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In 2015, Koons faced allegations he used photographer Mitchel Gray's 1986 photo for Gordon's Gin in one of his Luxury and Degradation paintings without permission or compensation. [185] Thomas, Kelly Devine. “The Selling of Jeff Koons.” Art News (vol. 104, no. 5) May 2005, p. 121, front cover, illustrated in color (Blue). Conceptual Artist Jeff Koons to Speak at UNLV Dec. 10". November 25, 2002 . Retrieved July 12, 2016. Get comfortable with the odd balloon popping as you practise. But do practise a few before you get your kit out at a children’s party as the more you model, the less you pop.
Jeff Koons - Artwork: Balloon Dog
a b c d Sischy, Ingrid (October 3, 2007). "Koons, High and Low". Vanity Fair . Retrieved May 30, 2023. In 2013 Koons created the sculpture Gazing Ball (Farnese Hercules), which was inspired by the Farnese Hercules. [111] The sculpture is made from white plaster and can be interpreted as perpetuating colorism in how we view the ancient world. [111] Other projects [ edit ] Bernardaud: We slip cast parts of Balloon Dog, and then it is assembled. There are four firings involved. It takes about 45 artisans to make these pieces. Dream & Trauma: Works from the Dakis Joannou Collection. Exh. cat., Athens: DESTE Foundation, 2007 (Red).Balloon Dog (Blue) - Jeff Koons | The Broad". www.thebroad.org. Archived from the original on 2021-11-01 . Retrieved 2022-09-19. Koons also lost lawsuits in United Features Syndicate, Inc. v. Koons, 817 F. Supp. 370 ( S.D.N.Y. 1993), and Campbell v. Koons, No. 91 Civ. 6055, 1993 WL 97381 (S.D.N.Y. April 1, 1993). [ citation needed] Since 1979 Koons has produced work within series. [23] His early work was in the form of conceptual sculpture, an example of which is The Pre-New, a series of domestic objects attached to light fixtures, resulting in strange new configurations. Another example is The New, a series of vacuum-cleaners, often selected for brand names that appealed to the artist like the iconic Hoover, which he had mounted in illuminated Perspex boxes. Koons first exhibited these pieces in the window of the New Museum in New York in 1980. He chose a limited combination of vacuum cleaners and arranged them in cabinets accordingly, juxtaposing the verticality of the upright cleaners with the squat cylinders of the "Shelton Wet/Dry drum" cleaners. At the museum, the machines were displayed as if in a showroom, and oriented around a central red fluorescent lightbox with just the words "The New" written on it as if it were announcing some new concept or marketing brand. [24] They were shown again in a major solo show at Jeff Koons: The New Encased Works at Daniel Weinberg Gallery in 1987. [25] a b Tully, Kathryn (June 26, 2014). "The Most Expensive Art Ever Sold At Auction: Christie's Record-Breaking Sale". Forbes . Retrieved August 5, 2015.
Jeff Koons and His Balloon Dogs | DailyArt Magazine Jeff Koons and His Balloon Dogs | DailyArt Magazine
Butkovic, Leanne (2023-06-07). "Spider-Man: Across the Spider-Verse Has Some Things to Say About Art". IGN. Archived from the original on 2023-06-19 . Retrieved 2023-07-08. Thornton, Sarah (June 22, 2012). "Sarah Thornton on Jeff Koons at the Schirn Kunsthalle and Liebieghaus". Artforum International . Retrieved December 16, 2022. Belcove, Julie L. “Hedging His Bets.” The Art Economist July 2009, p. 15, illustrated (not of actual work). Re-Object: Marcel Duchamp, Damien Hirst, Jeff Koons, Gerhard Merz. Kunsthaus Bregenz, Bregenz, Austria [February 17 – May 13, 2007] (Blue) Sciolino, Elaine (September 10, 2008). "At the Court of the Sun King, Some All-American Art". The New York Times. ISSN 0362-4331 . Retrieved February 1, 2023.Across the Koons-verse: artist's balloon animals make cameo in new Spider-Man film". The Art Newspaper. 2023-06-09. Archived from the original on 2023-07-08 . Retrieved 2023-07-08. Izarra, J.; Herrero, R. (October 14, 1997). "Atentado frustrado contra el Guggenheim". El Mundo. Archived from the original on December 6, 2008. Bowie, David. “Super-Banalism and the Innocent Salesman” Modern Painters Spring 1998, pp. 27-34, illustrated (model, not of actual work). Also in 2012, Jeff Koons. The Painter at Schirn Kunsthalle Frankfurt focussed primarily on the artist's development as a painter, while in the show Jeff Koons. The Sculptor at the Liebieghaus in Frankfurt, the sculptures by Jeff Koons entered enter into dialogues with the historical building and a sculpture collection spanning five millennia. [143] Together, both shows form the largest showing of Koons' work to date. [144] [145]
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