Gothic Violence

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Simon Estok, "Theorizing in a Space of Ambivalent Openness: Ecocriticism and Ecophobia", Literature and Environment, 16 (2), 2009; Simon Estok, The Ecophobia Hypothesis, Routledge, 2018. Gothic fiction and Modernism influenced each other. This is often evident in detective fiction, horror fiction, and science fiction, but the influence of the Gothic can also be seen in the high literary Modernism of the 20th century. Oscar Wilde's The Picture of Dorian Gray (1890) initiated a re-working of older literary forms and myths that became common in the work of Yeats, Eliot, and Joyce, among others. [81] In Joyce's Ulysses (1922), the living are transformed into ghosts, which points to an Ireland in stasis at the time and a history of cyclical trauma from the Great Famine in the 1840s through to the current moment in the text. [82] The way Ulysses uses Gothic tropes such as ghosts and hauntings while removing the supernatural elements of 19th-century Gothic fiction indicates a general form of modernist Gothic writing in the first half of the 20th century. The book that launched a thousand vampire stories , Bram Stoker’s Dracula is a haunting horror romance that gave us one of the most memorable and mesmerizing of Gothic figures. Count Dracula needs almost no introduction: his name is already synonymous with unquenchable bloodthirstiness. The 1880s saw the revival of the Gothic as a powerful literary form allied to fin de siecle, which fictionalized contemporary fears like ethical degeneration and questioned the social structures of the time. Classic works of this Urban Gothic include Robert Louis Stevenson's Strange Case of Dr. Jekyll and Mr. Hyde (1886), Oscar Wilde's The Picture of Dorian Gray (1891), George du Maurier's Trilby (1894), Richard Marsh's The Beetle (1897), Henry James' The Turn of the Screw (1898), and the stories of Arthur Machen. Radcliffe, Ann (1995). The Castles of Athlin and Dunbayne. Oxford: Oxford UP. pp.vii–xxiv. ISBN 0192823574.

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Punter, David (1980). "Later American Gothic". The Literature of Terror: A History of Gothic Fictions from 1765 to the Present Day. United Kingdom: Longmans. pp.268–290. ISBN 9780582489219.Popular tabletop card game Magic: The Gathering, known for its parallel universe consisting of "planes," features the plane known as Innistrad. Its general aesthetic is based on northeast European Gothic horror. Innistard's common residents include cultists, ghosts, vampires, werewolves, and zombies. At the end, after his gang routs the system from Florida, the Mahoney-Marty-Stu wanders the beach and encounters a magical hangman who makes some dumb speeches, and then Mahoney makes his own little speech (he doesn’t indicate the hangman hangs around to listen- the closest to realism this book gets) about how whether damned or saved, he will never be ordinary (he says “average,” because he is stupid, a bad writer, a worse “traditionalist,” and can’t help but punt to rationalist-statistical language, even at the apotheosis of his transcendence- what he means is ordinary). Gothic novels tend to create a feeling of uncertainty, by making the characters and the reader question what they believe and what is real. In this moment, the noblest trade is mastering the art of leisure. I can't think of a smarter person than someone who figures out a way to rob the modern world blind and never work again.” Muireann Maguire, Stalin's Ghosts: Gothic Themes in Early Soviet Literature (Peter Lang Publishing, 2012; ISBN 3-0343-0787-X), p. 14.

Glossary of the Gothic: Violence - Marquette University

Romain, Lindsey (5 October 2020). "THE HAUNTING OF BLY MANOR Is a Beautiful Gothic Romance". Nerdist . Retrieved 29 December 2020.Britten, Naomi; Trilogy, Mandala; Bird, Carmel (2010). "Re-imagining the Gothic in Contemporary Australia: Carmel Bird Discusses Her Mandala Trilogy". Antipodes. 24 (1): 98–103. ISSN 0893-5580. JSTOR 41957860– via JSTOR. Richard Flanagan, Gould's Book of Fish, would have to be Gothic. Tasmanian history is pro-foundly dark and dreadful. Mary Shelley's Frankenstein; or, The Modern Prometheus (1818) has come to define Gothic fiction in the Romantic period. Frontispiece to 1831 edition shown. Here’s our guide to the gloomiest and most brooding of genres. Read on as we trace the history of Gothic literature and introduce ten essential reads that have haunted us for centuries. Alexander Pope, who had a considerable influence on Walpole, was the first significant poet of the 18th century to write a poem in an authentic Gothic manner. [18] Eloisa to Abelard (1717), a tale of star-crossed lovers, one doomed to a life of seclusion in a convent, and the other in a monastery, abounds in gloomy imagery, religious terror, and suppressed passion. The influence of Pope's poem is found throughout 18th-century Gothic literature, including the novels of Walpole, Radcliffe, and Lewis. [19] The saturation of Gothic-inspired literature during the 1790s was referred to in a letter by Samuel Taylor Coleridge, writing on 16 March 1797, "indeed I am almost weary of the Terrible, having been a hireling in the Critical Review for the last six or eight months – I have been reviewing the Monk, the Italian, Hubert de Sevrac&c &c &c – in all of which dungeons, and old castles, & solitary Houses by the Sea Side & Caverns & Woods & extraordinary characters & all the tribe of Horror & Mystery, have crowded on me – even to surfeiting." [35]