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Encanto Soundtrack)

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All of the album's original songs appeared on the US Billboard Hot 100, led by "We Don't Talk About Bruno", which first appeared at number 50 and rose to number one, [74] [75] surpassing Frozen 's " Let It Go" (2013) as the highest charting Disney song since 1992. With her enhanced hearing, she listens to Mariano Guzmán, and, simply by listening to him, she falls in love with him. The magic of the Encanto has blessed every child in the family with a unique gift from super strength to the power to heal – every child except one, Mirabel.

Luke Goodsell of the ABC said the songs are Miranda's "seemingly inescapable" sounds and "vibrant musical numbers", displaying the diversity of Latin music.Colombia, Mi Encanto, 10 - Two Oruguitas (English Version, End Credits), 11 - Abre Tus Ojos, 12 - Meet La Familia, 13 - I Need You, 14 - Antonio's Voice, 15 - El Baile Madrigal, 16 - The Cracks Emerge, 17 - Tenacious Mirabel, 18 - Breakfast Questions, 19 - Bruno's Tower, 20 - Mirabel's Discovery, 21 - The Dysfunctional Tango, 22 - Chasing the Past, 23 - Family Allies, 24 - The Ultimate Vision, 25 - Isabela La Perfecta, 26 - Las Hermanas Pelean, 27 - The House Knows, 28 - La Candela, 29 - El Rio Magdalena, 30 - It Was Me, 31 - El Camino De Mirabel, 32 - Mirabel's Cumbia, 33 - The Rat's Lair, 34 - Tio Bruno, 35 - Impresiones Del Encanto, 36 - La Cumbia De Mirabel (Feat. In the film, the songs are performed by the Madrigals, who are a multigenerational family with magical powers granted to them by a "miracle"; the lyrical themes revolve around individuality, self-worth, transgenerational trauma and familial love. In agreement, Mikael Wood, the pop music critic of Los Angeles Times, made the same comparison and stated Encanto becoming "2022's first widespread cultural phenomenon" has turned Miranda into a pop star and an "increasingly powerful showbiz figure".

Miranda wrote the song in that time signature to symbolize how Mirabel is in a "different rhythmic universe than the rest of her family". Drawing from the diverse music styles of Colombia, [11] the soundtrack of Encanto is a Latin-pop album combining bambuco, [12] salsa, tango, vallenato, reggaeton, [13] cumbia, [14] bachata, [15] hip hop, folk, and funk with theatre music.Julieta Madrigal • Agustín Madrigal • Pepa Madrigal • Félix Madrigal • Dolores Madrigal • Camilo Madrigal • Antonio MadrigalMariano Guzmán: In " We Don't Talk About Bruno", Dolores sings about having a crush on Mariano, but then Bruno prophesying that he would become the fiancé of Isabela, her cousin. It is played twice in the film: when Antonio Madrigal, Mirabel's cousin, gets his gift and again from the film's closing scenes to the ending credits. Luisa Madrigal, one of Mirabel's elder sisters, expresses her insecurities and the stress she feels from her family in the song, [21] describing the weight of responsibility. According to Rolling Stone, the unexpected success has "largely boggled critics, who have approached its resounding popularity like a riddle they've been asked to solve.

Read more about the condition New: An item that is still in its original shrink wrap from the manufacturer and the original manufacturer’s seal (if applicable) has not been removed. Sebastian Yatra performs the original song 'Dos Oruguitas' in Spanish in the film, as well as 'Two Oruguitas', the English language version of the song, in the end-credits. This November 2021, the minds behind Moana, Frozen, and Zootopia, and the creator of Hamilton, will join forces to take you to Colombia and discover Encanto, a charmed place surrounded by otherworldly magic. But when she discovers that the magic surrounding the Encanto is in danger, Mirabel decides that she, the only ordinary Madrigal, might just be her exceptional family’s last hope. Songs charts [ edit ] American actress Stephanie Beatriz, the voice of the protagonist Mirabel Madrigal, contributes vocals to five songs.Disney's Encanto becomes first animated film soundtrack in history to land three simultaneous Top 10s on the Official Singles Chart". Johanna Ferreira of PopSugar wrote that the success of both the film and the soundtrack speaks to "not just the importance and significance of this type of representation in animated films, but also how movies like this are really changing how Latinx stories are being told". The Independent critic Clarisse Loughrey opined that many of the tracks are characteristic of Miranda's work in his musicals In the Heights or Hamilton, where "melodies will weave in and out of each other to reach a dizzying, final climax". All image and audio content is used by permission of the copyright holders or their agents, and/or according to fair dealing as per the UK Copyright, Designs and Patents Act 1988.

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