Scenes of Clerical Life (Oxford World's Classics)

Product Information

But it is with men as with trees: if you lop off their finest branches, into which they were pouring their young life-juice, the wounds will be healed over with some rough boss, some odd excrescence; and what might have been a grand tree expanding into liberal shade, is but a whimsical misshapen trunk. The book provides a vivid portrayal of the social and religious milieu of the Victorian era. Eliot’s characters are drawn from real life and reflect the various shades of human nature. The stories deal with themes such as love, marriage, faith, and morality, and offer a critique of the rigid social norms and conventions of the time. It is apt to be so in this life, I think. While we are coldly discussing a man’s career, sneering at his mistakes, blaming his rashness, and labeling his opinions--’he is Evangelical and narrow’, or ‘Latitudinarian and Pantheistic’ or ‘Anglican and supercilious’--that man, in his solitude, is perhaps shedding hot tears because his sacrifice is a hard one, because strength and patience are failing him to speak the difficult word, and do the difficult deed.

Noble, Thomas A. George Eliot’s “Scenes of Clerical Life.” New Haven, Conn.: Yale University Press, 1965. The only full-length treatment of Eliot’s first fictions, Noble’s book examines the reception of the work and the book’s impact on Eliot’s later work. Bendita sea la influencia de un alma humana buena y cariñosa en otra! No calculable por el álgebra, no deducible lógica, sino misteriosa, eficaz y poderosa, como el proceso oculto por el que una semilla diminuta prende y, al brotar, se convierte en un tallo alto de hermosas hojas con una flor de pétalos brillantes. Las ideas son a menudo pobres fantasmas; nuestros ojos deslumbrados por el sol no pueden distinguirlas; pasan a través de nosotros como un ligero vaho, sin que advirtamos su presencia. Pero algunas veces son corpóreas; exhalan su cálido aliento sobre nosotros, nos tocan con manos suaves y sensibles, nos miran con ojos tristes y sinceros, y nos hablan en un tono cautivador; están envueltas en un alma humana, con todos sus conflictos, su fe y su amor. Y entonces su presencia es un poder, entonces nos sacuden como una pasión, y las perseguimos con dulce compasión, arrastrados por ellas del mismo modo que las llamas arrastran a las llamas.” a b Eliot, George; Kirsty Gunn (2006). Mr Gilfil's Love Story. London: Hesperus Press. ISBN 1843911426. George Eliot’s writing style and narrative techniques in “Scenes of Clerical Life” are characterized by a deep understanding of human nature and a keen observation of social dynamics. Eliot’s prose is rich and descriptive, often using vivid imagery to create a sense of place and atmosphere. Her characters are complex and multi-dimensional, with their inner thoughts and emotions often revealed through their actions and dialogue.

Book contents

In “Scenes of Clerical Life,” George Eliot explores a variety of themes that are still relevant today. One of the most prominent themes is the struggle between duty and personal desire. The characters in the novel are often torn between their obligations to their families, their communities, and their own desires for happiness and fulfillment. This conflict is particularly evident in the character of Mr. Gilfil, who is torn between his love for Caterina and his duty to his position as a clergyman. Another important theme in the novel is the role of religion in society. Eliot portrays the clergy as flawed and human, rather than as perfect and infallible. She also explores the tension between different religious beliefs and the impact that these differences can have on individuals and communities. Finally, “Scenes of Clerical Life” also explores the theme of social class and the impact that it has on individuals and their relationships. Eliot portrays the rigid social hierarchy of the time and the ways in which it can limit individuals’ opportunities and choices. Overall, “Scenes of Clerical Life” is a rich and complex exploration of a variety of themes that continue to resonate with readers today. ‘The Sad Fortunes of the Reverend Amos Barton’ Mr. Gilfil’s Love Story” is a poignant tale of unrequited love and sacrifice. The story follows the life of Mr. Gilfil, a kind and gentle clergyman who falls in love with a young woman named Tina. However, Tina is already engaged to Captain Wybrow, a selfish and cruel man who mistreats her. Despite his love for Tina, Mr. Gilfil puts her happiness above his own and helps her to marry Captain Wybrow. Bodenheimer, Rosemarie. 'A Woman of Many Names' in ed. Levine, George. The Cambridge Companion to George Eliot. Cambridge: Cambridge University Press, 2001. p 29. [1] orphan whom they were raising as their own daughter. The Cheverels’ nephew, Captain Anthony Wybrow, and Gilfil grew up like brothers with Caterina. As Caterina blossoms into a young woman, Gilfil falls in love with her, and she falls in love with Anthony.

Despite Eliot's title for this

Retailers:

The thing we look forward to often comes to pass, but never precisely in the way imagined to ourselves. Although Scenes of Clerical Life is Eliot’s first fiction about religion, she had been thinking about religion for at least a decade prior to the publication of Scenes of Clerical Life. In 1846, she translated D. F. Strauss’s groundbreaking Das Leben Jesu (1835) as The Life of Jesus Christ Critically Examined; eight years later, she translated Ludwig Feuerbach’s Das Wesen des Christentums (1841; The Essence of Christianity, 1854). Both of these works, critical of the foundations of traditional Christianity, influenced Eliot’s portrait of the bankruptcy of traditional religion in Scenes of Clerical Life. The information that we collect and store relating to you is primarily used to enable us to provide our services to you. In addition, we may use the information for the following purposes: In short, Eliot attempts to excise the modern sensibilities and assumptions of her audience – its sophisticated cynicisms and narrow interests she seems to assume – to embrace a narrative about an England now bygone or going: a b c Litvinoff, Adrian (11 June 2008). "George Eliot: Review of Scenes of Clerical Life" . Retrieved 11 November 2008.