatives to maximize their range of uses for their lighting arsenal. I also found the overall fan noise to be less, versus the 120D MK I. You shouldn’t have any issues using this light during quiet interviews where the fixture is placed close to your subject. The 120d Mark 2’s DMX system is also pre-programmed with special lighting effects (i.e. thunder, fireworks, etc.) and allows users to input their own effects, creating a light that has truly limitless possibilities.Aputure also make a fresnel attachment that makes the light incredibly versatile. The attachment features an adjustable lens for flooding and spotting the light output from a 12°-42° beam angle. I haven’t been able to independently verify this, but Aputure claims the light intensity on the wide side is 14000lux, and goes up to a blinding 67000lux at a distance of 0.5M. The 1200d Pro comes with a light, a control box, and three reflectors. This includes a rolling case for the 1200d Pro and a separate case for the other two reflectors. The complete kit is listed below. LS 1200d Pro and Rolling Case Like China balls, they are ideal for table scenes that require evenly spread light across multiple participants. Just think, if you were to light a dinner table scene between three members of the family with three separate lights and a softbox/light dome, you’d need three individual light setups. With the Lantern, it’s one — positioned overhead. Aputure ( / ˈ æ p ə tʃ ər/) is a global designer and manufacturer of cinema lighting fixtures, light-shaping accessories and lighting software. Its products are used in studio and on location film sets along with in photography and live production. Separated light control design creates well-balanced center of gravity, eliminates use of weight bags

A 25% output increase is nothing to scoff at. I first turned on the 120D MK II and lit most of the downstairs of my home with the bundled reflector mount. Before the neighbors started asking about alien invasions I turned it off and decided to try it in a few situations in real filming environments for this review. It still doesn’t quite have the output for most exterior daytime applications (depending on cloud cover and time of day), but for that, I suggest you use a 300D MK II anyway. The LS C120D II uses 2.4 GHz tech to turn on and off and control brightness remotely over distances of up to 328 feet. If you have another Aputure light, you can use the same remote to control all of the company's lights. This is convenient because you may control up to three separate lights with one remote. In 2016, Aputure created the Lightstorm series, their first studio-grade line of lighting fixtures. [4] By 2017, they introduced their flagship lights—the Lightstorm 120d and Lightstorm 300d. [5] The Lightstorm 300d has won several awards such as “Best in Show” at major trade shows like NAB. [6] [7] Organization [ edit ] Offices and manufacturing [ edit ] Aputure officially announces “Light This Location 2019” contest" News Shooter. Retrieved 2020-03-15.The early team joined Xie and Sim with color scientists from Fujifilm and cinematographers from Los Angeles. Together, they engaged in product development of high-fidelity LEDs instead of low color renditioning diodes which were common at the time. [1] While the C120D II boasts an impressive studio grade build quality, it still weighs in at just over 2.2kg (4.85lbs) allowing filmmakers to easily take this light anywhere without having to worry about the transportation issues that frequently come with larger tungsten fixtures. The Brightest or the Dimmest In 2014, Aputure was founded. Its name was a play on combining the cinematography term " aperture" with "future." Aputure V-Mic D2: A Novel Approach to Basic DSLR Audio Limitations" Planet5D. Retrieved 2020-05-26.

Lighting that can be controlled remotely would be ideal for solo photographers. Nothing is more inconvenient than walking over to the light and returning to the lens to see how it appears. When selecting Auto/Force mode, the fan can also rotate at its top speed. The heat dissipation performance and LED durability are both improved by this complicated fan arrangement. The 1200d Pro fixture is aimed at the pro/rental market, requiring a better build quality. The LS 1200d Pro has a weather-resistant construction so that it can withstand inclement weather. There are no controls on the light its self. All controls are located on the controller/ballast. As you can see in the image above, the 1200d Pro is boxier than the 600d Pro. I would imagine this helps make the light easier to work in tighter locations and cooling. Fan Speeds

LS 1200d Pro Photometrics Provided by Aputure

The 120d MKII boasts an incredible luminance of 135,000 lux at 0.5 meters away with the Aputure Fresnel. With an approximate brightness equivalent to a 1,000-watt tungsten light, the 120d MK2 is nearly 25% brighter than the 1st generation C120D, making it competitive with some of the highest-grade studio lights on the market. The original C120D was revolutionary for its compact size and high build quality. The 120dM2 now takes this a step further with a new round of upgrades. A funny thing happened on this journey.As I mentioned at the start, I did a little self-portraiture in my shed for a project I’m working on. I shared the image with Aputure and it’s now in their catalog! So, that was kind of cool…

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