No Ballet Shoes in Syria

Product Information

But at the same time, Aya and her family must fight to be allowed to remain in the country, to make a home for themselves, and to find Aya’s father – separated from the rest of the family during the journey from Syria. Kortom een boek om in één ruk uit te lezen, niet enkel voor de doelgroep, maar ook voor volwassenen. Object number four will probably signal the climax of your story (the great battle, the big chase scene, the night of the prom, or the grand final of the competition…), whilst object five will help you weave your way to resolution (which doesn’t have to mean a happy ending– just a tying up of ends. Do you win the battle– lose the race – catch the villain – kiss the boy on prom night– and what are the consequences? Where and how does everyone end up as a result?) Author Guy Bass introduces SCRAP, about one robot who tried to protect the humans on his planet against an army of robots. Now the humans need his... A brilliantly-conceived and hugely imaginative ‘sequel’ to Mary Shelley’s masterpiece, Following Frankenstein is a hugely exciting and beautifully-written historical adventure, perfect for 9-12 year olds.

The story of Aya's journey is juxtaposed against her current experience of seeking asylum in the UK, which is, in turn, juxtaposed against a Holocaust story. Very cleverly woven. ♥️Twelve-year-old Yeva’s diary from the early days of the Russian-Ukrainian war, showing how war affects ordinary people. For more information and to see Catherine discussing her inspiration for the book and reading the opening chapters, visit www.nosycrow.com John Boyne is under fire for daring, as a white Irish gay man, to write a children’s book about a trans child. Catherine Bruton, the author of this novel about a Syrian refugee with a passion for ballet, clearly expects to get the same treatment and has felt compelled to write a defence of her actions at the end. I’m sorry I’m not a refugee, but this is important, kinda thing. Personally, I wouldn’t give the time of day to those who think you have to be Noddy to write a book about him... but there we are. It’s two years since her philandering first (and only) love Joel walked out taking the last of her self-confidence with him and she has remained resolutely single ever since. Now it’s time to weave in object number two. Don’t forget to describe it – make it come alive for the reader. How does this object come into the tale? The role of object number two is to help introduce a complication to your story? An obstacle that might prevent your character from achieving what they want. Over to you ….

Education Shed Ltd, Severn House, Severn Bridge, Riverside North, Bewdley, Worcestershire, UK, DY12 1AB Sometimes I was jealous of the monster of Frankenstein. I grew up believing my father cared more for him than he did for me. And was I wrong?It’s been a year since everything happened, but I still have bad dreams. Dreams of me and Tokes and Little Pea, racing through burning streets on the night the city was in flames… When I discussed the idea with my editor at Nosy Crow, we were both conscious of the difficulties of writing about events that are happening now – complex, potentially troubling issues that we would be asking young readers to confront without the distance of history. I have a quote from one of my favourite writers, Alan Gibbons, above my desk: “I never enter a dark room unless I can light the way out.” That’s what I wanted to do – to confront difficult issues, in a way that didn’t offer glib solutions or whitewash the truth, but which did offer the consolation of hope.