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The Hidden Palace: A Novel of the Golem and the Jinni

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This stage is completely devoid of objects and badniks in any act. However, art and code for the Jaws and Burrobot badniks exist in the game’s object table, but go unreferenced. There are some audio glitches near the end of the 1UP sound cue. This can sometimes cause other audio problems to occur in the sound driver.

From the shoreline came a note of surprise, small but edifying. He pushed with the other foot, and then again, moving outward from the shore, curving slightly to the right; he leaned left, found his balance, and swerved to an upright halt. He looked around, pleased with himself, then took off again: one foot and then the other, finding a rhythm, building speed, the wind whistling past him as he curved out toward the center of the pond… The thing I liked the best about this second book in the series is the way the secondary characters are used to add texture to the world and to lead to change in the lives of Chava and Ahmad. Act 2 starts with Sonic being placed inside a transporter much later into the level, rather than the actual start of the level located further up and left.

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Unable to sleep, or to reveal their identities to neighbours, the jinni and the golem turn to each other, despite the differences in temperament. Closeness leads to a more intimate relationship, tempered by the need to maintain their cover stories: Chava working in a Jewish bakery and Ahmad for his friend Arbeely in their metal workshop. By following the couple around the night streets, the reader will get immersed in the life of the city, as we follow them through Central Park or the construction of the Brooklyn Bridge. Ahmad interest in architecture is inflamed by the opening of the Pennsylvania Station, that veritable temple to Art Deco. Chava suffers along with her neighbours as they witness the Triangle Shirtwaist Factory Fire. Wealthy socialite Sophia Winston, left with a debilitating physical chill from her brief affair with the jinni in the first book, breaks free of the strictures of New York high society and travels to the Middle East in search of a cure, protected by a pair of retired Pinkerton detectives. There Sophia meets a female jinni, or jinniyeh, called Dima, who has the unique ability to touch iron and a fascination with the stories she’s heard of the iron-bound jinni who lives in America. Dima promises Sophia a cure to what has ailed her for so long, but for a price. We also have a new golem and a new jinn, both of whom are half-formed and not particularly likable characters that add nothing to the story. The other new secondary characters are fine, but nothing special or unique.

Proprio con quest’ultimo Riva instaura da subito uno splendido e meraviglioso rapporto di amicizia che successivamente diventa di lavoro. Thea wants me to come to supper,” she told the Jinni sourly one winter night, as they walked the Mall beneath the snowy elms. “She’s planning, in secret, to invite a neighbor of hers, a man she thinks of as ‘poor lonely Eugene.’ You can guess her motives.”

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The Hidden Palace has a dual timeline, it's told from two points of view, and it alternates between 1923 and 1944. Chava is a golem, a woman made of clay, able to hear the thoughts and longings of the people around her and compelled by her nature to help them. Ahmad is a jinni, a perpetually restless and free-spirited creature of fire, imprisoned in the shape of a man. Fearing they’ll be exposed as monsters, these magical beings hide their true selves and pretend to be human—just two more immigrants in the bustling world of 1900s Manhattan. Now that was indeed a five star read! I am always a bit worried when a sequel to a beloved book arrives close a decade later. But for anyone who loved the first book, the Golem and the Jinni, the author writes so the important elements of the first book are slowly revealed so that nothing is lost and the stage is set. And what a beautiful stage and set it is. The book was filled with a continuation through another 15 years that allows history and old and new characters to develop. I rather thought the relationship between the golem and the jinni that had begun in the first book, resembled a modern day marriage and partnership. Where the love is there, but it's hard work. There are arguments, misunderstandings, resentments, and unfulfilled desires. That their love was the most human part about them, bringing them into the world in an entirely human far from divine kind of way. That they needed to learn about human love and its limits and frailties, along with what makes it so divine and magical. I thought the character development of each of them trying to confront the truth of their realities, alone and together, was somehow sort of perfect, if not extremely well done. The story continued to be both magical and psychological. The pillars you have to light are the three standing in front of the tallest structures in the circle, as you can see below. Image: Mihoyo via Polygon

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