Lust of The Dead: Trash Terror Trilogy [Blu-Ray]

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Tomomatsu was born in Osaka, Japan in 1967. He was interested in manga and film from high school and started working as an office assistant to manga artist Shungicu Uchida. In 1992, he wrote his first screenplay for Shintōhō Eiga's pink film The Pregnant Woman (ザ・妊婦). His first film as a director was the independently produced Summer Color Romance ( 夏色浪漫, Natsu shoku rōman) in 1992 but he made his debut as a commercial director in 1993 for ENK (ＥＮＫプロ) with the film Baraado ni idaka re te (バラードに抱かれて), for which he also wrote the screenplay. [1] Tomomatsu mixed genres with his pink film-thriller-gangster movie Kogyaru-gui: Oosaka terekura hen (コギャル喰い　大阪テレクラ篇), known in English as Eat the Schoolgirl or Eating Schoolgirls: Osaka Telephone Club, released in Japan March 10, 1997. [2] [3] The film, which Tomomatsu directed and co-wrote, follows two young men working for the yakuza, one of them a telephone-sex addict, the other gets sexual gratification from killing while dressed as a schoolgirl. A reviewer described it as "one depraved sex scene after another". [4] It was also released as a DVD in May 2004. [5]

Truth be told, I have gotten really tired of zombie movies. The exceptions though are the serious and arty ones like the French "Les Revenants" OR, conversely, the ones like this that are completely exploitative and cheerfully offensive, but also make "Shaun of the Dead" look like a serious drama in comparison. This is not an actual "zombie porn" film, thank god. It doesn't have interminable scenes of the old "in-out" to turn on weirdos with bizarre zombie fetishes while boring the hell out of anybody else. This is a lot more fun, and really the kind of film that could ONLY be made in Japan. The acting in the movie was as you'd expect from a movie with the title "Rape Zombie: Lust of the Dead". So don't get your hopes up here.The acting in this one is, as you already guessed, very weak and not that entertaining. The cast does come to life during the nude scenes but aside from that they sizzle and fade out. I assume that the cast was getting paid in peanuts because no one is putting forth any real effort. Whereas most others are just blunt trauma to your face with the levels of violence, bloodshed and oddities, then "Rape Zombie: Lust of the Dead" was just one step away from being soft core porn. And yeah, of course, there is an audience for that as well. But enough is enough.

place Maid-Droid as Rōjin to Rabudōru: Watashi ga Shochō ni Natta Toki ( 老人とラブドール　私が初潮になった時, lit. The Old Man and the Love Doll: The Time of My First Period) (Tomomatsu was named Best Director for this film) The story for this one is funny in a way and definitely can be offensive to some. With that being said, the execution of this one is all wrong. The use of green screens and poor editing makes this story extremely difficult to follow. I wanted to love this one but after about 20 minutes I was ready to cut it off. The story and the way it was approached was somewhat painful to watch.This does present a slight tone problem, especially when talk of a prophecy involving a sun goddess and immaculate conception comes up and throws this whole thing completely off the rails. But it’s hard not to have a tone problem with the horrifying act of rape contrasted with a villain that comes waddling at you with his pants around his ankles. BAD TASTE REIGNS IN "RAPE ZOMBIE"; PROMO ART AND TRAILER". Fangoria. Archived from the original on 2018-01-12 . Retrieved 9 September 2012. And, boy, are they ever cheap: rubbishy After Effects CGI blood splats (the only way to kill a zombie is to shoot it in the penis!) and rubbery prosthetics abound, with some even worse effects saved for the apocalyptic nuclear aftermath ending, in which North Korea bombs Japan (and a lesbian couple have a baby-no man involved?!?!) In April 2006, he returned to the zombie genre when he directed and co-wrote the V-Cinema horror film, Zombie Self-Defense Force ( ゾンビ自衛隊, Zonbi jieitai ) featuring AV actress Mihiro. [12] [13] Also in 2006, he directed AV star Sakura Sakurada in the V-Cinema erotic video My Sister's Secret (妹の秘密). [14] I knew this film was going to be trashy and offensive but I was expecting to find off the wall story like Helldriver, The Machine Girl, Tokyo Gore Police, and so on. Sadly, this film was nothing like that and just felt like a no budget mess with sexy women scattered throughout.

