BOSS ME-70 Guitar Multiple Effects Processor

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Whammy and Harmonizer really too drafts, especially harmonizer that even monophonic share in c *** lles times when it's her job! Not only was there a lot of effects on offer, but also they are all of good quality (at least in the ear of a beginner or an uninformed listener). This is a pedal that I find very generous for the price (even new!) Because it opens up a whole world of possibilities. I use it for three years now (if not more!) And I consider under any circumstances to part with.

In my humble opinion this is a good product that makes many services (especially in the apartment with headphones) and that is good! We must not expect EXTRAORDINARY things, we must bring what it is and its price. In its category I find it very good Whichever mode you're in, the EZ Tone function gives you a good starting point for constructing your own sounds. Each effect type has a number of 'optimal' factory settings saved as an EZ Tone, and these can easily be summoned up by means of the effect module's 'type' knob. You can also overwrite the EZ Tones with your own ideal settings.

The expression pedal is solid with several features (Wah, Voice, Whammy, Delay Level and Volume) that make it useful, addictive limit! The Boss Me70 is certainly near the top of its level when compared to other similarly priced units. It is incredibly versatile, with the ability to produce a number of well produced effects and even replace your amplifier if you were particularly desperate. L/R and headphone outputs make this a useful tool for recording, and silent switching as well as an almost non-existent lag time between changing presets makes this an asset to any beginner or semi pro. A / D conversion: 24 bits AF method * AF method ("Adaptive Focus") This is a proprietary method from Roland & BOSS that vastly improves the signal / noise ratio (S / B) A / D converters and N / A. In addition to its stellar COSM amp models and effects, the ME-70 is outfitted with a new COSM Preamp section derived from BOSS’s GT-10 and Legend series. With the ME-70 you can dial up a world of tone, from classic to cutting-edge, and with simplicity and speed. Stompbox Ease

Well it is a true multi effect pedal so it should be clear: we must learn to use it! Takes a little while to try. the manual is by no cons ... Boss is his reputation ... so for some function to look for a bit but in the end it remains anecdotal.

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I'm an avid user of multi-effects and own some other brand units, but also a fan of single stomp-box pedals, (the reason ME-70 caught my attention)....

The phrase loop, a remarkable feature... Short comment about it, it helped me improve my guitar soloing/playing and speed... (Thank God for Boss)...I used it in front of a tube amp (contrary to what people think, it gives very good sound so well mastered), loop and the Return preamp. For my part I think the sound is better on a lamp that warms the thing pretty well. The Expression pedal defaults to a volume control. It also offers toe-switch engaged settings for Wah, Voice (a voice-box sound), and octave up or down Whammy effects. In addition, you can choose to use it to control your modulation rate or delay wet/dry mix. What I like most about this unit is its ability to act as a number of stomp boxes in one housing, which is great if you just want to set up and recall simple effects combinations on stage, but also its ability to turn into a huge vault of presets which are easily saved and recalled.

The abili ty to set up a seperate preamp or the compressor stompbox for a solo boost took some experimenting for me but once again the space savings of one less pedal is nice.All types of embedded preset effects either original or by manual adjustments taking into account different amp in the settings. Effect with Standard settings as preset to return to the classic effect forgetting all personal mods (EZ) The looper is a little short I think, but given the number of opportunities available is not very serious. The ME-70 ups the ante on the ME-50 in a number of ways: adding a separate Preamp section, featuring Roland’s terrific sounding COSM amp modeling, four extra presets and one more footswitch—for a total of four. On the other hand, some things have fallen by the wayside; while the Distortion section now has a clean Boost and a setting called Natural, its names are now generic (Metal, Fuzz etc.) as opposed to referencing well-known sounds (Screamer, Muff, etc.)—legal issues, perhaps? Other sections reflect similar changes. Gone are the synth-like Square distortion, and the ring modulator, as well as some pan effects in the delay section, indicating a more conservative approach to effects.