The End and the Death: Volume II (The Horus Heresy: Siege of Terra)

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We’re not going to go into every little detail of the plot here. I can’t promise this will be spoiler free, but we’ll give it a go. The Emperor was Alexander the great and potentially Jesus. Horus laughs at him for crying over a river thinking there were no worlds left to conquer. So what is it about? “It’s the final hours of the Siege, the confrontation between the Emperor and Horus, which is immense. And it’s also obviously the fallout of all the other major events that are going on at the time. It’s the end of the Heresy era and the beginning is something new. There is a sense of history, pivoting in the most dramatic sense, and a lot of very important loose ends come together.” It is The End. After more than 20 years of gripping novels the final moments of the Horus Heresy are in sight. Hundreds of characters have fought tooth and nail to reach this epic conclusion, and many millions more lie dead in their wake as worlds burn across the galaxy. Warhammer Community: The (Beginning of the) End Is Nigh – The Final Siege of Terra Story Is Revealed (posted 31/8/2022) (last accessed 31/8/2022)

Volume two of The End and the Death is coming later this year, but as we revealed last week in an interview with Dan Abnett , there is a third volume coming – and today we can unveil the cover.The Emperor wants Sanguinius to stay because his wounds from Angron were grave but Sanguinius believes he is fated to die due to Horus. If he stays then that means Horus will kill the Emperor and then come to kill Sanguinius. But if Sanguinius is killed by Horus first it means the Emperor has a chance. Sanguinius however still wants to defy fate and kill Horus. The End and the Death: Volume II is the second part of the eighth novel of The Horus Heresy: Siege of Terra series. [1] Description Malcador begs the Emperor to talk to him multiple times but gets no response, the Throne is overwhelming the Emperor with pain but he is doing a thousand things at once on the throne, inspiring individual soldiers on Terra, soothing civilians, directing the webway. Finally he reaches out to heal the Khan's soul and Malcador knows he has returned. The Khan is still injured and will take months potentially to heal but the Emperor is conscious again

So that’s what’s in the book, what’s good about it, what isn’t so good, and how it’s written. But that’s not all this one is, because there’s a great deal of symbolic importance to the End above and beyond it being the first half of the End itself. The cover art is awful. Presumably same person who did the awful Master of Mankind's and Visions of Heresy covers But first, a little warm up – the covers of Volumes I and II. The first featured the Emperor on the Golden Throne biding his time, the second his angelic son Sanguinius facing off against the Warmaster on the Vengeful Spirit … so what’s next? The shattered remains of Cadia still hold some secrets – and new lord castellan Ursula Creed cannot escape their pull. Find out what awaits her there in Creed: Ashes of Cadia by Jude Reid.The Emperor's forces are all split up when they teleport. Dorn is teleported to a desert where he spends centuries surrounded by tens of thousands of dead Imperial Fists. he slowly forgets of the Siege and begins to be tempted by Khorne who promises an end to thinking and plans and the life of a simple warrior who only needs to kill his enemies.

Doombreed, the host of Drach'nyen, Be'Lakor, N'Kari, Ku'gath, Skarbrand, The Masque, Bubonicus, Ulkair from Dawn of War etc. were all summoned by a person Horus thinks is Zardu Layak and are fighting on Terra This has nothing to do with the review but it’s my favourite relevant art. Horus and the Emperor, Adrian Smith. Credit: GW. The Emperor and Oll Persson once conquered the Tower of Babel when Oll was his Warmaster because it was dedicated to learning Enuncia. Oll thought they were going to destroy the Tower but the Emperor thought Enuncia could be useful. Oll stabbed him. The book is written in the present tense and there are several POVs. The war is mostly over, everyone left outside the Eternity Gate when it was sealed knows they've been left to die and group themselves into haphazard units and formations. Titans are being crucified along the Palace's walls, the World Eaters have been tearing the turrets off of tanks and building a graveyard of tank-skulls, the White Scars holding the Lion's Gate Spaceport are being battered by fire from the Traitor fleet. Thats not how it went though. Then again, Abnett already retconned the Ol' arc that you are putting Sanguinius into...so who knows what else he will change.The chaos of the siege doesn’t help the second half of the book. Everyone’s had an approach to the immense scale of these final hours in one way or another – the Solar War added literal space to numbers, Saturnine slammed through hundreds of overlapping viewpoints at a rapid pace, Echoes nailed the conflict to a single, burning point. The End and the Death attempts to do it all, and for all of the skill on show in writing different voices and perspectives, it’s where the novel creaks and breaks. We’re told rather than shown the preposterous scale of the conflict. It feels less apocalyptic and terrifying than the masterwork that was Saturnine because it loses the key focal point to show the desperation we’re told is present. Chapters of “Fragments” – single paragraph or even single line vignettes – are supposed to show us the full extent of the siege, and sometimes do this to great effect. Others, unfortunately read like some of the early attempts to establish the Stormcast Eternals as viable protagonists, all nounverbers at the placenames against the adjective verbnouners. There’s just too much context. We know the world is on fire, but seeing every single flame detracts from the inferno.