Zoom F8n Pro Professional Field Recorder/Mixer, Audio for Video, 32-bit/192 kHz Recording, 10 Channel Recorder, 8 XLR/TRS Inputs, Timecode, Ambisonics Mode, Battery Powered, Dual SD Card Slots

Product Information

The F8n is equipped with Advanced Look-Ahead Hybrid Limiters that provide overload protection no matter what comes your way. By adding a 1 millisecond delay, the limiters “look ahead” anticipating clipping before it’s recorded. Limiting is applied to each of the 8 channels simultaneously at full resolution, with 10 to 20 dB of headroom to ensure pristine audio on every take. The F8n features a super-low noise floor (−127 dBu EIN) and high gain (up to 75 dB). Mic/line levels are selectable for both XLR and TRS inputs.

Support for up to 32-bit/192 kHz recording, and 44.1 kHz, plus 47.952 kHz/48.048 kHz for HD video compatibility; Bit Float is a game-changer. The F8n Pro uses dual A/D converters and professional-grade preamps to capture clip-free audio – without ever needing to adjust gain! MULTIPLE FEEDS You can also shape your sound before post-production using the handy integrated controls. Accompanying the hybrid limiters is a high-quality high-pass filter. This is included to reduce the sound of wind and unwanted outside noise. Phase inversion and mid-side decoding is also included for maximum compatibility and performance value. Versatile file formats and meta data Most microphones can deliver a usable dynamic range of 130dB or more. The very best 24-bit A-D converters can manage a dynamic range of maybe 122dB, and the less expensive ones are more like 115dB... and the analogue electronics of the preamps may well have less dynamic range than that. This cookie stores user-like settings for the chat system provider, which are required for our online chat service. Trusted Shops

Das interne Routing der 1/2-Main-(L/R)-Kanäle und der 1/2-Sub-Out-Kanäle muss man auch erst mal einstellen, bevor an den jeweiligen Ausgängen das gewünschte Signal rauskommt. Für jeden der 8 Kanäle gibt es Limiter, Hochpassfilter, Panoramaregler und einzeln schaltbare 48V Phantomspeisung und vielleicht noch ein paar mehr Funktionen, die ich noch nicht gesucht/gebraucht habe. Man kann jeweils 2 benachbarte Kanäle auch paarweise zu Stereo-Kanälen (wahlweise R/L oder M/S) zusammenschalten, sowie das Gerät auch in einen Ambisonics-Modus versetzen, falls man ein dafür vorgesehenes Mikrofon besitzt.

Use eight AA alkaline batteries for 5 hours of operation, or connect the supplied AD-19 AC adapter. Bit Float is a game-changer. The F8n Pro uses dual A/D converters and professional-grade preamps to capture clip-free audio - without ever needing to adjust gain! Registered office: V12 Retail Finance Limited, Yorke House, Arleston Way, Solihull, B90 4LH. Authorised and regulated by the Financial Conduct Authority. Three different power supply options: 8 x type AA batteries, external DC battery with Hirose connector or 12 V AC power supply (type AA batteries and DC battery not included) No levelling required thanks to the 32-bit resolution and high-quality mic preamps with up to 75 dB gain and less than -127 dBu EIN

Recording with max. 32 bit/192 kHz as well as with 47.952/48.048 kHz formats for HD video compatibility The custom AutoMix technology is a virtual sound editor. The AutoMix software adjusts your levels automatically, helping to reduce ambient noise for a well-balanced mix. The result is the best of all worlds, where the preamp is no longer the weakest link in a wide dynamic range signal chain, the converters don't have to be the best on the planet yet can deliver phenomenal dynamic range, and the operator no longer has to determine the preamp gain manually in an effort to optimise the signal level in relation to both the headroom and noise-floor. The F8n Pro features flexible signal routing from all inputs to all outputs, phase inversion and Mid-Side decoding. It also provides high-pass filtering to reduce the sound of wind and other noise. Input and output delays are also available.