All You Need to Know about the Music Business: 10th Edition

Product Information

But this book isn’t just for musicians either. The advice here expands to others that may want to get into the business, like agents and managers, and presents the path to success without sugar-coating it. Donald Passman’s iconic music guidebook was first published in 1991. Nine editions later, this book is still a go-to bible of the business, providing advice for musicians, managers, promoters, and publishers alike.

All You Need to Know about the Music Business: 10th Edition

But it still depends. On the other hand, if you want to be a world-renowned artist on the radio, promoted in every territory, that’s something no artist has been able to do yet without the help of a major label that has money, expertise and clout.

1. How To Make It in the New Music Business

The book contains a lot of interesting chapters including protecting your name and music, sampling legally, avoiding legal issues, and how to collaborate with other musicians. You should look into this one. Conclusion

ALL YOU NEED TO KNOW ABOUT THE MUSIC BUSINESS

It’s an unprecedented era for artists right now. Home-recording is easier and more accessible than ever, as is interacting with fans from a phone, and building a following from your bedroom studio. If you’re making music and hoping to make it big, definitely add these to your reading list. 1. How To Make It in the New Music Business Start Your Music Business by Audrey Chisholm Esq. is a brilliant, easy-to-read guide for all those in the industry who wish to start a music business. The author is a well-known music attorney who has seen a lot. This book is her way of presenting her knowledge and ultimately helping out new music entrepreneurs. Thank you so much for taking some time to talk, Don. How did you find your way to the music industry?Finally, All You Need to Know About the Music Businessisn’t told by a musician at all, but rather a lawyer who’s worked in the business. The book has been consistently updated for over 20 years, and offers both current and timeless advice for anyone looking to make it in this fiercely competitive field. Certainly in the beginning, whether you’re going to do it entirely on your own or attach to a label, you have to build a fan base, a presence and an audience. And how are you seeing the heritage artists stay alive now that the master bundle of rights are not as valuable as they once were? Where are their businesses headed? With an endless pool of talent out there — not to mention countless ways to share and release your music — what does it take to break in? PDF / EPUB File Name: All_You_Need_to_Know_About_the_Music_Busin_-_Donald_S_Passman.pdf, All_You_Need_to_Know_About_the_Music_Busin_-_Donald_S_Passman.epub

All You Need to Know About the Music Business: Eighth Edition

Exactly. And they also don’t care how many times they are told “No,” or how many obstacles are put in front of them; they just keep moving. Herstand walks you through everything here from the ground up, citing his own personal experience, quitting his barista job and diving in fully to be an independent musician. The book explains the importance of things like establishing a constant presence on social media, getting songs placed in film and TV shows, and building a grassroots fanbase. And of course, earning money to keep your career going for the long haul. This book covers all the bases of building a lifelong career in music – both onstage and off, breaking down the giant industry into easily digestible chunks. All three may offer different viewpoints, but one key driver of success they all share: hard work. Talent is necessary, but will only get you so far. The rest relies on focusing your efforts on the right places — like establishing a constant presence on social media — playing frequent shows, and building a strong and loyal fan base from scratch.

Retailers:

Donald S. Passman is the author of All You Need To Know About the Music Business and a graduate of the University of Texas and Harvard Law School. He practices law with the Los Angeles firm of Gang, Tyre, Ramer, Brown & Passman and has specialized in the music business for more than forty years. Considered the industry bible by the Los Angeles Times, All You Need to Know About the Music Business: Ninth Edition is a gem of a book by the music lawyer Donald Passman. It is basically the de facto guide for the music industry and is highly recommended for anyone who wants to get into it. I was also told that Van Halen actually didn’t have a lawyer during their biggest touring years. This allegedly cost them millions of dollars. Yes. That’s a familiar story, a lot like mine. And of course, you’ve written a really great book about the music industry that has had many new editions over the years. Which sections have you found you needed to update the most with each re-write?

All You Need to Know About the Music Business: Canadian All You Need to Know About the Music Business: Canadian

Musicians understandably don’t like dealing with the business side, for the most part. Some of them are really good at it, but most do not enjoy it. And that’s really why I wrote the book: There are a few key concepts that, if you understand them, can really help you understand how your money comes in and where it’s supposed to come from. And then you can more intelligently participate in the decisions in your life.Yes. They definitely do things differently. And this is something I’ve been a student of, because I have been very fascinated by why some artists are huge and others aren’t. The funny thing is, it’s not about talent, because I’ve known some incredibly talented people that have had only moderate careers or no careers at all. The real keys to success are drive and determination. You need to be willing to walk through walls to get to where you need to go and not get discouraged. I think that is something really big they have all had in common. For more than twenty-five years, All You Need to Know About the Music Business has been universally regarded as the definitive guide to the music industry. Now in its tenth edition, Donald Passman leads novices and experts alike through what has been the most profound change in the music business since the days of wax cylinders and piano rolls. For the first time in history, music is no longer monetized by selling something—it’s monetized by how many times listeners stream a song. And that completely changes the ecosystem of the business, as Passman explains in detail.