Yinyoo KZ ES4 In Ear Stereo Earphones 1DD 1BA Wired Earbuds, Hybrid Drivers 1 Dynamic and 1 Balanced Armature driver Headphone with 3.5mm plug (No mic, Black)

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Shozy Hibiki Mk2: the Hibiki Mk2 are, among the headphones presented in this comparison, the most similar to the AS10 in terms of tuning. There are some key differences, though: the AS10 are more balanced, thanks to more treble presence and better extension; midrange is also less warm, and bass is a bit more controlled. In terms of quality, the AS10 seems to have better detail and better instrument separation, which lead to clearer sound. Soundstage is where the Hibiki win, as they are able to present music in a relatively wide space. Let’s face it: while KZ headphones often offer good value, they have never been great soundwise. Yes, they are good… for the price. After many, many headphones plagued by tuning issues, the KZ AS10 are finally balanced and without the spikes and dips that characterise most of the company’s products. No more aggressive upper mids, no more overpowering mid-bass, no more fatiguing treble. This is finally a KZ product that gets tuning right. The irritating thing is that it is more than probably just a chance, as KZ is notorious for using off-the-shelf drivers without any proper tuning work.

KZ ES4 In-Ear - Gadget ที่ใช่ หูฟัง KZ ES4 In-Ear - Gadget ที่ใช่

Like the ZS10 before it, the AS10 does not offer a high level of passive isolation from external noise, providing just a bit of reduction in volume and not much more. Using foam tips helps reduce noise a bit, but they can’t replace the isolation that the shells do not offer. KZ opted for their usual V-shaped approach, but this time they finally got it right by avoiding the usual blatant unbalance that plagues most of their headphones. These are still heavily coloured headphones, but at least they’re enjoyable and don’t display excessive peaks or dips. The dynamic driver has a 10 mm diameter and KZ says there is a layer of graphene over it – I highly doubt it, since graphene is still not suitable for industrial applications and is confined to research labs around the world. It seems KZ is using the same balanced armature as that on the ES3: the Knowles 30095. They say it is a custom unit and I hope so, as the entry for the 30095 on DigiKey reports a frequency response of 120 – 7,400 Hz, which appears quite disappointing. ES4 doesn't hit you with any too obvious flaws. Bass is on the stronger side but it's punchy and controlled well so I think it's fine. Mids are nicely present and very detailed, highs are again very detailed and extended without being too sharp on my ears. All in all it's a very fun listen, but mids are still not full enough and vocals often get stripped from their fullness and reduced to sounding thin and sometimes sibilant. But all in all it's a nice effort for KZ.Qualcomm CSR8645 is a powerful Bluetooth chip. Excellent connection stability, support AptX lossless audio transmission technology, supports AAC-LC advanced audio coding technology, supports EDR Bluetooth enhanced rate. Support CVC 4 noise reduction technology, etc. It is the representative of Bluetooth wireless connection technology on the market. KZ ZS10: the ZS10 are much more detailed than the ES4 in every part of the spectrum, also featuring much better instrument separation. Alas they also have a terrible spike in the upper mids/lower highs that makes the sound fatiguing and even piercing at times. The sound signature is also not as balanced and results in an unnatural sound. The ES4 are therefore the better option when it comes to tuning. KZ originated, in 2013 advocated ultimate, fashion and simplicity focusing on the faith of revolutionary pursuit ultimate attitude forward life. Much like most of the latest generation of KZ earphones , the KZ ES4 is a very comfortable earphone to wear and does not generate in-ear pain. Wide with tenmak, deep with star lines. Its good, actually better than AAW nebula 2. Its a V shape iem with fairly wide and moderately deep stage.

