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No Surrender: by Scarlett and Sophie Rickard

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Hailed by Emily Wilding Davison as “a book which breathes the very spirit of our Women’s Movement”, the fast paced story interweaves the lives of women from all classes working together to bring about change. Our hero Jenny is a small but fierce Lancashire textile mill worker who puts principle before everything. No Surrender, they felt, could be tweaked to bring Maud’s message to an audience 110 years after it was written. Finding ways to update it the story without losing its power was key, the sisters say.

Constance Maud’s No Surrender: A Graphic Novel by Scarlett

No Surrender was first published in 1911, the year women across the country boycotted the British census by spoiling forms with the words “I don’t count so I won’t be counted” and “no persons here, only women.” Pioneering Suffragette Emily Wilding Davison loved it, pronouncing that it “breathes the very spirit of our women’s movement” – a spirit that lives on in this new graphic novel edition. This is a fascinating story and equally an important piece of social history – deserving a modern audience. But written in a language that reads like a period piece, No Surrender was ready to be updated. As they saw the success of their work translating Tressell into another literary form, Maud’s book came on their radar. Jenny Clegg is a Lancashire mill-hand with dreams of equality and freedom. Along with friends from every walk of life, she brings the fight to the Prime Minister’s door – and suffers for her cause. Written by a Suffragette from the heat of the battle, this novel is a vivid social record of a tumultuous era, told through the lives of a broad cast of powerful characters.Illustrating London in 1910 required research. No Surrender has a deeply immersive world for the words to play out across.

SelfMadeHero | No Surrender

The sisters scored a publishing sensation in 2020, when their graphic novel adaptation of Robert Tressell’s seminal socialist novel, The Ragged Trousered Philanthropists, illustrated the thirst for this type of story. Our graphic novel of The Ragged Trousered Philanthropists has gone down well with people who love the original, and with people who’d never heard of it before,” says Scarlett. “The graphic storytelling medium has made Tressell’s political ideas accessible to a new generation. It’s a great way to revive older books that deserve more attention.” We saw its potential,” adds Scarlett. “The novel stands the test of time, although we edited out several instances of racist cultural norms. It shows even people with equality in their hearts can have blind spots.” The pair are recent arrivals in the graphic novel world and are planning a third political tome from the same era. Jenny Clegg is a wonderful working-class hero,” says Sophie. “We were drawn to her vitality and turn of phrase because of our childhoods. No Surrender was written in part as a recruiting tool for the suffrage movement, and the way it explores things from the point of view of all kinds of women from all walks of life adds to the sense of unity. Jenny, Mary and Alice all have individual strengths and challenges, and there is something there to relate to.”Graphic novel publishers Self Made Hero, based in King’s Cross, have earned a reputation for finding new ways to use the genre to cast a light on modern storytelling. They range from the noir and thriller to social realism and political tales. Constance Maud’s suffragette novel No Surrender, first published in 1911, isn’t what I would call an enticing read, however authentic a record it may be of its author’s times (Maud, the daughter of a Surrey rector, joined the Women’s Freedom League in 1908, and thereafter participated enthusiastically in the same kind of peaceful civil disobedience as her characters). While it’s true that Emily Wilding Davison, the woman who would later be trampled beneath the King’s horse at Epsom, adored it, feeling that it breathed the very “spirit of our women’s movement”, most modern readers tend to find it plodding and cliched, its story never quite flaring to life. Tressell was a decorator who wrote about economics from his working-class point of view, and died in poverty in 1911 before it was published,” says Scarlett. “It was a difficult book in prose form, and we wanted to make it more accessible because it contains important ideas.” Constance Maud was at the heart of the British campaign for women’s votes. Her novel No Surrender was published at the height of that struggle and used as a persuasive tool by suffragists.

No Surrender by Sophie Rickard published by Selfmadehero No Surrender by Sophie Rickard published by Selfmadehero

We have begun to think of the 1910s as ‘our era’ and relish the task of world-building in an authentic way,” says Scarlett. “Design, style and subtle social cues about relative prosperity are all part of the book’s richness. We have to think about things like lighting – electricity, gas, or candles? – and transport – motor car, horse or walking? – in different ways without getting carried away with historical detail.” No Surrender is like a sister volume to The Ragged Trousered Philanthropists,” says Scarlett. “Maud was an active suffragette, writing fiction in the same era about her authentic experience of living a marginalised life. While The Ragged Trousered Philanthropists examined the arguments for and against socialism, No Surrender explores the battle for equality, how women were regarded, and the ethics of civil disobedience.” This sumptuous and faithful graphic novel of the 1911 suffrage classic brings to life the exciting story of gender, class, the ethics of civil disobedience and the right to be equal before the law – offering an accessible, entertaining and rewarding read to a new generation.Anyone who enjoyed The Ragged Trousered Philanthropists will find No Surrender to be a perfect sister-volume, both in the authenticity of the adaptation and the historical sensitivity, humour and warmth of Scarlett’s art.

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