The Last Rose of Shanghai: A Novel

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Shanghai. Twenty-year-old Aiyi is the owner of a successful night club. Rich and beautiful, she appears to have firm control over her life, but she knows her future path. She is engaged to another rich Chinese, and she knows she'll be expected to give up her business and settle into the life of a glam wife. When a young German Jewish refugee named Ernest Reismann joins her club as a pianist, her life changes, her dreams change. But can she change her future, risking it for an impoverished refugee who'll never be accepted by her people? Add to this the increasingly unstable local environment, thanks to the Japanese occupation. How will life turn out for Aiyi and Ernest? What felt a little less authentic was the relationship of Aiyi and Ernest. One moment, they’re ready to spend together forever. But by the end of the next chapter, it’s “We’re too different, it’ll never work.” In fact, I’d say that it’s Aiyi and Ernest’s own story arcs that really make the novel shine, even more than the romance between them. The love story aspect began to feel a bit episodic after a while, when just as things seem headed for a happy resolution, something new happens that keeps them apart again. After a while, the obstacles themselves began to feel a bit convenient, like a TV writer stretching out the story over an entire season’s worth of episodes. The ending to this plot line, with the big reveal in the final few chapters, was satisfying, though I wish there had been more of an emotional payoff. Born and raised in China, Weina came to the United States in her early twenties. She holds an M.A. in English from Texas Woman’s University in Denton, Texas.

The Last Rose of Shanghai – Rob’s Latest Book Review The Last Rose of Shanghai – Rob’s Latest Book Review

In recreating the bloody events of the suppression of the Communist party in Shanghai in 1927, Malraux wrote the best novel about interwar Shanghai. His cast of characters – both Chinese and foreign – reflect the city’s cosmopolitan population and its Jekyll and Hyde politics of being both a centre of rightwing bootstraps capitalism and the birthplace of the Chinese Communist party. One of the chapters contains a few paragraphs in excruciating detail about Japanese torture of prisoners; this is very gruesome to read. What bugs me is that this sequence has absolutely no bearing on the main plot. It's just that one character goes to that location, we get a few paragraphs of horrifying information, and the character is out. What was the point of that segment? Just to create some kind of impact of the brutality? It felt so out of place! Well, I’ve already written I’m not a great fan of World War 2 fiction. But if you are, then chances are good you’ll like The Last Rose of Shanghai. Especially if you want something from outside of Europe. Jewish people certainly had a terrible time of things in the 1930s and 1940s. So, if you like stories where the Jewish people don’t all end up dead in a concentration camp, this book might look good to you. Another attraction is the setting in Shanghai. In part, books exist to take readers to unfamiliar places, and 1930s Shanghai will be unfamiliar to most readers. First, though I give the author credit for writing in a language that is not her first, the writing is not particularly enjoyable. I've always heard that one of the principal rules of writing is "Show, don't tell." This book has a whole lot of telling and very little showing. Aiyi, our first-person narrator, spends tons of time telling us about how rich she is, what lavish jewelry and clothing she wears, about her nightclub and her servants and the reputation of her family. And yet there are instances when the reader has to infer that something has happened because it isn't explicitly stated that it has. I'm thinking of one part here in which a character is shot by a soldier; the book says that the soldier has a gun and that the character is bleeding, but it never actually explains the connection.This is Randel’s main tool to keep the story moving—toggle the relationship between pure love and forbidden love. I suppose such a relationship, had it existed, would have been awkward at times. But it became a crutch for keeping the story tense. I guess I’d say that Randel went to the well too often with this plot device. Even if I could completely suspend my disbelief and ignore all these inaccuracies, I would still have one major problem with this book: I didn't like the characters or find them to be at all believable. They seem hyper-focused on making money, even in the midst of a world war and an enemy occupation. They are super wishy-washy about their feelings for each other. And the resolution of the story is predictable and frankly unrealistic. I think this book was really meant to be a romance novel, but even taking away the war and the historical setting, it's not a particularly convincing one. i so desperately wish this was based on a real story. the japanese occupation of china and the influx of refugees to the area is definitely not an aspect of WWII that is commonly told, so the memories of those people who suffered in that part of the world during the war deserve to be shared.

