GET CARTER [2 disc Blu-ray]

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Jason Wood also adds a contribution to the booklet that ends up taking up most of the last half of it,an extensive look at the work of Roy Budd. Wood first writes up a brief bio about the composer before reprinting interviews he conducted with musicians Barry Adamson, Matt Johnson, Jah Wobble, and writer Bob Stanley, each participant explaining how Budd’s work has influenced them or impacted film scores since. It’s one of the more extensive and well-researched pieces on Budd I’ve read.

In case you need a reminder, it's this: "You're a big man, but you're in bad shape. With me it's a full time job. Now behave yourself." The Ship Hotel – Tyne Main (1967, 33 mins): Philip Trevelyan’s evocative documentary film about a pub on the banks of the River Tyne Like seeing it for the first time”, might be a clichéd saying, but with regard to this new print, it really is. Color / 2:35 enhanced widescreen / 112 min. / Street Date April 22, 2014 / available through the Warner Archive Collection / 14.97 The Ship Hotel - Tyne Main - this documentary about a pub on the banks of the River Tyne was produced by Philip Trevelyan in 1969. In English, not subtitled. (34 min).The film is now more than half a century old, and yet it continues to win fans with each new generation – and the latest are bound to be enthralled by a 4K and Blu-ray release from the BFI. Director Mike Hodges says the quality is fantastic – and he’s absolutely right. In fact, the film probably looks better now than it did on its big screen release in 1971. Mike Hodges in Conversation (2022, 60 mins): the director discusses his career in this interview recorded at BFI Southbank clear to my ear, but for others the fear of the original American distributors may be justified, i.e.,

Please note that all screencaptures that appear with this article are taken from the 4K Blu-ray and are downscaled to 1080p. Therefore, they do not accurately reflect the quality of the 4K content on the 4K Blu-ray disc, including the actual color values of this content. BFI’s notes on their restoration state it is primarily sourced from the 35mm original negative, but portions had been replaced with sections of the duplicating negative, more than likely due to damage. For these portions BFI were able to source the yellow, cyan and magenta protection Promaster elements, made from the original negative. BFI also notes that the film’s “final look”—which I assume includes colour grading—was based on previous restorations/releases from 1971, 1999 and 2014. Wrong! Helpful correspondent Jonathan Hertzberg offers a welcome correction (but keep reading at end): Bei dieser DVD handelt es sich um einen UK-Import mit der ungeschnittenen Originaversion ohne deutsche Tonspur. In Deutschland gibt es ihn (noch) nicht ungeschnitten fürs Heimkino. Er ist in bei uns ungekürzt ab 18 Jahren freigegeben und läuft, da es keine vollständige deutsche Synchronisation gibt, im deutschen TV immer in einer stark gekürzten Fassung, meist im Nachtprogramm. This two-disc BFI Blu-ray edition includes a treasure trove of bonuses: documentaries, interviews as well as fascinating audio commentaries from Hodges, Suschitzky and Michael Caine, shedding much light – and a good dose of humour – on the spontaneous way in which the film was shot, with no story-board, just going with the momentary flow. The BFI also include a really well put together book, with great photos and illuminating articles about various aspects of the film and the creative team.Throughout the entire process, director Mike Hodges was consulted and signed off the final restoration. the hallmarks of the typical American crime film is the presence of a moral center. In the classics Das Bild liegt anamorph im Widescreen-Format vor und kann auf einem kompatiblen Fernseher im Format 1.1:78 angesehen werden. Der Ton liegt lediglich in Mono vor. average bitrate of 21.96 Mbps, which is certainly better than some of Warner's efforts but is still