Samyang AF 24-70mm F2.8 Autofocus Lens for Sony FE

Product Information

The minimum focus distance of 0.35m is slightly shorter than in the Sony lens, enabling a slightly larger magnification ratio of 0.27x at the long end of the zoom range. A ‘Custom’ dual-mode switch is featured, which is nominally used for switching between autofocus and manual focus, but can be customized to set other functions like aperture control. Samyang says that additional functions will be added in the future, through firmware updates. Bokeh is a word used for the out-of-focus areas of a photograph, and is usually described in qualitative terms, such as smooth / creamy / harsh etc. The lens extends even further by almost 4cms when it's set to the 70mm focal length, with the shortest length at the 24mm focal length.

24-70mm lens for Sony Alpha Cameras? What is the best 24-70mm lens for Sony Alpha Cameras?

If you absolutely need 24mm and you are budget constrained then it is a valid option, but for 33% more the Sigma 24-70mm F2.8 DG DN Art is offering globally much better performances Tip. If the moving distance is long, the camera may shake, so please shoot at a focal length between 35 and 100mm. Now you may be thinking, yes these all offer a zoom range of 24-70mm, apart from the Tamron with its unique 28-75mm, and yes, they all have a fixed fast aperture of F2.8 throughout the lens. But with all four being at such different prices for many of the same features what makes them unique from each other? To answer that let us have a look at the specs side by side: After spending the day with all four lenses and trying them on for size, I will say there is not a huge difference between the options on the market currently. Testing on the same subjects and getting a good feel of their subtle differences ultimately showed me that all of these lenses serve a purpose depending on what you want to use them for.Available separately, the Samyang Cine Kit for the lens includes focus gearing, follow focus and a tripod mount. (Image credit: Samyang) Si le globalement le Samyang 24-70 sera un des meilleurs en video, comparé aux autres il délivre de moins bonnes performances en photos en terme de piqué, forme des ronds de bokeh et facilité d’utilisation (poids et taille) We didn't experience too much "hunting", either in good or bad light, with the lens accurately focusing most, but not all of the time. It's also a quiet performer, which makes this lens equally well-suited to both video recording and more candid stills shooting. Starting with the native option from Sony. The G Master was what I would expect from a Sony lens and got the job done for my needs at the time. The autofocus functions worked the smoothest out of the 4 lenses which I put down to it being Sony's own native lens. This meant it worked great and was the most responsive. Thanks for taking the time to read our blog, we really do hope they help you out and answer some of your questions. If you still have some unanswered, then please feel free to get in touch with our team of experts.

Samyang AF 24-70mm f/2.8 - Giang Duy Đạt Samyang AF 24-70mm f/2.8 - Giang Duy Đạt

This lens has a dust and moisture resistant design that is sealed in seven different places which makes it well-suited to life in both the field and the studio. First, there were the inexpensive manual focus lenses, then the excellent AF lenses and now Samyang spread its wings a little further with its first AF zoom lens. A new landmark whilst celebrating 50 years of Samyang lenses. The Samyang AF 24-70mm f/2.8 FE, for Sony FE full-frame and E crop sensor cameras (giving a "35mm equivalent" field of view of 36-105mm), offers weather sealing, constant aperture, a 9 bladed diaphragm for smooth bokeh and, very interestingly, a parfocal design. Most zoom lenses are varifocal in design, which means that lenses should be refocused after the zoom setting is changed. Parfocal lenses maintain their focus as they are zoomed, which has interesting implications for videography as well as stills photography. So now let's couple the new lens up with the 42MP Sony A7R III body and see if Samyang has hit the ground running as they enter the fiercely competitive world of the fast standard zoom. Optical construction is 17 elements in 14 groups, including 2 Aspheric, one Hybrid Aspheric, 3 HR (High Refractive index) and 3 ED (Extra-Low Dispersion). The coating is Samyang's well established UMC. For improved bokeh, the diaphragm comprises 9 blades. The lens is also weather-sealed.

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This is a heavy lens, weighing in at a hefty 1027g without a hood or caps and 1096g with a hood attached. The supplied hood bayonets cleanly onto the lens and is secure, without the need for any retaining catch. Within the bayonet fit for the hood is a standard 82mm filter thread. si vous avez absolument besoin d’un 24mm et que le budget est important alors c’est une bonne option mais pour 33% plus cher on a le Sigma 24-70mm F2.8 DG DN Art qui est la référence des 24-70