The Last Rose of Shanghai, by Weina Dai Randel Review | The Last Rose of Shanghai, by Weina Dai Randel

In contrast, Aiyi and Ernest’s respective story arcs are really strong. I loved watching Aiyi fight to maintain her power and financial independence at a time when women still dealt with bound feet and social expectations about their role being limited to the home. I enjoyed watching her negotiate with the powerful Jewish magnate Sassoon, and seeing her outwit Japanese soldiers and her domineering oldest brother, all to hold on to the business she’d worked so hard to build. I was especially captivated by the tension between how much she was willing to sacrifice for Ernest’s sake, because of her love for him, and how much she’d refuse to give up to ensure her own future. I found Aiyi to be a complex, compelling heroine, and I was totally into seeing her story unfold. This romance is one of the two main sources of tension throughout the story. Aiyi’s got a boyfriend/fiancé already, but it’s an arranged match, and she’s not exactly in love. But her family is traditional and looks down on foreigners. Ernest, being Jewish, comes from a much different culture and is an outsider in the city.I'd have loved less focus on the romantic angle and more on the social angle. The romance was too instant to be believable. This should have felt like a rollercoaster but because I never connected with the characters, the exciting and tragic moments didn’t have any impact on me. It felt very long and I started to skim about half way through. This book is my favorite kind of historical fiction – an engrossing story that also opens my eyes to a piece of history I wasn’t familiar with. The story is set in Shanghai under Japanese occupation during WWII and is told from the alternating points of view of Aiyi and Ernest. Aiyi is a young Chinese heiress with a love for jazz who owns one of Shanghai’s most popular nightclubs (she is quite the entrepreneur for her day!). Ernest is a penniless Jewish refugee from Germany searching for shelter in Shanghai. The two are brought together through music, and a great story of love, survival, and redemption unfolds. So here are 10 books – fiction and non-fiction – that reveal the unique cosmopolitan hybridity of Shanghai between the wars:

The Last Rose of Shanghai by Weina Dai Randel | Goodreads

Weina Dai Randel is the Wall Street Journal bestselling, award-winning author of four historical novels, Night Angels, The Last Rose of Shanghai, The Moon in the Palace, and The Empress of Bright Moon, historical novel series about Empress Wu (Wu Zetian), China's only female emperor. Three years later, and now that The Last Rose of Shanghai is officially released, I will say, The Last Rose of Shanghai is a story of race, of love, of war's horrors, of forgotten-history of WWII, of choices, of destiny, of cultures, of rebuilding your life in a strange land, of finding a home, of losing the home, of family, of self-discovery, of religion, of losing faith, of parenthood. In the midst of shelves full of World War II stories about white people in Europe and North America, finally, here’s one set in China. Finally, here’s one that stars a Chinese woman instead of a white one with blond hair and blue eyes. Finally, here’s one that talks about the Japanese occupation of China, and the intra-Asian racism and cruelty during the war, alongside the horrors of the Nazi regime. There's only one Japanese guy who keeps harassing them almost throughout the book. Seriously, only one. Every time. No matter what the scene or location. A skippable book. Read if you must, move on if you can. (Also note, this is an outlier review. So feel free to ignore all I said and give this a go. A majority of readers loved this book.)

I had high hopes for The Last Rose of Shanghai by Weina Dai Randel. High enough that I semi-broke one of my personal rules, which is to avoid World War 2 historical fiction. While the plot reveals a lot about Shanghai history and culture, it also contains a lot of stereotypes about China. The only person to see Shanghai in a positive light was Ernest. From Aiyi, all we get is cliches. I read lots of World War II books but most of them are about the war in Europe and the reprehensible actions of the German leaders. This book is about life in Shangri during the Japanese invasion. It gave a unique look at how badly the Japanese soldiers treated people during the occupation of China. It's a dual time line book taking place in the 1940s and 1980. The timeline during the war is told by Aiyi and Ernest and the 1960s timeline is told by told by Aiyi Shao and Ernest. Chang recalls her own traumatic and adventurous wartime years in this novella that, because it is so personal and revelatory, took her more than 35 years to write. The long Japanese occupation of the city, the relationships that formed in those desperate times, and the terrible choices the Shanghainese were forced to make are at the heart of a book that became a fantastic movie directed by Ang Lee. Chang remains the pre-eminent bard of Shanghai. This is a work of fiction but many of the characters such as Emily Hahn, an American journalist, Laura Margolis who led the American Jewish Joint Distribution Committee’s efforts to support refugees in Shanghai, and Sir Victor Sassoon who built The Peace Hotel, are real and their life stories are also fascinating.