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Bad Fruit

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The story is dense but not completely dark. It’s lightened by Lily’s engaging character and the author’s unique writing style. It was a pleasure to read fresh and sophisticated wording and my literary appreciation was balanced with the weighty subject matter. For fans of My Dark Vanessa and Celeste Ng, Bad Fruit is an unforgettable portrayal of a toxic mother-daughter relationship and a young woman's search for truth and liberation. We meet Lily in the summer just before she’s due to start university, she’s secured a place at Oxford – her future looks bright. She lives with her parents in Greenwich, South-East London and has two older siblings: a sister, Julia and a brother, Jacob.

Helena Lee, editor of East Side Voices: Essays Celebrating East & Southeast Asian Identity in Britain I wish to express my gratitude to Astra Publishing House via Netgalley for the opportunity to read an advance copy of this debut novel. All opinions expressed are my own. I don’t think I have read any fiction carrying a dysfunctional family theme with this bunch of mental health issues before. This would be the first, and it amazes me on how I actually enjoyed it a lot— although I would say, it was stressful, harrowing and quite blistering too. Just graduated from high school and waiting to start college at Oxford, Lily lives under the scrutiny of her volatile Singaporean mother, May, and is unable to find kinship with her elusive British father, Charlie. When May suspects that Charlie is having an affair, there's only one thing that calms May down: a glass of perfectly, spoiled orange juice served by Lily, who must always taste it first to make sure it's just right.

IF YOU HAVE A DIFFICULT RELATIONSHIP WITH YOUR MOTHER OR FATHER OR BOTH, CONSIDER YOURSELF WARNED. If you don't have the coping mechanisms to deal with being #triggered by family abuse, don't self-harm by forcing yourself to read this. Mental health >>>>>> King delves into toxic family ties and intergenerational trauma in her hypnotic debut …[A] perfect blendof psychological thriller and coming-of-age. This author is off to a great start.” A disturbing mother and daughter relationship; a family overflowing with secrets. Bad Fruit is dark, compelling and beautifully written” Ella King won the Blue Pencil Agency pitch prize in 2019 with the first 500 words of her debut novel 'Bad Fruit', an accolade which I am pleased to say is supported by the absolute quality of the entire novel. The ability to launch a story in such a powerful way is just one of the reasons why King's novel is a stunning masterclass in writing a deeply affecting psychological thriller. Having finished this book several days ago, I find myself haunted and moved by the dark events King presents, the representation of intergenerational trauma and the power of memory both skilled and engrossing for the reader. Bad Fruit is brilliant, taut and explosive. Ella King deftly explores the toxicity of generational trauma while being unafraid to confront the racial tensions that can simmer below the surface. A bold new voice.”

In her debut novel, King brilliantly portrays generational abuse and trauma passed down from parent to child and a resulting, conscious fight to break free from the toxic cycle. She writes with mastery as she explores the disturbing effects of childhood trauma within a biracial family. Thrilling and suspenseful, King’s exemplary novel will keep readers fascinated until the end.” If you’ve struggled with abuse relationships of any kind then be wary before diving into this masterpiece, this could be triggering for you. Debut author King skillfully brings to light the layered, deeply complex machinations that lurk below the surface in families and confer the fragile impression of normalcy; this family’s crosshairs of obligation, love, and resentment, too, are never oversimplified. May is especially captivating: a veritable tyrant who’s also full of sympathetic, deeply human insecurities. […] Layered, variable, and, like spoiled orange juice, sometimes complicatedly bitter.” It’s the summer holidays, and Lily is waiting for the fall when she’ll commence her first year at Oxford. Until then, she must continue to single-handedly manage her mother’s erratic moods since her father and siblings are incapable of doing so. From preparing her mother’s favourite Singaporean meals to altering her appearance to look more like her, Lily will do just about anything to avoid her mother’s wrath. Such an impressively written psychological and literary plot to me— the twisted element in its conflicts were so darkly addictive that I think this would be the most damaged group of characters could ever existed in a plot. Interesting on how the ‘bad fruit’ that specifically related to spoiled orange juice in this story could represents the unpleasant ‘acidity’ of its character’s relationships as well. 4 stars to this!

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Bad Fruit is a beautiful collision of mothers and daughters, human darkness and human kindness, truth and lies, remembering and forgetting, trauma and healing.” This is the story of Lily and the abuse she's been dealt by her neurotic and cruel Singaporean mother.

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