Linsoul 7Hz Salnotes Zero HiFi 10mm Dynamic Driver In-Ear Earphone IEM with Metal Composite Diaphragm Stainless Steel Faceplate Detachable 2Pin OFC Cable (Black, Without Mic)

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Fit is the biggest issue with the BL-03, due to their very short nozzles. Most consumers struggle on this front and need to resort to aftermarket longer ear tips, or mods, to optimize the ergonomics. Essentially, this translates to added cost. Vs. 7Hz Salnotes Zero After the Upper Midrange, we’ve got the Treble region between 6kHz and 8 kHz, and this is where things start to Doesn't require fiddling with the Equalizer (may be you'd want to pull down 8k hz a tad?). The e3000 definitely needs EQ, without which it can sound bloated / congested particularly on low powered sources

The imaging on the Salnotes Zero is also noteworthy. It is better than any other model we have heard in this price range. You can easily feel the direction of instruments and singers. The imaging is so precise that you can almost point out where each instrument is coming from. This level of imaging is not common in earphones at this price range, and it is impressive that Salnotes Zero has been able to deliver it. With the Salnotes Zero, you can enjoy a level of clarity and separation that is rare in budget in-ear monitors. Better timbre on all instruments, after EQ. Keep in mind the Zero doesn't require EQ. Though if you are obtuse to EQ you'll definitely find everything a little drowned out on the E3000, on a phone without a dedicated DAC/Amp attached. Tests were done with a Khadas Toneboard DAC -> Schiit Asgard 3 amp, E1DA 9038, Questyle M15, Colorfly CDA M1, Tempotec Sonata HD Pro (BHD firmware mod), Apple dongle, smartphone, Hiby R3 Pro Saber 2022 DAP, and Sony NW A-55 DAP (Walkman One mod) using FLAC and WAV files. The mid-bass hits with quite a good punch, though in terms of quality, it is on the slower side; there’s smearing noted in complex bass movements. Texturing is below average; unfortunately, there is mid-bass bleed, with an undefined bass heard. Midrange In conclusion, we highly recommend the 7HZ Salnotes Zero. It is an excellent choice for anyone looking for their first IEM or for experienced audiophiles who are looking for a great value for their money.if u want clean balanced sound signature i still prefer CHU...yes as am already said 7hz zero sounds good , but its overhyped by the online community..seems like a new marketing strategy The Salnotes Zero outperforms its competitors in terms of sound quality, design, and value. At its price point, it is a steal and should not be missed by anyone who is passionate about music. I paired these iems with Moondrop Moonriver Ti 2 and I can say they do definitely sound so much better than any iem that I have or have owned before. The quality of the sound, the texture, clarity and tonality are very apparent and noticeable to me. They are very comfortable to wear and lightweight. The cable does not produce any noticeable microphonic noise and has 3 types of connection, 3.5 single ended, 4.4mm and 2.5mm balanced connector.

One of the most impressive aspects of the Salnotes Zero is its soundstage. It has a wide and spacious soundstage that creates an immersive listening experience. You can feel like you are sitting in the middle of all the artists, and they are all playing just for you. The soundstage is so well-defined that it can even make some songs sound better than they did before. For instance, when listening to Teri Fariyad by Rekha Bhardwaj and Jagjit Singh, the soundstage is so wide and open that it almost feels like the performers are in the room with you. The soundstage is one of the best we have experienced at this price point, and it's a testament to the quality of the Salnotes Zero. Imaging: everything between 80 and 300 hertz. In this area, we’ve got instruments like bass guitar and the low end of a

IEMs don’t usually get damaged. The cables can get damaged with usage. So it’s easy to replace them if they are conveniently detachable. The soundstage is decently wide, though depth and height are below average. Micro-detailing, instrument separation, and clarity lose out to competitors. Imaging and layering are acceptable, though the intimate soundstage might make music congested, especially when it comes to fast or complex songs. These earphones/IEMs are designed to present how audio tech, typically associated with listening to music, can be used for two-way communications.

The Salnotes Zero has a simple and cool-looking design that is made from high-quality materials. The earphones fit nicely in all sizes of ears and provide excellent comfort for long listening sessions.The treble on the Mangird Top is extended and airy, but it's not too bright or harsh to my ears. This makes the IEM sound very open and spacious. The treble is also very detailed and can hear all the high-frequency details in your music. The Zero is a fantastic product "for the price". The linearity, presentation, detail and extension on both ends are commendable. When pitched against a higher tier it WILL begin to show flaws. The soundstage is confined/intimate/narrow, instrument separation is mediocre, layering is poor, metallic/artificial timbre on instruments, generally less refined sounding (artifacts can be noticed when you compare against a higher tier like say, the E3000). I know that's an unfair comparison but just goes to show these are NOT giant-killers by any stretch of imagination! The CHU are tuned to Moondrop’s virtual diffuse sound field (VDSF) tuning philosophy (their in-house variant of the Harman curve). Detachable cables allow you to swap out different kinds of cables. These can feature materials that make a difference to the sound signature or different termination types like 2.5mm or 4.4mm, which are sometimes needed to plug into various devices. In technical performance, the soundstage of the BL-03 is slightly more expansive; however, micro-detailing, imaging, and instrument separation are better on the Wan’er.