William Gibson Neuromancer Trilogy Collection 4 Books Set Pack Count Zero...

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Fitting, Peter (July 1991). "The Lessons of Cyberpunk". In Penley, C. & Ross, A. (eds.). Technoculture. Minneapolis: University of Minnesota Press. pp. 295–315. . . "[Gibson's work] has attracted an audience from outside, people who read it as a poetic evocation of life in the late eighties rather than as science fiction." Gibson, William (2003-01-01). "(untitled weblog post)" . http://www.williamgibsonbooks.com/blog/2003_01_01_archive.asp#90158337 . Retrieved 2008-01-21. Bennie, Angela (September 7, 2007). "A reality stranger than fiction". Sydney Morning Herald. Fairfax Media. Archived from the original on September 11, 2007 . Retrieved January 21, 2008.

The Cyberspace Matrix, a synergistically linked computer network of databases that encompasses all information on Earth, has become home to sentient beings. But most of humanity remains unaware. Fitting, Peter (July 1991). "The Lessons of Cyberpunk". In Penley, C.; Ross, A. (eds.). Technoculture. Minneapolis: University of Minnesota Press. pp. 295–315. ISBN 0-8166-1930-1. OCLC 22859126. [Gibson's work] has attracted an audience from outside, people who read it as a poetic evocation of life in the late eighties rather than as science fiction. Count Zero is a science fiction novel by American-Canadian writer William Gibson, originally published in 1986. It is the second volume of the Sprawl trilogy, which begins with Neuromancer and concludes with Mona Lisa Overdrive, and is a well-regarded early example of the cyberpunk subgenre.

Gibson William (2005). "U2's City of Blinding Lights". Wired. Vol.13, no.8. Archived from the original on October 24, 2012 . Retrieved March 12, 2017. Seven Arts Announces New Distribution Venture With GFM Films". Bloomberg. Marketwire ( Hollywood). 31 March 2011 . http://www.bloomberg.com/apps/news?pid=conewsstory&tkr=SAPXF:US&sid=aTfBCpRLV_7I . Retrieved 10 April 2011.

Zakon, Robert H (November 1, 2006). "Hobbes' Internet Timeline v8.2". Zakon Group LLC. Archived from the original on May 5, 2009 . Retrieved October 31, 2007. Hollinger, Veronica; Joan Gordon (2002). Edging Into the Future. University of Pennsylvania Press. p.35. ISBN 978-0-8122-1804-6. Grossman, Lev; Richard Lacayo (October 16, 2005). "Neuromancer (1984)". TIME Magazine All-Time 100 Novels ( Time) . http://www.time.com/time/2005/100books/0,24459,neuromancer,00.html . Retrieved 2007-11-06.Gibson's vision, generated by the monopolising appearance of the terminal image and presented in his creation of the cyberspace matrix, came to him when he saw teenagers playing in video arcades. The physical intensity of their postures, and the realistic interpretation of the terminal spaces projected by these games– as if there were a real space behind the screen – made apparent the manipulation of the real by its own representation. [161] Award Winners & Nominees". Worlds Without End. Archived from the original on February 25, 2012 . Retrieved April 30, 2009. Elhefnawy, Nader (August 12, 2007). " 'Burning Chrome' by William Gibson". Tangent Short Fiction Review . Retrieved March 16, 2009. While logged into cyberspace, Case glimpses Neuromancer standing in the distance with Linda Lee, and himself. He also hears inhuman laughter, which suggests that Pauley still lives. The sighting implies that Neuromancer created a copy of Case's consciousness, which now exists in cyberspace with those of Linda and Pauley.

Bebergal, Peter (August 26, 2007). "The age of steampunk". The Boston Globe. p.3. Archived from the original on September 4, 2007 . Retrieved October 14, 2007. a b Brande, David (1994). "The Business of Cyberpunk: Symbolic Economy and Ideology in William Gibson". Configurations. 2 (3): 509–536. doi: 10.1353/con.1994.0040. S2CID 144829170. Archived from the original on February 11, 2009 . Retrieved August 27, 2007. Gibson still scares up a spooky atmosphere". Providence Journal. Archived from the original on January 16, 2008 . Retrieved October 26, 2007. Miller, Laura (2000). "Introduction". The Salon. Com Reader's Guide to Contemporary Authors. New York: Penguin Books. ISBN 978-0-14-028088-3. OCLC 43384794. a b Cheng, Alastair. "77. Neuromancer (1984)". The LRC 100: Canada's Most Important Books. Literary Review of Canada. Archived from the original on October 29, 2007 . Retrieved September 9, 2007.Armitage has Case and Molly steal a ROM module that contains the saved consciousness of one of Case's mentors, legendary cyber-cowboy McCoy Pauley. Walker, Martin (September 3, 1996). "Blade Runner on electro-steroids". Mail & Guardian Online. M&G Media . Retrieved May 28, 2017. Interviews: Zeromancer". MK Magazine. November 1, 2003. Archived from the original on July 4, 2008 . Retrieved September 2, 2008. Watch William Gibson read from his brand new science fiction novel". io9. April 29, 2013. Archived from the original on October 22, 2015 . Retrieved April 8, 2014.

Cavallaro, Dani (2000). Cyberpunk and Cyberculture: Science Fiction and the Work of William Gibson. London: Athlone Press. ISBN 978-0-485-00607-0. OCLC 43751735.William Ford Gibson (born March 17, 1948) is an American-Canadian speculative fiction writer and essayist widely credited with pioneering the science fiction subgenre known as cyberpunk. Beginning his writing career in the late 1970s, his early works were noir, near-future stories that explored the effects of technology, cybernetics, and computer networks on humans—a "combination of lowlife and high tech" [4]—and helped to create an iconography for the information age before the ubiquity of the Internet in the 1990s. [5] Gibson coined the term " cyberspace" for "widespread, interconnected digital technology" in his short story " Burning Chrome" (1982), and later popularized the concept in his acclaimed debut novel Neuromancer (1984). These early works of Gibson's have been credited with "renovating" science fiction literature in the 1980s. a b Morgan, Richard. "Recommended Reading List". Archived from the original on April 11, 2010 . Retrieved July 4, 2010. a b c Poole, Steven (October 30, 1999). "Nearing the nodal". Books by genre. London: The Guardian. Archived from the original on January 8, 2008 . Retrieved November 3, 2007. Dear, Michael; Steven Flusty (March 1998). "Postmodern Urbanism". Annals of the Association of American Geographers. 88 (1): 50–72. doi: 10.1111/1467-8306.00084. S2CID 195792324.