Chocky

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Wyndham singlehandedly invented a whole pile of sub-genres of SF. It’s as if . . . in the 1950s he was plugged in to the world’s subconscious fears and articulated them one by one in short, amazingly readable novels.” The second (my personal favourite) and third series have much better pacing and more focus on the children which makes for a superior watch I feel. However, despite it's sometimes turgid (some might say dull) pace, there is a better sense of authenticity to this first series.

When David Gore, the narrator, overhears his adopted son, Matthew, having a conversation with what he assumes is an imaginary friend he becomes concerned. Apart from the fact that Matthew is almost twelve years old and so surely past the age when he should have an imaginary friend, it also seems to be a very strange conversation, with questions no twelve-year-old would normally ask. The Chrysalids is a famous example of 1950s Cold War science fiction, but its portrait of a community driven to authoritarian madness by its overwhelming fear of difference—in this case, of genetic mutations in the aftermath of nuclear war—finds its echoes in every society.” A pioneering science-fiction master confronts an enigma as strange as anything found in his classic works, The Day of the Triffids or The Chrysalids: the mind of a child.

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The answer to my question to myself is that human beings are conditioned to distrust anything that is different from themselves. And it takes a lot of thinking and mental training to understand that our own way of life is not the universal default setting. You should be employing your resources, while you still have them, to tap and develop the use of a source of power which is not finite…." intelligent life is the only thing that gives meaning to the universe. It is a holy thing, to be fostered and treasured.…"

The penultimate bit of the plot was incongruously far-fetched and almost comic. Not massively so, but it spoiled the overall experience for me, though I’m not sure what I’d have written instead. Fortunately, the actual end was touching, without becoming overly sentimental. The novel was adapted and produced by John Tydeman as a single 60-minute drama for the BBC Radio 2, first broadcast on 27 November 1968. The cast includes: A]bsolutely and completely brilliant… The Chrysalids is a top-notch piece of sci-fi that should be enjoyed for generations yet to come.” An adaptation by John Constable as a single 90-minute drama for BBC Radio 4, directed by Melanie Harris, was first broadcast on 18 March 1998. Music was by Paul Gargill, and the cast included:Alien telepathy. I mean, hello! Since light is the speed limit, the only reasonably efficient method of exploration has got to be SOMETHING ELSE. Especially if you want to send real spaceships to other intelligent races, you need to make sure you're welcome. :) Re-Birth ( The Chrysalids) was one of the first science fiction novels I read as a youth, and several times tempted me to take a piggy census. Returning to it now, more than 30 years later, I find that I remember vast parts of it with perfect clarity…a book to kindle the joy of reading science fiction.” One of the most thoughtful post-apocalypse novels ever written. Wyndham was a true English visionary, a William Blake with a science doctorate.”

That certainly rings true for this short novel: less drama, but more thought-provoking ideas than in most bestselling science fiction. Don Quijote thinks the windmill is a giant, whereas Panza thinks the giant is a windmill. Quijotism may be defined as the perception of everyday things as rare entities. The reverse of that is Panzaism, which is the perception of rare entities as everyday things." By using Matthew's adoptive father as the narrator Wyndham is able to employ him as the voice of reason contrasting him with the emotional response of his adoptive mother. The only thing they agree on is that, although Matthew doesn't seem at all frightened or unhappy, his behaviour is certainly not normal.A remarkably tender story of a post-nuclear childhood…It has, of course, always seemed a classic to most of its three generations of readers…It has become part of a canon of good books.”

What John Wyndham does so brilliantly is invest quiet suburban streets with menace. The idea of an alien intelligence inhabiting a child is always frightening. But here Wyndham turns a story of ‘possession’ into a touching fable about our profligate use of the planet.” No, no. This is still a rational world in this short novel. Of course, if King wrote it, I would expect something with a death toll, a very, very angry alien, and a kid hounded by pitchforks. Interesante novela, amena, entretenida y que para estar escrita en 1968 deja entrever un concepto como el del aprovechamiento de la energía oscura, la cual no se descubrió hasta finales del siglo XX, y que muy recientemente he visto utilizado como recurso también por Stephen Baxter en “Galaxias”. That is not what I got, though. And I have to reflect on the fact that my expectations were so stereotypical. Why would I expect a highly intelligent, curious extraterrestrial explorer to be as evil and stupid as humans have proven to be, over and over again? Why would I expect it to be even worse? Why would I feel threatened by the unknown, even before I see any signs of danger? Matthew Gore is an intelligent boy chosen by a mysterious extraterrestrial visitor to be a source of information about life on Earth. As his schoolwork and artistic talent improve dramatically he arouses the suspicion of powerful groups who wish to tap into the amazing fund of knowledge to which he is now party.The Chrysalids comes heart-wrenchingly close to being John Wyndham’s most powerful and profound work.” BBC Radio 4 presented a reading by Andrew Burt of the novel in seven 15-minute episodes, abridged by Neville Teller, produced by David Johnson, and broadcast daily between 19 and 27 May 1975. The show isn't without it's problems though. It's a very slow affair, and the pacing feels drawn out - almost to the point where I felt that my attention was waning in certain parts (and that's my adult brain talking). Most of this first series involved the parents just sitting around talking, and I can't quite see how that would be entertaining for a child. The series was also broadcast and popular in Czechoslovakia where it was dubbed in both Czech and Slovak languages. It was also dubbed in French and broadcast in Canada in the late 1980s and early 1990s; in Spanish and broadcast in Spain in the late 1980s. It was hugely popular in Bulgaria in the second half of 1980s. Also in Cuba. All episodes of Season 1 and Season 2 were shown numerous times.