KZ ES4 Hybrid 1ba 1dd IEM Earphones, HiFi Stereo Sound Wired

BA ให้รายละเอียดที่คมชัด เนื้อเสียงชุ่มฉ่ำ เสียงร้องชัดถ้อยชัดคำ ฟังสนุก เสียงออกแนวหวานกังวาลใส ส่วนเสียงสูงก็ทอดออกไปได้ไกลกำลังดี เนื้อเสียงหวานเช่นกัน รายละเอียดครบถ้วน เนื้อเสียงไม่แห้งมีสากเสี้ยนบาดหู ปลายเสียงเก็บไวไม่แตกพร่า ทำให้ฟังได้นานไม่รู้สึกปวดแก้วหู ตรงจุดนี้ต้องยกความดีความชอบให้ไดรเวอร์ Balanced Armature จริง ๆ ที่ทำจุดเด่นออกมาได้ดีขนาดนี้ ส่วนเวทีและมิติเสียง มีขนาดกลางกำลังดี ไม่แคบ จัดวางเครื่องดนตรีได้ดี เสียงร้องพุ่งออกมาข้างหน้า เครื่องดนตรีย่านต่ำคลออยู่โดยรอบฟังสนุก เนื้อเสียงมีความสมจริงมาก ๆ แนวเพลงที่เหมาะสม KZ ZSA: in terms of technicalities, the ZSA are very similar to the ES4: instrument separation is largely comparable, while soundstage appears slightly larger on the ZSA. There’s no clear winner, though. The ZSA have a much more pronounced V shape in their sound, with prominent bass and treble that really stand out. The upper mids spike is way worse on the ZSA than on the ES4. And today I will be talking about a KZ IEM which shook me completely. Some may think it is a pretty weird review because on KZ thread, it is mentioned to be a treble tamed bass boosted KZ ZST.

Midrange is certainly recessed, but not as much so as to sound distant or as to make you wish for more volume. The signature is balanced enough to leave midrange enough room to breathe; instruments (including voices) are placed in the mix so that they are always clearly audible. Tonally-wise, midrange is on the warm side, but gently so: mids stay balanced and the upper range is not too far behind the lower range. This presentation is quite relaxing and enjoyable, especially if you listen to acoustic instruments. It’s decent even if we take a few other matters into account: detail is good enough to deliver the necessary nuances, but you never get to taste the finer ones. Even a few smaller details get lost in the mix, though that’s to be expected. Speed is good, though, so fast transients are rendered with impressive accuracy for the price range the KZ ZSN are in.

KZ ES4 + สายอัพเกรด ของดีราคาประหยัด - Pantip รีวิว KZ ES4 + สายอัพเกรด ของดีราคาประหยัด - Pantip

I tried the KZ AS10 with the following equipment: Topping DX7, Venture Electronics RunAbout 2.0bl, Cayin N5ii, Aune M1s. Source files were standard resolution FLACs for the better part. Though it is useless, I ran break-in for 100 hours. KZ AS10 KZ ED16: the ED16 stand out because of their instrument separation and soundstage, which are way better than those of the ES4. Detail is also better in the treble and bass regions, while in terms of tuning, they have more emphasis on the usual region across midrange and treble. Midrange also pops out more, yet the general impression is not that of better balance. What really prevents the ED16 from being better is the relative unbalance.KZ ZS10 จะมีขนาดใหญ่มาก แต่จะมี dynamic driver ช่วยในเสียงเบส 1 ตัว และเป็น Balanced Armature อีก 4 In​-ear แบบถอดสายได้​ ขั้ว​ 2​ Pin ช่องเสียบตามภาพครับ​ เราสามารถซื้อสายอัพเกรดเปลี่ยนได้​ตามความชอบ​ (แนะนำอย่าถอดเข้าถอดออกบ่อย​ เพราะรูมันจะหลวม)​ Tries to get into upper bass register and bleed towards mid, but is now in control due to tenmak tips. It is to punchy and is distinct(I don't like that much punch) but is still maintaining a fundamental tone, so I can tolerate. But on slow, classical or orchestral songs this mid bass is very good. It defines the weight of instruments. Isolation-wise the KZ ZSN are decent, but alas distant from the 26 dB noise reduction touted by the manufacturer. Ambient noise gets reduced by a little bit, but I could not avoid raising the volume while on public transport. Sound & Specs I am quite surprised by what KZ achieved with these earphones. The KZ AS10 are amazing in their own way: their tuning is balanced and enjoyable, there’s a very good technical level and they’re comfortable. They’re not perfect, though, as there’s still some work the tuning could see – a bit more clarity with a slight emphasis on the upper midrange and more treble extensions would make them even more interesting.