RODE NTG2 SHORT SHOTGUN MICROPHONE

Product Information

A valve microphone is a condenser microphone that uses a vacuum tube (valve) amplifier. [24] They remain popular with enthusiasts of tube sound. The VP89M also features a narrow 50° acceptance angle and wide target aperture for a greater degree of ambiance, making it great for audience response, talk shows, live concerts, indie films, and doc

As you can see, both a shotgun and lavalier mic have pros and cons so it’s important to think about the setting you are using them in. Summing Up Harry F. Olson and Les Anderson, RCA Model 44 Ribbon Microphone". Mix Magazine. September 1, 2006. Archived from the original on March 24, 2008 . Retrieved April 10, 2013. McVeigh, Daniel (2000). "An Early History of the Telephone: 1664–1866: Robert Hooke's Acoustic Experiments and Acoustic Inventions". Archived from the original on September 3, 2003. Despite lavaliers being suitable for a ton of things, the form factor of a shotgun mic make them more versatile. When compared to lavaliers, shotgun microphones can sound more natural. Also, they can be kept out of your shots without needing to be hidden on actors, yourself, or interviewees. Photo from Unsplash How Far Can Shotgun Mics Reach?This shotgun microphone features a hyper-cardioid polar pattern at low to midrange frequencies and transitions to a lobar pattern in high frequencies, enabling it to attenuate 125 Hz to 2 kHz by approximately 10 dB at the 90° off-axis points. This is great for recording dialogue, foley, and other sounds with full dynamics and clarity. The condenser microphone, invented at Western Electric in 1916 by E. C. Wente, [20] is also called a capacitor microphone or electrostatic microphone—capacitors were historically called condensers. The diaphragm acts as one plate of a capacitor, and audio vibrations produce changes in the distance between the plates. Because the capacitance of the plates is inversely proportional to the distance between them, the vibrations produce changes in capacitance. These changes in capacitance are used to measure the audio signal. The assembly of fixed and movable plates is called an "element" or "capsule". The dynamic range of a microphone is the difference in SPL between the noise floor and the maximum SPL. If stated on its own, for example, "120dB", it conveys significantly less information than having the self-noise and maximum SPL figures individually.

The 10″ long MKE 600 uses an interference tube and a super-cardioid/lobar polar pattern to provide noticeable directivity on-axis along with significant attenuation of sound entering at the sides and rear. Therefore, shotgun microphones are highly used in applications where only the sound directly in front of the microphone is to with high gain only when it points directly to the sound source and decreases when rotated to its side.The Sennheiser MKE 600 features high sensitivity and low-noise circuitry for improved sound quality without extreme gain, even when used alongside noisy camera preamps. Low impedance is considered under 600Ω. Medium impedance is considered between 600Ω and 10kΩ. High impedance is above 10kΩ. Owing to their built-in amplifier, condenser microphones typically have an output impedance between 50 and 200Ω. [59] [61] Digital microphone interface [ edit ] Neumann D-01 digital microphone and Neumann DMI-8 8-channel USB Digital Microphone Interface It also features a rechargeable and removable lithium-ion battery that provides up to 100 hours of operating time. You can also use it with two AA batteries if need be. Of course, if it’s an actor you are recording then a lavalier mic probably isn’t the best solution (imagine recording a drama set in the 1920s and the main character has a modern mic attached. It won’t look very good!). Fiber-optic microphones do not react to or influence any electrical, magnetic, electrostatic or radioactive fields (this is called EMI/RFI immunity). The fiber-optic microphone design is therefore ideal for use in areas where conventional microphones are ineffective or dangerous, such as inside industrial turbines or in magnetic resonance imaging (MRI) equipment environments.

If you’re looking into purchasing a mic for video production, studio recording, or even live streaming then you’re likely going to see condenser or dynamic microphones mentioned. Of course, there are occasions where this slips through the net and you can find lots of videos online of boom poles and boom mics accidentally slipping into view for a split second. sound with high gain, while recording any other noises present in the environment very low, if at all, that may be to the sides or a b Benesty, Jacob; Jingdong, Chen (October 23, 2012). Study and Design of Differential Microphone Arrays. Springer Science & Business Media. ISBN 9783642337529.The Shure VP89M is a splendid choice if you’re after a shotgun mic for a variety of projects and applications. Condenser microphones span the range from telephone transmitters through inexpensive karaoke microphones to high-fidelity recording microphones. They generally produce a high-quality audio signal and are now the popular choice in laboratory and recording studio applications. The inherent suitability of this technology is due to the very small mass that must be moved by the incident sound wave, unlike other microphone types that require the sound wave to do more work. For those on a budget, the Audio Technica AT897 gives you outstanding performance for the price. And for those that need the absolute best, it’s hard to beat the quality and features of the Schoeps CMIT5, making it our premium option for this list. Longer tubes will reject more off-axis sound, but they are also more difficult to work with due to their length. Since moving the microphone even slightly off-axis will result in attenuation of the sound source, this microphone is quite sensitive to positioning and requires a fixed mic/source or a skilled boom operator. Often, this is the best option for loud environments. The quality of rejection is as important as the degree of rejection. Even a highly directional shotgun will admit off-axis sound at certain frequencies. When this audio is colored by comb-filtering artifacts, your end result will be affected. Most shotgun mics are reasonably good at capturing on-axis audio. Although, for the best overall audio, it’s important to look for low-self noise and high sensitivity in conjunction with a natural on-axis sound and uniform off-axis rejection.