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Posted 20 hours ago

MXR M75 Super Badass® Distortion

£9.9£99Clearance
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Would be cool if anyone can explain to me the distinction between Custom and Super and whether this is actually a proper subset of MXR or simply a marketing vehicle! What is not in dispute though is that these are some truly great sounding Overdrives, Distortions and Fuzz. And I’ve seen many a player cite the Modified Overdrive especially as one of their favourites of all tine. The Boss DS-1 pedal should need no introduction really. This is one of the most famous, popular, and well-reviewed distortion pedals on the market, and has been for almost 40 years now. It’s an absolute classic, and is likely to continue as such for a very long time yet.

The next important factor is the general shape of the distortion - and no, we don't mean the shape of the actual unit, but rather the sound of the distortion itself. If you’re after something more vintage-voiced, then Bogner and Friedman are solid options for you. If you need a more modern sound, then the Mesa/Boogie Throttle Box and Kirk Hammett's signature Dark Blood offer truly outstanding contemporary gain sounds. The sound quality of the MXR Super Badass is certainly not surprising as MXR has come up with other great sounding pedals. But what sets the M75 Super Badass apart from other alternatives is its equalizer which allows you to attain specific tones for whatever genre or songs you are going to play.It does this by giving you controls for both level and gain, as well as treble and bass. There are also two fuzz options, for either a classic sound, or a grungier feel, and a boost one too. It’s really very good - the tone might not be the greatest that the market has to offer, but it’s ideal for someone who just wants to play with this kind of effect, or wants to sue it selectively.

The M75 Super Badass Distortion from MXR is a great choice in terms of value, features, build, and sound quality for a distortion stompbox. The MXR Super Badass pedal sounds great and delivers a wide range of tones with its versatile control panel including a 3-band EQ, which will be discussed further on in this review. MXR did a great job with this pedal and is a great go-to pedal if you can't decide which stompbox to get for your rig. The manufacturer has other similar products such as Distortion+ and Distortion III - but in terms of versatility of an MXR distortion, Super Badass wins the comparison. The output control provides significant amounts of boost, while the distortion control offers a range of textures, including clean boost, tubey blues-style overdrive and sizzling saturation. If you have a favorite artist, then it may well be useful to see what they use, rather than hoping to find the holy grail of distortion. For the price, there had to be some compromised somewhere, and they come in the form of the pedal’s construction. It’s by no means bad - everything is laid out and finished well, including the footswitch, but rather than the usual metal, the SF300 is made from high impact plastic. It feels fine, but there’s a reason touring musicians will buy only pedals with a metal chassis.Among our choices, you'll find multi-channel offerings, blendable drives, and amp-inspired circuits at a variety of price points. Where does my distortion pedal go in the chain? You get no less than five separate knobs on the Super Badass, allowing you to alter the output and distortion, as well as the bass, mids and treble. It’s perfect for sculpting tone, and we love the fact that you can get it do do pretty much whatever you want. Our only criticism might be that if you want maximum gain, this pedal might lose out to a more dedicated unit. The newest member of this growing family is the M75 Super Badass Distortion, a thoughtfully conceived balance of overdrive and modern-metal mega-tonnage with a 3-band EQ and a very dynamic and touch-sensitive circuit. Although MXR pedals are known for their reliability and high quality, there are other great choices from its competitors such as the Boss DS-1, TC Dark Matter, and the Pro Co RAT. However, the M75 holds its own and is praised as one of the best sounding distortion effects in the market nowadays. Despite its pure analog circuit, the MXR Super Badass Distortion can pull off modern tones and is a great fit for any rig. This MXR Super Badass Distortion review will provide you with everything you need to know about the stompbox. Should You Get It? Enough about the way it looks though - how does it sound? Loud. That’s probably the most accurate way of describing this pedal. It might be a no-nonsense one-knob pedal, but this is one impactful unit. Crank up the dial and it will deliver some seriously powerful distortion or fuzz. Think Billy Gibbons of ZZ Top cranked up to 11. It’s worth bearing in mind that the pedal’s sound is influenced considerably by the guitar output - you’ll get that beautiful not-quite-fuzz sound with the right setup.

This unit hasn’t changed much on the outside since the 80s, and that’s no bad thing. It’s heavy duty, and we would not be surprised if it’s currently sitting on the pedalboard of some seriously famous touring musicians. The EQ section is brilliantly voiced, providing an impressively vast range of tones with nary a bad sound to be found. Boosting the bass control makes the tone bigger but never flabby or farty, and when it’s turned down it never gets wimpy or too thin. The treble control covers a palette from dark (but not muddy) to razor sharp (but not piercing).

Customer Reviews

I included it in my sizeable Brown Sound alternatives article from a couple of years ago - while it didn't end up as one of the most wanted - on account of others have more extended feature sets - including 3-Band EQ - which for me is almost essential for Marshall style pedals as the mids are so critical to the nature of that chewy crunchy output. So to conclude, there are so many different types of metal, with varying sounds, that it just isn’t possible to say there’s one single greatest pedal for metal. If you pushed us for a choice from this list, however, we’d recommend the Boss DS-1 for its flexibility, and potential for proper distortion. It’s a good starting point for most types of metal, but if you wanted something for 80s shred, then you might go for the Distortion+ or RAT 2. Alternatively, stoner metal might call for the Acapulco Gold. What is the best high gain Distortion Pedal? while the Super Badass was named with heavy distortion consumers in mind, there’s an overdriven tone for nearly every taste hiding within. When anyone comes looking for a distortion pedal, the first thing they have in mind is the type of music that they play. And often, that’s metal, because pretty much every single guitar in metal music is distorted.

As to which is better will depend entirely on your preferred kind of music. In general, overdrive will be used by more vintage and less aggressive styles, whereas distortion is the staple of metal and more modern music. This is by no means a rule, however - there are lots of exceptions. So, let's break down what to look for when choosing the best distortion pedal for your needs. What is a distortion pedal? Design wise, this pedal clearly has its target market in mind with its vintage cream facing and funky typography - it looks great. The switches don’t feel quite as robust as some competitors, but overall build quality is superb, and there’s no reason to doubt Electro-Harmonix quality.It’s worth bearing in mind of course that there are many, many different types of distortion that you can achieve using one of these pedals. They don’t all sound the same, so you can use them differently. On virtually all pedals, you’ll get one knob for controlling the gain or level of distortion, and it’s this you can use for going between an almost clean sound, to a very distorted noise. In addition, this becomes more complicated when some pedals are marketed as overdrive pedals, some are marketed as distortion pedals, and many even mention both. Hopefully, we’ll be able to clear up some of the confusion. Finally, distortion pedals are often combined with other effects like chorus and reverb, or with wah-wah pedals. This is how you build a really nice distorted sound, but remember that it’s always worth fine-tuning your tone, then level of distortion, and then finally effects on top of that. It’s the easiest way of finding the right tone and ensuring that you can replicate it in the future. What does a Distortion Pedal do? Did a bit of you-tubing and decided this might be an option. Plugging into the M75 for the first time is a great deal of fun. No fizz, just fat distortion all the way through the dial. Output is huge, and my only beef is that unity is so low. Its loud.

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