About A Son: A Murder and A Father’s Search for Truth

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The diary eventually made it into the hands of David Whitehouse, an author originally from Nuneaton, and what emerged from this unique collaboration is a feat of creative non-fiction. A mix of true crime and memoir, it’s a book that pays tribute to Morgan as a young man whose life was suddenly cut short, while also being a book about Nuneaton itself, capturing the grit and tragedy beneath the surface of the town, as well as a sense of community and openness. And we have our monthly recommendation from inside the book industry with Jacques Testard from Fitzcaraldo Editions,, who chooses Fleur Jaeggy’s The Water Statues translated by Gini Alhadeff from New Directions Publishing.

This empathy lets us understand all too keenly their hellish experience. “Today you bury your child,” writes Whitehouse of Friday 11 December 2015. “Were a parent to name their greatest fear, it would surely be this. But it’s bigger than fear. Fear suggests something to be conquered, a mountain in your mind. But there is no terrain to burying a child. Nothing to grip hold of, nothing to find foothold in. It can’t be overcome because it doesn’t have a summit.” Divided into three parts—"Loss", "Justice" and "Truth"— About a Son is exceptional, and not just because its beating heart derives from the vivid testament of a man who had “never written anything longer than a shopping list”. It is also outstanding for the way in which Whitehouse, as a professional writer, has used his craft—including an instinctive and brilliant use of the second-person voice—to write something seamless, where it is impossible to tell where Colin’s voice ends and Whitehouse’s begins. A more conventional approach might have been to ghost or co-write the book as a first-person memoir by Colin. I ask Whitehouse if this was ever on the cards. “There is a version of this book that is exactly that. But we always wanted to make it something other than a straightforward, conventional telling of the story. I never met Morgan but I wanted About a Son to reflect him in the way that another kind of book wouldn’t.”Engagingly offbeat . . . the van becomes as much of a vehicle of fantasy as the Little Prince's biplane or James's giant peach - both a sanctuary from the outside world and a store of limitless possibilities . . . quietly profound . . . genuinely compelling ( Guardian) From the moment he heard the news, Morgan’s father Colin Hehir began to keep an extraordinary diary. It became a record not only of the immediate aftermath of his son’s murder, but also a chronicle of his family’s evolving grief, the trial of Morgan’s killers, and his personal fight to unravel the lies, mistakes and cover-ups that led to a young man with a history of violence being free to take Morgan’s life that night. Inspired by this diary, About A Son is a groundbreaking work of creative non-fiction that asks vital questions about the nature of justice and pays tribute to the unbreakable bond between a father and son.

You might baulk at reading such a dark story. But despite its grim subject matter, there are moments of sunny levity. A week after Morgan’s murder, the family decide to light and launch some Chinese lanterns from their garden in his memory. But the lanterns crash to the ground and set fire to the grass, and suddenly everyone starts laughing because they know Morgan would have found it funny too. Whitehouse writes in a spare style reminiscent of Gordon Burn, with a pathological attention to the vacancy of murder and grief Whitehouse’s writing is brilliant and devastating, having taken Colin’s diaries in their most raw, vulnerable form and turned them into a compassionate portrayal of a family’s grief and trauma, and a furious indictment of the institutions that failed Morgan and so many other young people like him. A difficult but necessary read. Goodreads Librari...: Please delete this book! (pt. 58) [Anyone requests; leave deletions for superlibrarians] I was utterly floored by the emotional depth of About A Son– a book that reaches so deeply into the human experience that to read it is to be forever changed. It is an unflinching examination of grief, a painstaking deconstruction of injustice and a dispatch from the frontiers of the human heart’ Elizabeth DayPowerful, eccentric . . . Whitehouse's writing is energetic and pacey, spiked with startling moments of tenderness and superbly controlled. Don't wait for the inevitable film ( The Times) The fact that Whitehouse is himself from Nuneaton adds to the book’s startling veracity. While writing it, Whitehouse returned to the town to spend time with Colin Hehir and his family. “We stood on the spot where Morgan was murdered; we walked his last steps; we went to his grave. It was an immediately powerful experience to stand with Morgan’s dad on the very spot where he collapsed, and it was all the more potent because even though I left the town a long time ago, I knew that exact place.”

A modern day fairytale . . . a plot that bounds along, dramatic event after dramatic event . . . It's also fun . . . The message becomes clear: stories can save us, unite us, show us other ways of being, offer solace . . . as messages go, it's a sound one, an example of the open-hearted warmth at the core of this book ( Financial Times)Full of heart and hope and absurd bravery, as three lost souls and Bert the dog run away from home in a stolen mobile library. They then set about creating their own kind of family and rewriting the stories of their lives . . . the writer's charismatic, sparky tale of salvation and the stories within stories brilliantly shows how adventure can overtake and transform the most unlikely of people ( Sunday Express) MOBILE LIBRARY was published by Picador in the UK in January 2015. It won the Jerwood Fiction Prize that same year. And all the while he and Sue are drip-fed information about his son’s killers: two brothers, Declan and Karlton Gray and an older acquaintance, Simon Rowbotham, who was once featured in a Channel 5 documentary, Benefit Life: Jailbird Boys Going Straight. They are derailed in this process by the discovery that Declan Gray, 21, who subsequently admitted the stabbing, had six years earlier beaten and killed another man, Adrian Howard, 38, after Howard refused to give him a cigarette. And then that Gray, having been released on licence from a young offender’s centre after four and a half years for that crime, had subsequently been arrested three times over allegations of serious violence but somehow never returned to jail for violating the conditions of his licence.