New English Hymnal Full Music edition

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Medievalism and Ritualism – Part 1: Percy Dearmer and the scholarly context of the Parson's Handbook". Medieval Art. 6 July 2018 . Retrieved 2 March 2021.

Hawes, John (2000). " The English Hymnal". London: Parish Church of St Mary-the-Virgin, Primrose Hill. Archived from the original on 17 February 2006 . Retrieved 13 November 2018. Luff, Alan (2007). "The Twentieth-Century Hymn Explosion: Where the Fuse Was Lit". The Hymn. 58 (4): 11–21. ISSN 0018-8271. Only the Kyries, Gloria, (Creed in traditional language settings), Sanctus & Benedictus and Agnus Dei) will be printed. Musical notation will be provided in all editions (including melodies in the ‘words only’ edition). The parts within a setting will be numbered for easy reference, for example, as 677a, 677b, 677c, 677d, 677e. Good Friday Liturgy: The Proclamation of the Cross (traditional language) for use where choral settings are used for the Reproaches The New English Hymnal is a hymn book and liturgical source aimed towards the Church of England. First published in 1986, it is a successor to, and published in the same style as, the 1906 English Hymnal. [1] It is published today by SCM Canterbury Press, an imprint of Hymns Ancient and Modern Ltd.Bradley, I. C. (2005). "Vaughan Williams' Chamber of Horrors: Changing Attitudes to Victorian Hymns". In Alan Luff (ed.). Strengthen for Service: 100 Years of the English Hymnal, 1906-2006. Canterbury Press. pp.231–241. ISBN 978-1-85311-662-9.

Palmer Heathman, Katie (2017). " 'Lift Up a Living Nation': Community and Nation, Socialism and Religion in The English Hymnal, 1906". Cultural and Social History. 14 (2): 183–200. doi: 10.1080/14780038.2017.1290995. ISSN 1478-0046. The New English Hymnal inherits much music from the original 1906 English Hymnal, its 1933 revision, and the 1975 supplement English Praise, although a few hymns are re-written or dropped in favor of newly added hymns. [2] The words of several hymns have been altered slightly, although it nonetheless enjoys continuing favour in a considerable number of cathedrals and collegiate chapels worldwide and it is a significant publication in Anglican church music. Its extensive provision of hymns for saints' days and mid-week religious festivals has proved popular with those schools still maintaining hymn-singing in daily acts of worship.In the finished volume, a new appendix will provide cross references across the whole collection to hymns that are suitable for use on occasions or in ways outside the structured sections of the book.

Howse, Christopher (25 November 2006). "Sacred Mysteries". The Telegraph. London . Retrieved 13 November 2018.

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The high quality of the music is due largely to the work of Vaughan Williams as musical editor. The standard of the arrangements and original compositions made it a landmark in English hymnody [5] and one of the most influential hymnals of the 20th century. [6] The hymnal included the first printing of several arrangements and hymn settings by Vaughan Williams. Among the most famous are Sine Nomine, a new tune to For All the Saints; [7] [8] and Ye Watchers and Ye Holy Ones, a new text for the hymn tune Lasst uns erfreuen. The hymnal also includes many plainsong melodies (in both plainsong and modernised notation). The collection will be introduced not only by the Editors’ preface, but also an essay by the former Archbishop of Canterbury, Rowan Williams, president of the Hymn Society of Great Britain and Ireland. Several helpful indexes will be included: first lines, tunes by name and by metre, authors and composers, a scriptural index, and suggested hymns for the two most commonly-used lectionaries, as well as ideas and suggestions to help those whose responsibility it is to choose hymns for the services of the Church. New English Hymnal". SCM Canterbury Press. Archived from the original on 9 October 2006 . Retrieved 10 October 2009.