The Old Men at the Zoo

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We could laugh though when we arrive to the situation where we do not find the lives of some characters so fun to go through, such as these Old Men at The Zoo and then we can think of another great writer, Malcolm Bradbury and his chef d’oeuvre To The Hermitage http://realini.blogspot.com/2022/10/n... wherein he speaks of the advantage of the literary world over the physical one, the former has personages that are cleverer, more interesting, wiser, attractive, the events in there are more enticing, life is more exuberant (these are not the words of the author, but what I remember of the prose) and then we also have the advantage of getting access to these awesome characters and their beanos, from our room or bed. I've heard extraordinary things about her. I had a beer up at Stretton station with one or two of the younger keepers. And naturally we talked a good deal of smut.' Falcon is at once more manly and more childish. He is a famous explorer, whose name is surely intended to recall that of Captain Robert Falcon Scott of the Antarctic, perhaps the last of the pre-1914 storybook English heroes; yet his fixation on the past is not so much jingoism as sheer nostalgia for the nursery. He rechristens the Zoo’s prize elephant Jumbo, while on the eve of war he is engrossed in arranging a tableau of animals from children’s classics: Kipling, The Wind in the Willows, and so forth. He thinks of the public as a cheerful music-hall crowd; there is no place in his outlook for the mob violence which follows the destruction of his Victorian jamboree. Of all the characters in the book he is the one most plainly self-deluded, yet the fantastic preparations for his “British Day”—fireworks, multicolored fountains, patriotic recitations, emblematic flowerbeds—are described in elaborate and loving detail. Mr. Wilson has always reserved some of his sharpest darts for the soft underbelly of English culture, the whimsical, jocular, pet-loving, and sentimental side of the national character; but what stirs him to satire also exercises a lasting fascination. The book is so cleverly worked out, so detailed and so complex, that it is impossible to give more than a flavour here. But anyone interested in power games and the incompetent (rather than malicious) abuse of power and in the idea of freedom and how we all have responsibility for it and any Brit who still has doubts about the European Union would be well advised to read this first-class novel. Publishing history

Five parts. Writer: Troy Kennedy Martin; Adapted from (novel): Angus Wilson; Producer: Jonathan Powell; Director: Stuart Burge

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Access-restricted-item true Addeddate 2022-03-29 03:10:19 Autocrop_version 0.0.9_books-20210916-0.1 Boxid IA40413314 Camera Sony Alpha-A6300 (Control) Collection_set printdisabled External-identifier Wilson’s jaundiced narrative tone is infected at times with outright bitchiness; he does not love humans in general. It adds a sour readability to the novel. The following observation, as Simon strolls through the zoo, indicates his feelings about the British people:

It's not a very successful novel. The fundamental problem is that the future Wilson predicts is grounded in his 1940s experiences of the British Library and at Bletchley Park. In fact, that's being too kind to Angus. Women were doing crucial work at Bletchley ... why are they only making the teas in his imagined 1970s? The work situation was stressful and led to a nervous breakdown, for which he was treated by Rolf-Werner Kosterlitz. He returned to the Museum after the end of the War, and it was there that he met Tony Garrett (born 1929), who was to be his companion for the rest of his life.If you like animals, you're going to find this unevenly brilliant dystopian novel pretty rough going, particularly toward the end (Remember DISGRACE? Almost like that). Don't let that dissuade you from reading it, though. Published in 1961, it's set in the early 1970s but exhibits some interesting parallels with today's Britain--e.g., the pugnacious "England-versus-Europe-and-everybody-else" mindset--as well as unsettling intimations of J.G. Ballard, who was publishing his first book right around the time this came out. I get the feeling that if I knew more than I do (i.e., pretty much nothing) about postwar British political history, I might find some lightly disguised characters here--Lord Beaverbrook for one-- in the factional infighting amongst the "old men." The nuclear aspect, or the prospect of war is so frightening at the present that its presence in the book could work to make it more interesting for some readers – after all, The Old Men at The zoo is included on the list of 1,000 Novels Everyone Must Read https://www.theguardian.com/books/200... - but it could deter others, such as the under signed

The added advantage would be that in the artistic realm, we can also disengage suddenly, we are not forced to continue to participate as is the case in the ‘real’ realm – for instance, right now I have a serious crisis on my hands with the spouse, who is out there, maybe in the mountains, carrying with (my) car the family to who knows what spending shindigs and this at a time of crisis, when bills will reach extreme highs for energy, fuel and what not – and if we find The Men at The Zoo irritating, boring o just not appealing enough to stay connected with their saga, well, then we can just stop reading… Ocr tesseract 4.1.1 Ocr_detected_lang en Ocr_detected_lang_conf 1.0000 Ocr_detected_script Latin Ocr_detected_script_conf 1.0000 Ocr_module_version 0.0.11 Ocr_parameters -l eng Old_pallet IA-NS-0000490 Openlibrary_edition urn:lcp:oldmenatzoo0000wils_s1v7:epub:0aa5c2c2-7453-4551-b85c-d34b4d6fea04 Foldoutcount 0 Identifier oldmenatzoo0000wils_s1v7 Identifier-ark ark:/13960/t7ds31f93 Invoice 1652 Isbn 0140020799 This is so serious, for they even calibrate to say that they could use tactical nuclear weapons, in other words, smaller devices, but still devastating ones, for to my knowledge, they are still more powerful that what they used at Hiroshima and Nagasaki, for in the meantime, they have ‘pe4fected the capabilities, to the point where the H bomb and others have incredible powers to destroy and kill humans…There are quite a few passages that we can relate to in The Old Men at The Zoo, such as the perils of a world war that are so terrifying right now, when we face the almost certain arrival of a new crisis (and my wife is out spending god knows where, she has done over many months, in spite of the debts we have, the news that show prices rising, economic activity threated, bad results from the company that provides us with dividends, when the weather if fine) and Putin and his acolytes keep speaking of Armageddon… I have dusty fly-blown memories of seeing the apocalyptic closing episodes of luminary British screenwriter Troy Kennedy-Martin's 1983 TV adaptation of "The Old Men at the Zoo" and had always resolved to read Angus Wilson's novel when time allowed. The Old Men at the Zoo, a 1983 serial for BBC2 based on the novel by Angus Wilson, leaves the flashpoint unfashionably late. Although the threat of war is ever present the focus is very much on preparation, propaganda and domestic politics. Curiously, and rather more indicative of the age in which it was adapted, the nuclear bomb that arrives four fifths of the way through was not even present in the novel. We often update posts with new information. Here are some of the biggest recent revisions with new research findings: