wilko Garden Coastal Cliff Colour, Long-lasting Exterior Paint, Outdoor Paint For Stone, Brick, Wood And Terracotta, 2.5L

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In this video I show you how to paint a coastal seascape featuring cliffs and the ocean around the south coast of Guernsey, a small island located in the English Channel. Although not as famous as the well-know series listed above, the analysis of the “Cabane des douaniers” is fascinating. For example, in an example exhibited at the Philadelphia Museum of Art the composition is virtually identical to that of the already commented “Cliffs near Dieppe”, while in an example belonging to an American private collection the dramatic effect of the composition is not only created by the verticality, but it is also reinforced by the asymmetry caused by the diagonal of the cliff. Claude Monet: “Cabane des douaniers at Varengeville” (1882) – Boston, Museum of Fine Arts The French artist made another trip to England in 1899-1900, in his mature years. And although Monet’s visit to the British Islands will always be remembered for the spectacular and famous views of the Houses of Parliament in London, his first stay is a turning point in the biography of the French painter due to the very important influence of Turner in his artistic oeuvre. Claude Monet: “Mill near Zaandam” (1871) – Private collection

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Farrow & Ball Dulux Homebase Crown Heritage Crafted by Crown Ronseal Craig & Rose Sandtex Elle Decoration Rust-Oleum Annie Sloan Zinsser Cuprinol Laura Ashley Sofas & Sofa Beds Chairs & Footstools Tables Storage & Home Throws Rugs Dining Chairs Dining Table Sets Cooking & Dining I paint the sky with ultramarine blue and titanium white. In general I am trying to keep it simple with the colour mixing by using fewer colours. The benefits of this is that the colour mixtures look cleaner. The artistic oeuvre of the Impressionist painter par excellence, Claude Monet, seen through his seascapes. A fascinating virtual tour through the relationship between the impressionist master and the sea. Claude Monet: “The Manneporte” (1884) – detail Using a No.8 flat brush, I loosely mark in the form or the waves and ripples using a combination of ultramarine blue with a little yellow oxide and more titanium white. the I reinforce the shadows by using my original sea mix, ultramarine blue with a little yellow oxide and titanium white but I also add a little phthalo green into the mix too.

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Now for the sea, now you may be wondering how you would paint a large body of water and not get bogged down in the complexities of the waves and light hitting the water. Well, I keep it simple!

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Before painting your shed, or any other wood in the garden, homeowners should take B&Q's advice into consideration. If you found this video interesting and helpful and you like what I do, any donations to help support my art career would be greatly appreciated.What about Netherlands? Well, Netherlands was for Monet ‘love at first sight’. “Everything is more beautiful than we had expected (…). Here are enough landscapes to paint throughout my whole life”, he wrote. Monet was immediately fascinated by the Dutch landscape, and especially by the town of Zaandam, with its boats and windmills. Perhaps the contemplation of the canvases by Hobbema and van Ruysdael made reemerge his early admiration for Jongkind. Or perhaps the love for the pure landscape of these old masters encouraged the artist to look for new challenges. But the truth is that the Dutch influence is visible not only in Monet’s “Dutch” paintings, but also in many of his seascapes created in the coast of Normandy. First of all I mix the colours which are primarily ultramarine blue with a little yellow oxide and titanium white. For the areas of the water that are in shadow I used the exact same colours, just less titanium white.