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Mrs Death Misses Death: Salena Godden

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This is a moving and thought-provoking story about Mrs Death. She has spent eternity doing her job and she is fed up and now wants to find someone and unburden herself what with all the things she has done. So, she meets a young writer called Wolf. Who has some experience in death as she nearly died in a fire and half her family is dead? Mrs Death shows Wolf everything about death and what could have been done differently and how people lived years ago and about life. How to live life to the fullest. The story is not written in a normal sense. This story is part narrative, part poetry. This, the debut novel by poet and performance artist Salena Godden (see here for perhaps her best known work Red- https://www.youtube.com/watch?v=My85d...) certainly fits that billing. From a poet whose most famous poems (widely performed by her and by others at many protest marches from ER to #MeToo to BLM) include “Pessimism is for Lightweights” (which also provided the title of her published collection) and Courage is a Muscle” – its is no surprise that this is actually a book which despite its darkness has a message about optimism, endurance, activism and courage. Told in a laconic, compelling interior monologue, Weather follows the wide-ranging concerns of its librarian protagonist, Lizzie, from the quotidian – a painful knee, her son’s academic progress at school – to the profound – the election of Trump and a looming climate change disaster. Lizzie’s former university professor is now the popular host of an apocalyptic podcast, and Lizzie agrees to answer her conspiracy-filled mail from listeners. Written in deft, compact paragraphs, Offill’s novel balances insight with humour and a timely, ambient sense of anxiety.

Mrs Death Misses Death may on the surface be a book about loss and endings but it is also a brave and funny view of living, and the space between the two. There is life here, and humour, and a challenging viewpoint. The book is filled with strong female and non-binary characters, grappling with the sheer exhaustion of holding their shit together and coping with the shape of the world. Wolf is not the most reliable narrator. They are haunted by the death of their mother. That death hangs over the entire novel; it makes Wolf susceptible to long stretches of severe depression. Wolf’s quiet meandering around London, which is alive with ghosts, reflects their fragile mental state. I believe this was supposed to be a unique, powerful 'story' told partially by the character of Death herself (yes a woman), and by a confusing character named Wolf. We get a couple other random commentary chapters thrown in for good measure but mostly it's about Wolf's struggles with mental health and the idea of why we live; and Death's remorse at having to take lives (plus some extensive comments on when people are 'misses' or nearly die). There could have maybe been a timeline set-up here that was manageable or could be followed; but the way the book is written it just gets lost.

Honoured by this role, Wolf’s relationship to Mrs Death forms the basis of the story, in addition to containing elements of Death’s own writings. Moving between the dawn of time to the present day, Mrs Death Misses Death interrogates the big questions we ask about dying whilst also focusing on the personal, through stories from the Willeford family tree. The actor-comedian and the poet advocate for their favourite books. Andi chooses The Flatshare by Beth O'Leary, Nikita loves Mrs Death Misses Death by Salena Godden and Harriett goes for The Vanishing Half by Brit Bennett. While I didn’t absolutely love it, I know there are others who may enjoy it. I think one thing that really stood out for me was Mrs. Death saying, Following the earlier suggestion that we think of Death not as a male character, as we have been encouraged to in the past, we’re then asked to consider how strange it is that this was ever thought to be the case.

The author’s depiction of Mrs Death is of a woman who enjoys an evening by the TV with Wolf, a glass of red wine in hand, rather than the traditional scythe. Dreary is simply not her style. The absurd is also employed as a safe space to explore uncomfortable truths about life (and death). The character of the Desk - more specifically Mrs. Death’s desk - communicates its disappointment at the cards it has been dealt by fate. Together Mrs Death and Wolf talk about the role of death in the world, the reasons why death happens, the people it happens to, and the effect it has on people. At times the book feels more like a stream of consciousness rather than a story, and there are sections written from Mrs Death’s point of view where we become swept up in her unique perspective. We get to see the world as she sees it, this being who has existed since the dawn of time, since humans took their first breaths. We see what hundreds of thousands of years of walking through the world unseen and ignored, crossing people over the threshold of death has done to her, how tired it has made her. Salena Godden is one of Britain's best loved poets and performers. She is also an activist, broadcaster, memoirist and essayist and is widely anthologised. She has published several volumes of poetry, the latest of which was Pessimism is for Lightweights, and a literary childhood memoir, Springfield Road. A modern-day Pilgrim's Progress leavened with caustic wit . . . This is not light-hearted stuff, yet Godden has produced a miraculously light-hearted novel . . . an elegant, occasionally uproarious, danse macabre Guardian Speaking of fire, and of the title, Wolf (biracial, nonbinary, and possibly bipolar) is here to narrate only because Mrs Death missed one. Their mum died in a house fire. Wolf should have died that day, too, but heard a voice saying “ Wake up, Wolf … Can you smell smoke?” Were they spared deliberately, or did Mrs Death make a mistake? (After all, we learn that when a patient briefly wakes up on the operating table before dying for good, it’s because Mrs Death’s printer got jammed.)Now, this book contains not just the dead Wolf may know of and that Mrs Death may mention, but the names each of you may want to remember here today. And in thefuture anyone who reads your copy of this book will read that handwritten name and speak it aloud. A fantastically imaginative story about life, death and everything in between – a potent reminder that life is short and every second should be cherished - IDRIS ELBA I just— it feels so juvenile to me. This is the kind of unpolished, stream of consciousness poetry you scribble in your teenage math journal while blasting Fall Out Boy. A previous chapter “Mrs Death: I know a Lot of Dead People Now” which philosophises that knowledge and recognition of the inevitability of death (not just yours but the death of all your family and friends) is vital for life, is both mirrored and countered in a final prose section “Wolf: The Tower” where Wolf encounters Life who says that living your own life fully for the moment and in the knowledge of the life of all your friends and family is what life is really about.

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