Half A Sixpence

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Artie and Ann reunite and prepare happily to live in a modest cottage. Then Chitterlow reappears with news that his play is a success and that Artie will earn some of the profits. In Victorian England, a young orphan, Arthur Kipps ("Artie"), finds a sixpence as he walks along a river with his young friend, Ann. Artie is then sent to a nearby town, where he is to serve as apprentice to a draper. Arthur Kipps, an orphan, is an over-worked draper’s assistant at Shalford’s Bazaar, Folkestone, at the turn of the last century. He is a charming but ordinary young man who, along with his fellow apprentices, dreams of a better and more fulfilling world, but he likes his fun just like any other, except not quite. When Kipps unexpectedly inherits a fortune that propels him into high society, it confuses everything he thought he knew about life. The joyous screen version of the Broadway and London musical hit. "If I had the money, I'd buy me a banjo!" says struggling sales clerk Arthur Kipps (Tommy Steele). Soon he'll inherit enough to buy a whole bloomin' orchestra. But can his newfound wealth buy happiness? Multi-talented Steele brings his London and New York stage smash to the screen in this big, cheerful tune-filled production based on H.G. Wells' charming novel "Kipps." Cyril Ritchard costars as a thespian who introduces Arthur to the joys of Edwardian London's music halls. And a huge cast of high-stepping, high spirited singers and dancers have the time of their lives. Enjoy because "Half A Sixpence" gets you a million dollars' worth of fun.

Fun as the musical is, it already shows its age: conspicuously, there is no diversity in the casting. But Kipps confirms Wells’s point that gusto and goodness can overcome the whaleboned snobbery of the class system and the show boasts an invaluable asset in Charlie Stemp, who went on to play the chimney sweep in the stage version of Mary Poppins. Tommy Steele was likable in Half a Sixpence, but there is something a touch calculated about his charm. Stemp radiates kindly innocence and reminds us that Wells subtitled his quietly subversive novel “the story of a simple soul”. Charles Champlin of the Los Angeles Times remarked that " Half a Sixpence at Grauman's Chinese Theatre is, almost uniquely these days, a picture of innocence (or, if you will, simple-mindedness) and for all its flaws there are those who will respond gratefully to this excursion into the primer-story past. My regret is that the machineries of film-making have rendered the lighter-than-air as heavy as lead and have surrendered innocence to technical sophistication. Tommy Steele is a wonder and he gives a dazzling, perfected performance. Yet even his ingratiating charm cannot quite conceal the hard, slow work the film was. Half a Sixpence is better than none, but it has been devalued." [13]

A Proper Gentleman" (Reprise) – Arthur Kipps, Mrs. Walsingham, Helen Walsingham, Mrs. Botting, Young Walsingham and Party Guests The show is based on H.G. Wells's 1905 novel Kipps: The Story of a Simple Soul. Steele played Arthur Kipps, an orphan who unexpectedly inherits a fortune, and climbs the social ladder before losing everything and realising that you just can't buy happiness. This section does not cite any sources. Please help improve this section by adding citations to reliable sources. Unsourced material may be challenged and removed. ( February 2021) ( Learn how and when to remove this template message) If The Rain's Got to Fall" – Mrs Walsingham, Arthur Kipps, Foster, Helen Walsingham, Lady Punnet and Company American audiences are beginning to get the idea that if you've seen one Tommy Steele movie, you've seen them both. Britishers have been afforded chances to view such products as " The Tommy Steele Story" and " Tommy the Toreador," but we colonists had to restrain ourselves until " The Happiest Millionaire" and, now, Half a Sixpence, an agonizing experience which shows the latest impact of devaluation. Perhaps the proceedings weren't so bankrupt of charm and originality when Steele played the Arthur Kipps role on the London and Broadway stage for four years, safely out of range of the cinematic close-ups which put into Panavision perspective that personified-balloon face and set of teeth that would make Cass Daley completely Crestfallen. Of course he can't control his physiognomy, but he could do something about his general deportment, in which he matches Sandy Dennis in the mannerisms department by strutting and prancing, rolling his eyes, tossing his head, and twitching around so much he looks like a third base coach with a bad case of the shingles. Whereas the play was based on H. G. Wells' novel, "Kipps," its successor engenders excitement more in keeping with a screen adaptation of the Keynesian theory. The cornerstone of any good musical, one would assume, is the score, but David Heneker's songs are so incredibly and unanimously nondescript that the wedding reception sequence could be interchanged with the "Happiest Millionaire" barroom number with no one the wiser. [15]

a b Davis, Ronald L. (2005). Just making movies. University Press of Mississippi. p. 80. ISBN 9781578066902. sold to Gulf & Western. Half a Sixpence should have been a small and intimate picture. It turned out to be anything but that. The director and the star ran away with it, and I was virtually out of the picture. I was very unhappy about the whole situation." [6] Production [ edit ] The film was nominated for the BAFTA Award for Best Costume Design - Colour. Although it lost to A Man for All Seasons, its designers did not go home empty-handed, as they were responsible for the costumes in Seasons as well. Lady Botting's Boating Regatta Cup Racing Song" (by David Heneker and Irwin Kostal), performed by Artie and ChorusTime Out London says, "the film lays on the period charm rather exhaustingly, and the songs ... don't exactly sweep you along." [19] Box office [ edit ] Kathleen Carroll of the New York Daily News that "for all Gillian Lynne's high-stepping choreography, the film is about as light and as graceful on its feet as an elephant. Only one sequence moves at a rate approximating speed. It is the gay Henley regatta, with Kipps crewing for the Ascot set, slicing the Thames in a racing shell. One longs for the simplicity of the original, when the story, although hardly novel, at least held its own, and when the music, although hardly memorable, was not drummed up into interminable, brassy music hall routines." [12] Finale: "Half a Sixpence" (reprise)/"Flash, Bang, Wallop" (reprise), performed by Artie, Ann and Chorus Two artfully juxtaposed numbers demonstrate how money can be used for ill or good. In one, Ann’s criminal brother tempts Kipps with capital gains. In another, the raffishly thespian Chitterlow hymns “the joy of the theatre” and asks Artie to invest in his new play.