276°
Posted 20 hours ago

Sexing The Cherry

£9.9£99Clearance
ZTS2023's avatar
Shared by
ZTS2023
Joined in 2023
82
63

About this deal

Her theme of love, understanding and ultimately the n Dog Woman is one of the novel's two protagonists; she is a woman living in 17th-century England. She adopts Jordan when he is a baby and raises him. Dog Woman is superhumanly large, and quite grotesque and ugly in her appearance. She is very blunt and literal; Dog Woman does not have many friends, but she can be very kind and protective towards people she cares about. Dog Woman believes firmly in the Royalist cause, and kills a number of Puritans. Jordan Winterson in this book also concocts a lovely ode to literature and feminism (which for much of history have been at loggerheads, given the male gaze) telling the tales of the Twelve Dancing Princesses from their own mouths, giving them autonomy and a woman's take on Byron, Browning, Coleridge and the Brothers' Grimm. There is also Jordan's cross-dress and space/time travel in a brothel, a beautiful ode to Woolf's Orlando.

Sexing the Cherry Summary | SuperSummary

At the crux of the book is the idea that the spacetime we inhabit is a lie we tell ourselves, perhaps even a mirage projected by our thirst for a tangible reality. But reality itself is not static, it is a product of intersections between multiple trajectories, and some of these points appear to be more densely concentrated with truth than others. And so the dog woman and Jordan live through multiple ages, through various phatasmagoric landscapes, bearing witness to the erratic looping and unwinding of time.I have set off and found that there is no end to even the simplest journey of the mind. I begin, and straight away a hundred alternative routes present themselves. I choose one, no sooner begin, than a hundred more appear. Every time I try to narrow down my intent I expand it, and yet those straits and canals still lead me to the open sea, and then I realize how vast it all is, this matter of the mind. I am confounded by the shining water and the size of the world.” My experience of time is mostly like my experience with maps. Flat, moving in a more or less straight line from one point to another. Being in time, in a continuous present, is to look at a map and not see the hills, shapes and undulations, but only the flat form. There is no sense of dimension, only a feeling for the surface. Thinking about time is more dizzy and precipitous.

Sexing the Cherry | Grove Atlantic

I resolved to set a watch on myself like a jealous father, trying to catch myself disappearing through a door just noticed in the wall. I knew I was being adulterous; that what I loved was not going on at home. I was giving myself the slip and walking through this world like a shadow. The longer I eluded myself the more obsessed I became with the thought of discovery. Occasionally, in company, someone would snap their fingers in front of my face and ask, “Where are you?” For a long time I had no idea, but gradually I began to find evidence of the other life and gradually it appeared before me.

Nothing more needs to be said about the effort we put in to show our love, the symbolic little gestures that are only understandable if you are part of that specific unit of love. Look again at the moment when Jordan sees the banana and, with it, a world beyond the reality of the present, a place with “deep blue waters against a pale shore and trees whose branches sang with green” (p. 6). As the Dog-Woman states “this was the first time Jordan set sail” (p. 6). What does she mean by this, and what is its relevance to the novel as a whole? Cross-dressing!" - A most beautiful reminiscence of Virginia Woolf's "Orlando", another traveller in time and space.

Sexing the Cherry Pages 34-60 Summary and Analysis Sexing the Cherry Pages 34-60 Summary and Analysis

I read in a book that the stars can take you anywhere. I’ve never wanted to be an astronaut because of the helmets. If I were up there on the moon, or by the Milky Way, I’d want to feel the stars round my head. I’d want my whole body to feel the space, the empty space and points of light. That’s how dancers must feel, dancers and acrobats, just for a second, that freedom.” Det Pembleton : Who cares? Did you hear that John? Who cares? We care. Let me explain a little. This Goodreads thing, it used to be nothing much, a few book geeks with no social life, who gave a tinker’s damn one way or the other. But now, now’s different. This being the third book I've read by Winterson, I've concluded that she is certainly not the average writer. She's incredibly unique, and there is an oddity in her works. Winterson is definitely an acquired taste, but I've realised she's definitely 'my taste.'I also enjoyed how this book took on the idea of love, be it of self or its extensions in other people. After all, in the end, all of our characters are one, and communication is equally important between the Dog Woman and Jordan as it is between their own selves. Winterson seems almost to affirm that in matters of love, we can never know because we feel. He couldn't be expected to make himself homeless because he was in love. "Medea did," I said. "And Romeo and Juliet, and Cressida, and Ruth in the Bible." Dancing princess, p. 58

