Joker

Product Information

Batman Ninja: Joker | Harley Quinn | Catwoman | Gorilla Grodd | Bane | Penguin | Poison Ivy | Deathstroke | Two-Face In Batman: Damned, a 2019 sequel to the graphic novel Joker, Joker and Batman are found to have been fatally injured during the clash on the bridge, plunging into the water below. However, when Batman dies of blood loss, Joker re-emerges from under the bridge, laughing manically (in a scene that mentions the genesis of the character in The Killing Joke). So, the joker has convinced his doctors that he is sane and they can release him and he gets released, only to find out that all his business have been split between different crime lords.

Batman: Year One: Batman | Gotham City Police Department ( Commissioner Loeb, Arnold John Flass& Howard Branden) | Falcone Crime Family ( Carmine Falcone& Johnny Viti) | Catwoman | Joker Because, of course, as soon as Joker gets in the car, he immediately goes on a (rather gory) crime spree.Rogers, Vaneta (April 16, 2012). "Brian Azzarello Talks Before Watchmen, After the Controversy". Newsarama. Archived from the original on September 1, 2013 . Retrieved September 1, 2013. Azzarello began working in comics in 1992, joining Comico as the production coordinator. He was soon promoted to managing editor, before becoming Editor-in-Chief—or, as he was often credited, "line editor"—the position he held from 1993 until the company's demise in 1997. [2] During this period, Azzarello's wife Jill Thompson introduced him to Lou Stathis, an editor at DC Comics' Vertigo who wanted to move away from the light fantasy stories the imprint was known for at the time, and Azzarello was eventually hired as a writer. [1] He contributed short stories to a number of Vertigo's anthology titles and penned Jonny Double, a 4-issue limited series which marked his first collaboration with Argentine artist Eduardo Risso. [3] In August 1999, Azzarello and Risso launched 100 Bullets, a hardboiled noir series for Vertigo. [4] [5] The series ran for one hundred issues, from 1999 to 2009, and was noted for Azzarello's use of regional and local accents, as well as the frequent use of slang and oblique, metaphorical language in his characters' dialogue. Azzarello's other work for Vertigo includes a run on Hellblazer, the 2005 western series Loveless with artist Marcelo Frusin [6] and an original graphic novel Filthy Rich, one of the two titles that launched the Vertigo Crime line in 2009. [7]

Excuse Plot: How did the Joker manage to be released from Arkham? It's never explained and the Joker refuses to say, but it doesn't matter. The rest of the comic acts as a character study of the Joker from the perspective of an outsider, even if there is a story.

This graphic novel provides examples of:

In terms of content, I still firmly believe that most people don't want to be force fed the same thing over and over. Comic readers often get labeled as a public that doesn't accept change well, but I think that comic readers are very accepting of drastic differences. You can have a guy who loves Dark Knight, but maybe wants to still see a very animated looking Batman in his comics. I think it tends to be the rest of the public that looks at comics, specifically those that have been turned into movies, and wonders why they're not seeing the same thing they just saw on the screen. Hopefully that will change as well, now that people have seen more than one version of a number of popular characters. Irvine, Alex (2008). "Loveless". In Dougall, Alastair (ed.). The Vertigo Encyclopedia. Dorling Kindersley. pp.116–117. ISBN 978-0756641221. OCLC 213309015.