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The Last Rose of Shanghai: A Novel

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Ernest, a gifted Jewish pianist fleeing Europe and other protagonist of the novel, provides readers with a perspective into the world of Jewish refugees in Shanghai. Could you share how you conceived of the character and some of the research you did to ensure his experiences fit the historical reality of refugees in the city? When I took a friend's advice to write a story of Jews in Shanghai, I didn't know what I was getting into. First, though I give the author credit for writing in a language that is not her first, the writing is not particularly enjoyable. I've always heard that one of the principal rules of writing is "Show, don't tell." This book has a whole lot of telling and very little showing. Aiyi, our first-person narrator, spends tons of time telling us about how rich she is, what lavish jewelry and clothing she wears, about her nightclub and her servants and the reputation of her family. And yet there are instances when the reader has to infer that something has happened because it isn't explicitly stated that it has. I'm thinking of one part here in which a character is shot by a soldier; the book says that the soldier has a gun and that the character is bleeding, but it never actually explains the connection.

Another major issue for me was what I saw as a series of historical inaccuracies. The characters can all conveniently talk to one another, often in fluent English, though they all are from different countries. They talk like modern-day people, too, despite the fact that they're supposed to be living 80 years ago and be from different cultures with different levels of formality and ways of speaking. On at least two occasions, a character is said to be eating a bagel with peanut butter. Peanut butter is hard to find in China today, so I can't imagine it was a common thing in 1940s Shanghai. There is a bit at one part near the end of the book where a character is living in a slum with no running water yet has a plastic stool, and plastics weren't really produced until the 1950s.

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Does all this add up to a good story? In some ways, yes. Certainly, living in an occupied city is awful. Both Aiyi and Ernest experience their share of tragedy. But Randel avoids making the story an atrocity Olympics. The reader finds suffering, but the suffering alone doesn’t take over the story. It felt authentic to me, at least. This should have felt like a rollercoaster but because I never connected with the characters, the exciting and tragic moments didn’t have any impact on me. It felt very long and I started to skim about half way through. Randel, who sat down for a Q&A about The Last Rose in Shanghai, shared with China Daily everything from what inspired the novel to how she approached her research to ensure authenticity.

What inspired you to write a historical novel highlighting the experiences of Jewish refugees in Shanghai in the 1940s? Even if I could completely suspend my disbelief and ignore all these inaccuracies, I would still have one major problem with this book: I didn't like the characters or find them to be at all believable. They seem hyper-focused on making money, even in the midst of a world war and an enemy occupation. They are super wishy-washy about their feelings for each other. And the resolution of the story is predictable and frankly unrealistic. I think this book was really meant to be a romance novel, but even taking away the war and the historical setting, it's not a particularly convincing one.The story comes to us from the first person perspective of Aiyi and the third person perspective of Ernest, with brief interludes from Aiyi in 1980. Often, stories of struggle are written from the point of view of middle class or impoverished characters. Aiyi being rich gives us an angle not often seen in historical fiction: that of a wealthy young heiress who does her best to be independent despite the constraints of her time and location, and at the same time, being proud of her financial status and beauty. Aiyi Shao is a young heiress and the owner of a formerly popular and glamorous Shanghai nightclub. Ernest Reismann is a penniless Jewish refugee driven out of Germany, an outsider searching for shelter in a city wary of strangers. He loses nearly all hope until he crosses paths with Aiyi. When she hires Ernest to play piano at her club, her defiance of custom causes a sensation. His instant fame makes Aiyi's club once again the hottest spot in Shanghai. Soon they realize they share more than a passion for jazz--but their differences seem insurmountable, and Aiyi is engaged to another man. Thoughts: I enjoyed the unique setting for this book but thought the writing was a bit awkward and the story was just so-so. This book takes place during WWII in Shanghai. It follows a young heiress named Aiyi who owns her own nightclub and a Jewish refugee named Ernest who ends up playing the piano at her club. They end up falling in love but get caught up in all the politics and war of the time. While the plot reveals a lot about Shanghai history and culture, it also contains a lot of stereotypes about China. The only person to see Shanghai in a positive light was Ernest. From Aiyi, all we get is cliches.

My thanks to The Last Rose of Shanghai and NetGalley for the DRC of “Lake Union Publishing”. This review is voluntary and contains my honest opinion about the book. Aiyi isn't a likeable character. While she should have been inspirational by virtue of being a successful business owner in a patriarchal world, she is shown as selfish, judgemental, and short-sighted. She doesn't shy away from flaunting the rewards of her wealth, and looks down on those who are careless about their appearance. This adds a nice challenge to the story: how to be patient with a character who gets on your nerves. The book can be called a coming-of-age story, with Aiyi's character as the lynchpin.

The best of the Shanghai-set novels by China’s leftwing realist writers of the 1930s – who also included Lu Xun and Ba Jin – which accentuated the harsh and often brutal capitalist face of the city and offered an intimate portrait of working-class life. The plan is to select and read a book every month, then discuss the work during the month’s last week (to give everyone time to read it!). I will post some questions/quotes to get things started, but I would love for this to grow into an open discussion with and between you all. Whenever possible I hope to have the author, or another prominent voice on the subject, join the conversation. The book is beautifully written. I wasn’t aware that Shanghai was a safe harbor for European Jews early in the war. About 20,000 Jews settled in Shanghai from 1938 to 1941, but the living conditions for the Jewish refugees in Shanghai deteriorated over the course of the war due to pressure on the Japanese from their German allies. The descriptions of life in Shanghai, including the luxury living of jazz clubs and fancy hotels as well as the settlements and ghettos, were captivating and allowed me to visualize the time and place. The book is also well-researched, and the author does a great job of exploring the relationships and distrust among the Chinese, Japanese, and foreigners who are all co-existing and trying to survive in the war-torn city. I did think the love story between Aiyi and Ernest got quite dramatic at times (blindly running into battle zones more than once to find each other!), but I found them to be really enjoyable characters and I cared for them from beginning to end.

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