90s Anthems

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Tevin Campbell was everyone who ever tried to find the courage to talk to their crush. “Can We Talk” was all about the angst of teenage love, longing and words left unsaid. 41: Hi-Five – I Like The Way (The Kissing Game)

It was his first single since his arrest by undercover police officers for performing a lewd act in public, which prompted him to come out as gay. The lyrics to the song disparage the incident and include the lines “I’d service the community, but I already have, you see” (he was given community service for the incident). Michael has said he wanted to lighten the stigma around cruising, and, for me, it lightened the stigma around being gay in general. I’m cheating with this one a bit, as it was actually released in November of 1989. However, it became a dance floor hit in early 1990 in the US, despite never being released there commercially. Additionally, it got to number 13 in the Irish charts. There’s one more thing that makes ‘Smells Like Teen Spirit’ the song of the decade, and that’s Samuel Bayer’s now iconic video. His lo-fi, sepia-saturated take on a school concert that descends into madness – complete with slo-mo cheerleaders, smashed up guitars and smoke and fire in a sports hall full of sweaty headbanging teens – was as disturbing and anarchic as the song itself. Everyone watched it. Everyone knew they would never forget it. Tim ArthurOne of the most unforgettable videos of the decade, Keith Sweat’s “Twisted” was a three-minute murder-mystery-romance that helped to launch the second wave of the R&B impresario’s career. A runaway hit, “Twisted” is infectious and danceable, and Sweat’s distinctive vocal style makes it a song only he could have pulled off. 36: Erykah Badu – On & On The music video shows Elton John performing the song along with scenes from the movie. The song earned him a Grammy for Best Male Pop Vocal Performance and it reached number 9 in Ireland. Glory Box” feels like a chemical composition as much as it does a musical one: So perfect is the alchemy of Geoff Barrow’s dank soundscapes, Beth Gibbons’ shivering vocals, and Adrian Utley’s guitar lines, that if you were to upset the balance between them, the song would be unequivocally changed. It’s just one of the reasons why Portishead was one of trip-hop’s premier acts, and why none of its imitators could properly replicate its gloomy aura. Primus – Jerry Was a Race Car Driver (1991)

A hot song with an equally hot video, Toni Braxton’s runaway No.1 from her sophomore album was the hit of the summer of ’96, and more than earns its place among the best 90s R&B songs. Rumored to be about everything from weed to masturbation, the suggestive lyrics were cleverly buried under a poppy, danceable, uptempo beat that borrowed from the burgeoning electronica movement. 17: Boyz II Men – On Bended Knee Songs mean a lot when songs are bought / And so are you,” Stephen Malkmus snipes on “Cut Your Hair,” a sarcastic shot at an unscrupulous music industry and the fame-hungry bands willing to play ball with it. Ironically, “Cut Your Hair” was the closest Pavement would get to a hit, peaking in the Top 10 of Billboard’s US Alternative Airplay chart. Perhaps that’s why Malkmus steered Pavement toward shaggier, less commercially-friendly sounds on the subsequent Wowee Zowee. Pearl Jam – Alive (1991) Just a Girl” was a breakthrough for No Doubt in more ways than one: It was the first song that Gwen Stefani wrote without her brother’s input and No Doubt’s first song to chart. The famous visual that featured Stefani sporting a crop top and a bindi between her eyebrows would define the singer for years, but even if the video had never been made, “Just a Girl” would’ve assured both her and No Doubt’s stardom. Oasis – Wonderwall (1995) Freak Like Me” not only served as Adina Howard’s sex-positive debut but paved the way for fellow female R&B vocalist to own their sexuality on record. It was one of the first 90s R&B songs where a woman talked unapologetically about her desires, plus the beat thumps to this day. 15: TLC – WaterfallsOriginally a song by The Village People from their 1979 album Go West, Chris Lowe of the Pet Shop Boys chose it for the duo to perform at an AIDS benefit at the Haçienda nightclub in Manchester in 1992. The duo then decided to record it, and it appeared on their highly regarded 1993 album, Very. The album was called their “coming-out” album due to its content, including this bizarrely moving cover, and Neil Tennant discussing his long-rumoured homosexuality. If you missed the Top 100 Greatest Songs countdown on Absolute 90s throughout the week, Ben Burrell will be recapping the entire Top 40 from 7pm on Monday night (31st August) on Absolute Radio. Listen to Absolute Radio Lauryn Hill initially penned “Ex-Factor” for another group but felt it was too personal to give away. This beautiful, heart-wrenching, breakup song was on repeat on many a Discman due to its relatability and stirring vocal performance. 29: Aaliyah – One In A Million