Propaganda

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Beyond Bowie: The mutating art-pop of Sparks in 10 records". Thevinylfactory.com. 17 November 2015 . Retrieved 14 September 2020. Easlea, Daryl (2009). "In an interview recently, the Human League cited that record as the thing that got them excited and focused on what they were doing." Wargasm's Venom: a fun as hell, genre-splicing, relentlessly entertaining ride, and one of 2023's essential debut albums Pirro, Jonathan (22 April 2013). "Fauxchella Review: Sparks: "Two Hands, One Mouth" at The Chapel, 9 April 2013" . Retrieved 18 August 2015.

Morrissey Reveals His Favourite LPs Of All Time, thequietus.com, 13 August 2010 , retrieved 1 August 2017 In conclusion: Kimono My House is a marvellous album which I will add presently to my collection. It features a collection of songs that never failed all week to put a smile on my face and make me want to dance, and for that reason it will score a 10 from me.Sparks Plagiarism (1997)–The only truly terrible Sparks album and that is all I have to say on the matter. Anyway: Propaganda. If Sparks ever did what was expected, Propaganda follows reasonably well in the steps of Kimono— it’s not a huge leap like they’d often do, swapping genres. It certainly feels like it follows Kimono more than Kimono followed A Woofer In Tweeter’s Clothing, which I suppose makes sense considering that most of the same band played on both this and its predecessor. CTDB TOCID: CdvMi3J1EVadboVrmZuYXwm5eF0-] found, Submit result: CdvMi3J1EVadboVrmZuYXwm5eF0- has been confirmed The feeling that chaos was about to erupt was palpable": Thurston Moore's memoir Sonic Life is a fascinating insider account of life-changing outsider art, and one music geek's insatiable lust for the loud

a b c d e f Alfvegren, Skylaire (1998-11-04). "Shooting Off Sparks". LA Weekly. Archived from the original on 2006-12-07 . Retrieved 2006-04-13. Moore, Stephen. "Album review: Sparks – A Steady Drip, Drip, Drip". Islington Gazette . Retrieved 14 September 2020.a b Taylor, J.R. "Lively Sparks". New York Press. Archived from the original on 2006-05-27 . Retrieved 2006-04-13. Sefton, Max (4 December 2013). "Live review: Sparks at The Arches, 25 November 2013". Ravechild . Retrieved 18 August 2015. The vocal sound on the single "This Town Ain't Big Enough for Both of Us" was criticised as being "stylised". This may be because the song was written without any regard for the vocal style of Russell Mael. Ron Mael has explained: And then there's the smash hit that combines the two styles, This Town Ain't Big Enough for Both of Us.