Exposure to radiation causes men to turn into zombie rapists, whose victims die from their toxic ejaculate. Four women women try to survive the outbreak, seeking shelter in a Shinto temple. I was expecting much from this one after watching the abysmal first film. I know its the first week of 2020 but I highly doubt a movie will dissapoint me more than this series has this year. The first film was rough and the follow up film was not an improvement. Based on the title alone, I anticipated Rape Zombie: Lust of the Dead (2012) to be a rough watch. You have to admire a film that wears its plot on its sleeve, and with DVD box art bursting with cheesecake, there is little mystery as to what kind of exploitative nonsense will be thrown on the screen. Rest assured, this movie completely delivers on its promise of zombies, rape, and pretty girls in cute costumes, so there shouldn’t be many surprises on what kind of film it will be. And yet… You'd think these movies would be dumb and crass when in fact they're oddly smart..........and crass. You see the mythology and social commentary behind them is remarkable, it's deep, it's insightful and manages to be both misogynistic and misandric at the same time.Naoyuki Tomomatsu ( 友松 直之, Tomomatsu Naoyuki ) (born 1967) is a Japanese film director and screenwriter who has worked in the pink film and horror genres.

Following on from the events of the third movie this not so politically correct franchise delivers its 4th and worst addition thus far. The women are all relatable and interesting in unique ways, and the way they band together to protect each other is, for the most part, endearing and sincere. A personal favorite moment for me was the army distributing weapons to local girls by way of a community cookout/shooting range. Women share food, take selfies, and cheer each other on as they practice their aim on rape zombies sporting bullseye speedos. It’s a beautiful moment of sisterhood and coming together for a common goal, and I don’t have one bad thing to say about it. The main characters meanwhile are four female "survivors" who are holed up in a shrine. The main character, the badass, is played by Asami, who is often called a "porn star", but seems to mostly appear in low-budget sexploitation fare like this as opposed to out-and-out "AV" (adult videos). There are also a pair of lesbians, who have a long scene together--it's NOT true all the nudity in this involves rape. Then there's a very sexy and mature-looking "schoolgirl" (who's even less believable as a genuine schoolgirl then is anything else in this movie). She's so horny for a (non-toxic) man she decides to seduce the young priest of the Shinto shrine, who is seemingly immune to the virus since he has taken a vow chastity. The result of this schoolgirl seduction is pretty predictable, but also very sexy. Starring – Rina Aikawa (CSI: Crime Scene Talks), Yui Aikawa (Missing 55, Lust of the Dead 2), and Asami (The Machine Girl, Helldriver)Spoiler Alert**The film follows a group of females who are trying to survive after the world is overrun by toxic males who want nothing more than to rape women. Many females group together to survive but soon the toxic men start to outnumber the women. Soon a nuclear bomb goes off and many of these men perish but those that survive are now severely burned and rotting with an insatiable appetite for women…in more than one way.**Spoiler Alert** If you enjoy trashy Asian exploitation, Lust of the Dead is just about worth a watch, but it's far from essential. 4.5 out of 10, rounded up to 5 for IMDb. Meanwhile, the surviving women of Japan attempt to organize military forces by distributing machine guns to volunteer soldiers. Unfortunately, as the world is consumed by the virus, North Korea blames Japan for the problem due to their booming pornography industry and declares nuclear war on the country (the US will be no help as our testosterone-fueled nation was helpless against the outbreak). As if sex-crazed zombies and a nuclear bomb weren’t enough to contend with, the girls realize that Momoko is pregnant overnight, and they will have to deliver a baby of questionable origin in the midst of nuclear winter. I hate when I come across a series of films I had never seen before and when I toss them in I find myself not liking them. I can’t stand starting a series of films and not finishing them. When I sit down with one I have to watch them all. Sadly, when I tossed in Lust of the Dead I wasn’t expecting to come across a series of films that was almost unwatchable. The first two films in the series was a rough watch and the third and final film on the blu was standing in my way to freedom. I really wanted to like this series but I had extremely low expectations for the third film. Within the last couple of years there has been a massive flood of these blood-drenched and gory movies to make it out of Japan. They are known (and loved) for their extreme violence, amounts of blood, absurdity and for just being downright campy. I will say that "Rape Zombie: Lust of the Dead" ("Reipu Zonbi: Lust of the Dead") was a rather stale and boring addition to this rather unique genre of Japanese movies.