Sexing the Cherry Study Guide | GradeSaver

And I sing of other times, when I was happy, though I know that these are figments of my mind and nowhere I have ever been. But does it matter if the place cannot be mapped as long as I can still describe it?" When John Tradescant first meets Jordan he sees something of his past self in the young boy. To Jordan, Tradescant becomes a hero. Why is this? Later Jordan realizes that Tradescant is quite different to him: “For Tradescant, voyages can be completed. They occupy time comfortably. With some leeway, they are predictable. I have set off and found there is no end to even the simplest journey of the mind” (p. 115). Does Jordan see this as a failing in himself or in Tradescant? Why? The Buddhists say there are 149 ways to God. I'm not looking for God, only for myself, and that is far more complicated.’ Sexing The Cherry unfolds in a non-linear narrative, and includes perspectives from multiple different characters. The novel also experiments with ideas of time, memory, and fantasy, sometimes leaving it unclear whether events "really" happened, or exist mainly within the imagination of characters. The primary plotline begins around 1630 in London, England. Dog Woman is a giant and somewhat grotesque woman who lives an isolated life until she finds an infant boy on the banks of the Thames River. She names the boy Jordan and lovingly raises him. Jordan begins to go on fantastical "voyages" in which he travels to mysterious and magical places; it is not clear to what extent these voyages are real and to what extent they occur only within his imagination. These experiences prompt Jordan to think deeply about the nature of time, memory, and love, while Dog Woman remains much more pragmatic and literal. This quotation occurs in one of the tales told by the dancing princesses. She recounts how her husband fell in love with someone else, but expected her to be the one to leave the home they had shared. When he objects that it would be unreasonable for him to leave his home because he has fallen in love with someone, she counters with famous figures from literature and history who did exactly that. The quotation reveals how Winterson uses allusions and intertextuality to add depth to her novel. It also features an episode where a woman outwits a man, and challenges a patriarchal narrative; the implication is that the princess's husband can't fathom leaving his home to be with his new love, because men are typically not called upon to make these kinds of sacrifice.He takes photos of Jeanette Winterson, Sara Waters and Ellen DeGeneres and spreads them on the table. Femeia cu Cîini e o făptură grotescă. Pregătește cîini de luptă și duce o viață marginală și sordidă. Într-o zi, îl culege pe Jordan din apele Tamisei și, în felul ei cvasi-primitiv și înduioșător, se va atașa de băiat. Îl va păzi cu gelozie de pericole. Și, mai ales, îl va învăța să iubească marea... Jordan este inițiat de grădinarul regal, John Tradescant, în botanică și amîndoi vor porni în lungi călătorii peste mări (și țări), pentru a aduce în Anglia plante și fructe exotice. La întoarcere, îi vor uimi pe londonezi arătîndu-le o banană sau un fruct de ananas. Nu este sigur dacă toate călătoriile lui Jordan sînt reale. În partea a doua a cărții, Jordan pare a voiaja mai degrabă în imaginar. Într-o lume virtuală / onirică, le va întîlni pe cele 12 prințese dănțuitoare din basmul fraților Grimm. Fiecare prințesă îi va spune povestea ei. Cam atît despre ceea ce se petrece în roman. Was I searching for a dancer whose name I did not know or was I searching for the dancing part of myself? Jordan, p.40 Her style of writting reminds me of a mix between master and margarita and a confederacy of dunces by john kennedy toole. With a huge added slice of winterson randomness that completely and utterly makes sence. The cattle were all drowned and the moat-light, like a lighthouse, appeared and vanished and vanished and appeared, cutting the air like a bright sword.

Asda Great Deal

Free UK shipping. 15 day free returns.
Community Updates
*So you can easily identify outgoing links on our site, we've marked them with an "*" symbol. Links on our site are monetised, but this never affects which deals get posted. Find more info in our FAQs and About Us page.
New Comment