Nibbles the Book Monster: 1 (Nibbles (1))

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A really fun story with adorable illustrations to get lost in! Nibbles likes to nibble on things, and books are especially tasty to him. He nibbles his way out of his own book, then in and out of quite a few others, while the child who owns the books tries to find him before Nibbles eats the kid's whole collection of books! The illustrations are filled with lots of fun details, including some spreads where the reader has to find where Nibbles is hiding. Such a cute book, I want a copy for me!

Nibbles Series by Emma Yarlett - Goodreads

F Kuang’s tale of colonialism, magic and language, set in an alternate Oxford in the 1800s, broke out of the fantasy genre into the mainstream last year. Our panel praised Kuang’s use of “very clever” footnotes which added an extra layer to the novel, and commended how Babel encouraged an interest in language and translation, giving a new perspective on the legacies of empire. You Don't Know What War Is Yeva Skalietska, illustrated by Olga Shtonda Bloomsbury Children's BooksThe British Book Awards judges liked EUP’s strong collaboration with publishing partners and institutions, its smart long-term investment in business systems and analytics, and the way it responded nimbly to fill gaps in its academic fields. “They consistently make sensible invest- ment and publishing decisions.” Its sales through the TCM leapt by 21% in comparable terms to hit a record high. Much of the growth was generated by Colleen Hoover, who had the year’s biggest-selling title, It Ends With Us, and two more books in the top 15. Taylor Jenkins Reid’s The Seven Husbands of Evelyn Hugo added another top-15 hit to S&S’ ranks. After Gollancz’s triumph in 2021, HarperVoyager’s success is a second Imprint of the Year Award in three years for a science fiction and fantasy list. It is deserved reward for the work of this year’s Editor of the Year Natasha Bardon and publishing director Jane Johnson, who has been championing these genres for nearly 40 years. The year also saw S&S look outside its own business for ways to diversify its output and staffing, including via the Pathways Into Children’s Publishing programme. More than a quarter of its books—and a third of new acquisitions—came from underrepresented authors and illustrators. There was some excellent outreach and charitable work too, with BookTrust, libraries and Save the Children, among others, plus progress on sustainability initiatives. The Awards is a snapshot of the industry’s achievements and output, and reflects a business that is at the centre of many different conversations. It is committed to amplifying publishing talent from traditionally underrepresented communities, and ensures that this is upheld throughout the event and beyond. Publishers make books for everyone, and the awards echo their commitment to freedom of expression with texts that can challenge and inform, as well as entertain.

Nibbles: The Book Monster | BookTrust

I also have to give extra credit to the book cover. Normally books are paper and feel cold/hard on the touch, but not this one. It has texture, but also seems to not been made from paper but from fabric. I love it when publisher/authors do something special to their books.Little People, Big Dreams: Queen Elizabeth Maria Isabel Sánchez Vegara, illustrated by Melissa Lee Johnson Frances Lincoln Children's Books The 2023 Awards were announced at a ceremony on 15th May. Discover the Book of the Year awards and the Book Trade awards.

Nibbles Board Books Series by Emma Yarlett - Goodreads Nibbles Board Books Series by Emma Yarlett - Goodreads

Export, rights and co-edition sales were all at best-ever levels. There was more double-digit growth across picture books and Young Adult, and it had the Waterstones Children’s Book of the Year in A F Steadman’s Skandar and the Unicorn Thief—all of which earns Simon & Schuster the title of Children’s Publisher of the Year, too. The eight campaigns on this shortlist were all winners at the Publishers’ Publicity Circle’s annual awards. Alongside the title of Marketing Strategy of the Year, the award for Publicity Campaign of the Year completes a remarkable double for the most visible début of 2022, Bonnie Garmus’ Lessons in Chemistry. The judges also admired EUP’s diversity and inclusion initiatives, including an overhaul of recruitment practices, a mentoring scheme and sessions on neurodiversity. It made strides on reducing its environmental impact by developing a Sustainability Plan and took excellent care of its teams and authors. “This was my best publishing experience ever—perfect from start to finish,” said one grateful academic. Vintage’s creative director Suzanne Dean has been behind some of the most iconic covers in publishing over more than two decades at Penguin Random House, and 2022 saw her at the very top of her game.Nibbles nibbles his way through story books while the reader tries to catch him. What could be better! A citation by the author Monica Ali read: “It takes courage to create art. It takes courage to speak truth to power. Art may, in the end, be stronger than censorship, but the artist remains vulnerable. Nobody has been more courageous, more steadfast, more brilliant in the pursuit of truth and artistic freedom than tonight’s recipient.” The book is riddled with holes here and there, holes through which Nibbles ate himself a way out. I loved that they were added it made the book so much more fun. After being shortlisted in each of the last two years, Simon & Schuster stepped up to the next level in 2022. It completes an exceptional one-two for the business, which is also the overall Publisher of the Year at the British Book Awards.

READ ALOUD | Nibbles: The Book Monster by Emma Yarlett

libro ha sido todo un descubrimiento para mí, y digo para mí porque mi peque aún es muy pequeño para disfrutarlo. Creo que la edad adecuada es para niños a partir de 4 o 5 años. Its first trophy came in 2016, the year it won the second of two consecutive Booker Prizes. That kind of recognition can unbalance a small publisher, but after several years of consolidation Oneworld moved up a gear in 2022, with zeitgeist-capturing literary publishing and best-ever sales and profits. It is also a second British Book Award in six years for Transworld’s Alison Barrow, following success for her work on The Girl on the Train by Paula Hawkins. There were hallmarks of that publicity strategy in her campaign for Lessons in Chemistry, which began at the point of acquisition and has not abated since. It was clearly a passion project with endless creativity and innovation, first building a word-of-mouth buzz and an army of advocates, then achieving an exceptional level of media interest. There were acres of magazine, review and supplement coverage and successful pitches to key TV/radio slots, including “Between the Covers”, “Open Book”, “Woman’s Hour” and several book clubs. They are perceived as classics but I think the only reason Red Riding Hood is still popular today is because it's free to print and retell the story. Same with all the others. The Trade Awards celebrate everyone from independent bookshops, and regional small presses, to the industry’s largest players, from agents championing debut authors to marketers and publicists finding the most creative routes to readers. The book industry is an intricate and deeply collaborative ecosystem, and we are here to shine a light on every bit of it.

Waterstones has won this award in three of the past eight years. Celebrating four decades in bookselling in 2022, it opened 13 new shops and launched initiatives including a Début Fiction Prize and a Read for Ukraine fundraising campaign, while capitalising very well on BookTok and establishing new literary names such as From an exceptionally strong shortlist, Oneworld wins the title of Independent Publisher of the Year for a second time. But Bain and her small team have created much more than a bookshop. Afrori is a safe space and a cultural hub for people to gather and buy books. An astonishing range of initia- tives has included a variety of book clubs and workshops, films and exhibitions with local cinemas and galleries, and a new Brighton Book Festival. Partnerships with charities, comm- unity groups and universities have led to more activities, and a pay-it-forward scheme opens access to books and events for refugees and others in need. There has even been a supper club to connect authors and readers.