Dirty Fingers, The Mad Hatter's Tea Party, Alice in Wonderland, Baby Bodysuit

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a b Lurie, Alison (1990). Don't Tell the Grownups: Subversive Children's Literature. Boston: Little, Brown. p.7.

Cos we need one villain. I learnt that from Howard Ashman, the late, great, who I wrote Beauty and the Beast with. He wrote the lyrics. He taught me a lot. And he said why have two average characters when you can have one great character? Put these two together and make one great character, and she does an amazing job.” ―Linda Woolverton Season Five: " The Dark Swan" • " The Price" • " Siege Perilous" • " The Broken Kingdom" • " Dreamcatcher" • " The Bear and the Bow" • " Nimue" • " Birth" • " The Bear King" • " Broken Heart" • " Swan Song" • " Souls of the Departed" • " Labor of Love" • " Devil's Due" • " The Brothers Jones" • " Our Decay" • " Her Handsome Hero" • " Ruby Slippers" • " Sisters" • " Firebird" • " Last Rites" • " Only You" • " An Untold Story" Later, the Red Queen sees an oversized Alice in her garden, and to avoid suspicion, Alice tells the Queen her name is Um from Umbridge and that people make fun of her height. The Queen accepts Alice's story and welcomes her to her court. Alice soon finds herself at the Red Queen's side and the Mad Hatter's trail, which eventually the Red Queen is persuaded by Tarrant to become her hatter. Ever since Alice Kingsleigh first left Underland, the Horovendoush occurred and the Red Queen had overthrown her sister, the White Queen, and took control of Underland. Her right-hand man is the Knave of Hearts. She has an army of Armoured Cards, Frog Servants, Monkey Servants, and a very bad temper. The Red Queen was so paranoid, she even had her husband executed, believing he would leave her for the White Queen. She was often referred to as Bloody Big Head, possibly because all her power, which she stole, literally went to her head. Our set of Alice in Wonderland playing cards is a great addition to any displays and themed areas of your classroom.The book has such a phenomenal number of ideas and concepts in it, but it creates space for the creativity too," says Bailey. "It really is this Bible for the imagination." After Anastasia left him for the Red King, Will became the Knave of Hearts when Cora, the Queen of Hearts stole his heart to subject him to her will. When he was freed by Alice, he owed it to her to help her find Cyrus after discovering he survived their encounter with the Red Queen. Alice is a fictional character and the main protagonist of Lewis Carroll's children's novel Alice's Adventures in Wonderland (1865) and its sequel, Through the Looking-Glass (1871). A child in the mid- Victorian era, Alice unintentionally goes on an underground adventure after falling down a rabbit hole into Wonderland; in the sequel, she steps through a mirror into an alternative world. Lately, Alice has been liberated from the gilded cage of Disney glamour. The costume designer Colleen Atwood won her third Oscar for her work on Tim Burton’s 2010 Alice in Wonderland, “a really important film in finding an Alice that resonates with a new generation”, says Bailey. “She wears a kimono in one scene and armour in another. She is kind of an action hero.” Westwood’s various catwalk versions of Alice “radiate intellectual curiosity and the notion of speaking truth to power”, Bailey says.

As she attempts to walk away from him, Jafar freezes her in place, and coldly asserts he is the one in charge, and the two of them are not involved in a partnership. He removes the freezing spell only from her head and repeats his question about the bottle's location. She manages to gasp out, though it is a lie, that the bottle is now in Mimsy Meadows under the Tum Tum Tree. Believing to have received a proper answer, he removes the spell from her body entirely. On his way out, he chides her to devote more time to their plans. The Red Queen reasons she has responsibilities as a ruler and in response, Jafar frees up her time by turning all her frozen subjects in the room into piles of ash. He callously remarks that her schedule is cleared and strolls out while the Red Queen looks on in horror. Despite the original stories' reliance on wordplay, puns, and nonsense, Alice has become such an icon that she is often used as a touchstone even within primarily visual media. When Christopher Wheeldon first suggested a ballet version, his designer Bob Crowley reportedly thought he was "completely insane" to make a wordless Wonderland. But the Royal Ballet's 2011 show was a huge hit – not least because of Crowley's designs, which combined familiar Alice shorthands with classical tutus and cutting-edge stagecraft, from op-art projections to a multi-part Cheshire cat puppet. The Queen of Hearts stepped out of an intimidatingly huge crinoline-cum-throne-cum-tank, to dance a parody of a sequence from the ballet Sleeping Beauty: both very Lewis Carroll, and very ballet. Woolf, Jenny (2010). The Mystery of Lewis Carroll. New York: St. Martin's Press. ISBN 978-0-312-61298-6. a b Auerbach, Nina (September 1973). "Alice and Wonderland: A Curious Child". Victorian Studies. Indiana University Press. 17 (1): 37. JSTOR 3826513.

People choose to get Alice in Wonderland tattoos for any number of reasons, although for many art enthusiasts Alice’s adventures symbolize their love for the bizarre and irrational aspects of life. This interest in the illogical has other associations thanks to a song released in 1967.