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John R. Roberts, ed., Essential Articles for the Study of John Donne's Poetry (Hamden, Conn.: Archon, 1975). Letters to Severall Persons of Honour, edited by John Donne, Jr. (London: Printed by J. Flesher for Richard Marriott, 1651); facsimile, introduction by M. Thomas Hester (Delmar, N.Y.: Scholars' Facsimiles & Reprints, 1977). The Second Anniuersarie. Of The Progres of the Soule, published with The First Anniuersarie. An Anatomie of the World (London: Printed by M. Bradwood for S. Macham, 1612). What an opening line! One of Donne’s most famous poems, ‘The Canonization’ is a love poem, but like many of Donne’s poems he fuses sexual or romantic love with religious motifs and imagery. After all, to ‘canonize’ someone is to declare them a saint. Love, indeed, becomes a sort of religion in itself – a sanctified thing.

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Also titled ‘Elegy XIX’, ‘To His Mistris Going to Bed’ (as it was originally spelt) is another seduction poem, in which a naked Donne undresses his mistress verbally, one item of clothing at a time. In the first two decades of the 20th century Donne’s poetry was decisively rehabilitated. Its extraordinary appeal to modern readers throws light on the Modernist movement, as well as on our intuitive response to our own times. Donne may no longer be the cult figure he became in the 1920s and 1930s, when T.S. Eliotand William Butler Yeats, among others, discovered in his poetry the peculiar fusion of intellect and passion and the alert contemporariness which they aspired to in their own art. He is not a poet for all tastes and times; yet for many readers Donne remains what Ben Jonson judged him: “the first poet in the world in some things.” His poems continue to engage the attention and challenge the experience of readers who come to him afresh. His high place in the pantheon of the English poets now seems secure.C. S. Lewis, English Literature in the Sixteenth Century Excluding Drama (Oxford: Clarendon Press, 1954).

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Richard E. Hughes, The Progress of the Soul: The Interior Career of John Donne (New York: William Morrow, 1968). molto raro che chi sceglie di condividere un viaggio in macchina in carpooling ne ottenga qualcosa di buono, a parte forse la sensazione di aver fatto qualcosa per l’ambiente. Tuttavia, nel 2017, la fotografa franco-svizzera Clélia Odette, di stanza a Bruxelles, si è ritrovata in una situazione che ha profondamente influenzato i suoi lavori successivi. Peter Amadeus Fiore, ed., Just So Much Honor: Essays Commemorating the Four-Hundredth Anniversary of the Birth of John Donne (University Park: Pennsylvania State University Press, 1972). Helen C. White, The Metaphysical Poets: A Study in Religious Experience (New York: Macmillan, 1936).Six Sermons Vpon Severall Occasions (London: Printed by the Printers to the Universitie of Cambridge, sold by Nicholas Fussell & Humphrey Mosley, 1634). Magyarország első és legnagyobb fórum szolgáltatása. A web kettő pre-bétája, amit 1997 óta töltenek meg tartalommal a fórumlakók. Fórumok változatos témákban, hangnemben, moderálva. Ha nem csak megosztani akarsz, hanem diskurálni egy egy témában, csatlakozz Te is, és ha kitartó vagy, társakra találhatsz. The title is from the Greek ekstasis, ex stasis, literally ‘outside standing’ – i.e. standing outside of oneself, or apart from oneself. A truly ‘ecstatic’ experience is always, to some extent, an out-of-body experience. Donne’s poem, then, is about the separation of the body and soul, which is immediately odd, since elsewhere his poetry explores the idea that the soul and the body are, in fact, one. It begins:

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Helen Gardner, ed., John Donne: A Collection of Critical Essays (Englewood Cliffs, N.J.: Prentice-Hall, 1962).This is a remarkable sonnet because, although it was written after Donne’s confirmation as a priest in the Church of England, it is teeming with the same erotic language we find in his earlier ‘love sonnets’. Just as Donne’s love poems are filled with religious imagery, so his holy sonnets are intensely romantic, even erotic. In this poem, one of his most celebrated holy poems, death is personified as a male braggart, like a soldier boasting of all the men he’s slain.