Gotham Central Omnibus

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And of course, the award-winning "Half a Life," in which Montoya's life gets turned upside down after being targeted by an unknown stalker. Rich Johnston (August 27, 2014). "DC Comics To Rush Out Gotham Central #1 In Time For The TV Show For A Dollar". BleedingCool. SPIDER-MAN BY MICHELINIE & BAGLEY OMNIBUS VOL. 1 HC BAGLEY SPIDER-MAN VS. VENOM & CARNAGE COVER [DM ONLY] Micheal Lark’s art is something you have to get used to. It starts to fit after a while but again can be quite inconsistent with the look of it’s characters making a lot of them blend together. The art style does change a few times but the worst style had to be the art for On the Freak Beat. With this being one of the more popular stories in this run, I wish the art wasn’t so messy. Michael Lark is the lead artist on the series and his gritty style is the perfect fit. For a book without costumes to differentiate the cast, Lark succeeds at giving everyone a unique look.

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AMAZING SPIDER-MAN (1963) #430-431, PETER PARKER: SPIDER-MAN #13, WEBSPINNERS: TALES OF SPIDER-MAN #13-14, VENOM VS. CARNAGE #1-4, TOXIN #1-6, X-MEN/SPIDER-MAN #3 and WHAT IF? (1989) #108 Brubaker is best known for his work as a comic book writer on such titles as Batman, Daredevil, Captain America, Iron Fist, Catwoman, Gotham Central and Uncanny X-Men. In more recent years, he has focused solely on creator-owned titles for Image Comics, such as Fatale, Criminal, Velvet and Kill or Be Killed. Where this Series really won me over is the lay out /art style, how it flows with rarely having to use description boxes.. it rather just shows you! Sadly you don't see that applied well in most comics but here its just perfect. KNIGHT TERRORS #1-4, KNIGHT TERRORS: FIRST BLOOD #1, KNIGHT TERRORS: NIGHT’S END #1, and material from DAWN OF DC KNIGHT TERRORS 2023 FCBD SPECIAL EDITION

SENSATIONAL SHE-HULK (1989) #51-60, DOC SAMSON (1996) #1-4, INCREDIBLE HULK (1968) #441-442, THING & SHE-HULK: THE LONG NIGHT (2002) #1, and material from MARVEL COMICS PRESENTS (1988) #123-126 and INCREDIBLE HULK (1968) #412 AMAZING SPIDER-MAN (1963) #271-278; PETER PARKER, THE SPECTACULAR SPIDER-MAN (1976) #111; MARVEL GRAPHIC NOVEL: AMAZING SPIDER-MAN — HOOKY and material from MARVEL FANFARE (1982) #27 Kit, Borys (July 10, 2020). " 'The Batman' TV Spinoff From Matt Reeves, Terence Winter Set at HBO Max". The Hollywood Reporter . Retrieved July 10, 2020. Grant Morrison’s masterpiece is now collected in an oversize Absolute format! Join DC heroes from 52 alternate Earths as they band together to battle a menace that spans the entire Multiverse. This features artwork by Ivan Reis (Justice League), Frank Quitely (All-Star Superman), Jim Lee (Batman), and many others!

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ACTION COMICS #1030-1046, ACTION COMICS 2021 ANNUAL, ACTION COMICS 2022 ANNUAL, BATMAN/SUPERMAN: AUTHORITY SPECIAL #1, FUTURE STATE: SUPERMAN: HOUSE OF EL #1, FUTURE STATE: SUPERMAN: WORLDS OF WAR #1-2, and SUPERMAN: WARWORLD APOCALYPSE #1 AVENGERS (1963) #9, #52, #131-132, #151-153, #157-160, #164-166, #181, #192-194, #197, #203, #207-208, #211 and #239; GIANT-SIZE AVENGERS #3; MARVEL TEAM-UP (1972) #78 and #136; MARVEL PREMIERE #55; MARVEL TWO-IN-ONE (1974) #78; VISION AND THE SCARLET WITCH (1982) #3; VISION AND THE SCARLET WITCH (1985) #2; WEST COAST AVENGERS (1984) #2; WEST COAST AVENGERS (1985) #1-2 and #25; AVENGERS WEST COAST #66-68 and WONDER MAN (1986) #1 — plus material from AVENGERS (1963) #201 and ANNUAL #6, SOLO AVENGERS #13, MARVEL COMICS PRESENTS (1988) #38-45, AVENGERS SPOTLIGHT #28, MARVEL SUPER-HEROES (1990) #4, AVENGERS WEST COAST #65 and AVENGERS CLASSIC #9 However this is not a happy book or light reading. It doesn’t pull its punches. One of the storylines had me wondering if someone had been chopping onions. The tone fits with the subject matter however. You do get some dark humour and banter between the different characters to bring light to the dark.ULTIMATE X-MEN #34-74 and ANNUAL #1-2, ULTIMATE X-MEN/FANTASTIC FOUR #1 and ULTIMATE FANTASTIC FOUR/X-MEN #1 I'm now on a third read, having happily upgraded to the omnibus, and this is still one of the best books DC has ever produced.

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Gaylactic Spectrum Awards – Best Other Work 2004 – Half a Life ( Gotham Central #6–10). Tied with Angels in America. Grafik Muzik #1-4, Graphique Musique #1-3, the cult hit comics Madman in Your Face 3D Special and "Mr. Gum: Who Sell Out? You Sell Out?," as well as Allred’s latest creator-owned series X-Ray RobotLove it! Similar to some of the best TV police dramas, Hill Street Blue and NYPD Blue, this series delves into the personal and professional lives of the detectives in the police force. Each member of the squad is developed so that the reader can determine their personality and how well they investigate a case. Like any work place, though, differences in demeanor, attitude and aptitude, creates interpersonal conflicts, making all of them more "real". The stories are grim and gritty, at times horrific, and the ambiance and tone are gloomy which all fits because Gotham is a difficult, dangerous and crazy city. This series is about the detectives themselves, and while Batman does play a part, it really isn't about him, and more about how his presence alters the attitude and perception of the police force. In the end, after completing the entire volume, you'll agree the series was really about one detective in particular. While some story arcs may be flawed and detract from the score of that particular book, the series as a whole is amazing. Each story maybe 4 or even 3 stars, but the series is fantastic ( I know it sounds weird, but try to understand what I mean. ). The series is amazing and absolutely deserves to be read by you. This omnibus is great, not because of the bonus content ( Of which there is hardly any. ), but because I think the series is a much better experience if read in one go ( Or at least, between short takes. ).