Sigma 402965 16 mm F1.4 DC DN Contemporary Sony E Lens - Black

Product Information

The XC lenses are considered consumer-level in quality, build and performance, while Fujinon XF refers to the semi-pro/pro lenses. Here’s the three stabilised clips side-by-side with IBIS alone on the left, IBIS with digital stabilisation in the middle, and IBIS with enhanced digital stabilisation on the right. But the 50mm prime lens is a great option for landscape photography, especially if you’re a beginner; it will make you think differently about your photos, it will free you from the constraints of a heavy setup, and it will easily provide you with clear, sharp images. Enjoy high quality performance, low cost prints and ultimate convenience with the PIXMA G series of refillable ink tank printers. Don’t be put off by the relatively ‘slow’ maximum aperture of f/4 – wide-angle lenses always produce a deeper depth of field, unless you’re right up close to your subject. Having a deep depth of field is also more relevant for landscape and architectural photography.

Each and every Fujinon camera lens has been designed specifically for Fujifilm X series cameras, providing high-quality optics and seamless compatibility.

Among all the Fujifilm prime lenses, this is a bit of a bonus inclusion. I’ve already reviewed a 23mm lens (the f/1.4 version), so why the need to include another one?

When I’m out shooting landscape photography, I tend to reach for a wide-angle zoom lens such as the XF10-24mm zoom however I also use the new XF18mm f1.4 interchangeably.Little point and shoot cameras usually have fairly wide lenses and the people using them get right in your face to take your photo. Focal lengths between 35mm and 24mm are considered standard wide angle. Between 24mm to 16mm is what we usually refer to when saying wide angle. Focal lengths below 16mm are considered ultra wide angles. What is 16mm focal length? Even when uncorrected in-camera, vignetting is fairly minimal for such a fast, wide-angle lens. Stop down to f/2 and it becomes fairly unnoticeable. Ghosting and flare are also well controlled, and the same goes for barrel distortion.

Here’s a table showing a comparison of lens sizes for several popular Fujinon lenses, including their release dates: Lens As you can see, ‘weather resistant’ is a bit of an understatement, and bears testament to the incredible build quality of the 23mm f/2 WR lens.There are also a number of aftermarket lenses for Fuji X mount made by Samyang, Rokinon, Venus Laowa, and Mitakon Zhongyi. Shown on a X-Pro1 above, the 55-200mm f/3,5-4.8 is a relatively portable Fuji telephoto lens that offers impressive image quality right across its wide zoom range. Another plus point is the price of the Fuji 35mm f/1,4, making it one of the more affordable options when buying a new Fuji mirrorless camera body.

And then there’s chromatic aberration which sees coloured fringes hugging even moderate-contrast edges in areas away from the centre of the frame. These show to one degree or another with the auto corrections on or off. Canon RF 16mm F2.8 STM VerdictSome APS-C lenses with a wide zoom range, like the Tokina 11-20mm f/2.8 which will cover a full-frame sensor at 16mm. That way, you can get your hands on a decent lens for great prices. Da qui potrei scrivere un Libro su quanto dannatamente bello e divertente da utilizzare sia stato il SIGMA 16 mm ed anche ora che sto scrivendo questa recensione dopo mesi e mesi di utilizzo lo reputo ancora il Miglior Obiettivo sul mercato nonchè il Miglior Obiettivo che ho mai comprato in vita mia e ne ho acquistati un bel po prima che questo Capolavoro arrivasse nella mia collezione ma nessuno può competervi in modo alcuno. The focal plane is absolutely all over the place, with strong curvature and tilt exhibited, making it hard to get anything in focus towards the edges. Edge sharpness is quite poor generally. Above: Closing the 16mm’s aperture to f4 to match the zoom on the right doesn’t make a significant difference…