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Amaran 100D LED Video Light, 130W 5500K Daylight-balanced, CRI95+ TLCI96+, 39500 lux@1m, Supports App Control, 8 Pre-Programmed Lighting Effects, DC/AC Power Supply

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They have consistently been the professional standard for lighting units and accessories, offering customers and professionals innovative and unique ways to use light within their projects, from their tiny lighting units like the popular Aputure MC to the powerful and heavy Nova P600c. Along with intensity control, with the app you can apply one of eight different lighting effects: Paparazzi, Fireworks, Lightning, Faulty Bulb, TV, Pulsing, Strobe, or Explosion. I could definitely see myself using one of these on a music video or horror film shoot.

I grabbed a few measurements on my Sekonic C-700U Spectrometer to see how accurately the Amaran 100d handled color temp (kelvin) and output (lx) from a distance of 3 ft and with the included reflector attached. Here are my readings with a target of 5600K: Amaran 100d Sekonic C-700U results. Image Credit: Graham Sheldon There’s no doubt that the price to performance is there for the 100d, but its targeted audience is newcomers or budget-friendly users who need something reliable, portable and doesn’t break the bank. The 120D, on the other hand, is built for professionals or enthusiasts who can afford to pay for Apturue’s professional-grade products; they are the users who need the best when it comes to performance, mounting options and top-of-the-line build quality. I think this is fantastic for all of the solo shooters out there. Rather than having to get up each time you need to add more light you simply select the light on the app and with a swipe of your finger you’re all set.Universal Bowens Mount. Transform the quality of your light with the included 55º Hyper Reflector or a variety of accessories. Both fixtures feature a Bowens S-Type mount which opens up a whole range of excellent accessories from Aputure. Take a look at Cined to see what’s already been covered. Everything from the Fresnel 2X to barn doors/space light and lanterns accessories are available and there’s also a new Lightdome SE softbox specifically designed for the Amaran line. The amaran 100d S is a 100W daylight Bowens Mount point-source light with a redesigned chipset for increased color quality and spectral reproduction, integrated controls, Bowens Mount compatibility, and versatile power options. Lighting is a crucial element in the film and video industry. It plays a key role in setting the mood and creating the desired atmosphere for a project. With the increasing demand for high-quality video content, professionals need access to reliable and effective lighting equipment. However, like the camera and lens department, the lighting section on any online outlet is also inundated with various models and choices. Often leading the consumer to a paradox of choice.

You can also find well-priced accessories for the LED units they produce (though very limited in choice); these include soft boxes and light modifiers, cables and handles and grips. The Amaran 100d has a CRI of 95, and the Aputure 120D has a CRI of 97. The difference between a light with a CRI of 80 vs 90 will be extremely apparent. And a light with a CRI of 95 will perform notably better than one with 90. The jump from 95 to 97 is only incremental, and we would need to be in a specific setup for it to become quite apparent. However, that being said, a 97 CRI is ultimately better and preferable than a light that has a 95 CRI. This is even more prevalent when manufacturers seem to be producing similar items. In this article, we will compare and contrast two popular lighting manufacturers, Aputure and Amaran, to help you decide which company might best fit your needs. The overall output of 41500 lx at 3 ft is about double that of the 100d — which makes sense. 5422K with a target of 5600K is also excellent. Okay, Amaran series, now you’ve really got my attention.

amaran F21c

Featuring an all-new dual-blue LED chipset design, the 100d S has improved spectral continuity to achieve stunning spectral reproduction of an ultra-high SSI (D56) of 86, a 19% increase in SSI from its predecessor. The 100d S also features super

First, let’s discuss what both brands offer; each offers powerful lighting equipment for studios and enthusiasts, light-shaping accessories, and lighting software. The difference? Price, features and materials used.This is where it can initially get confusing. See, several initial Aputure products held the Amaran title, like the Aputure Amaran Tri-8, the Aputure Amaran AL-M9, and even the self-titled The Amaran. It’s hard to find fault with there being so many affordable LED options these days – a win-win for filmmakers to be sure. Given the cost of the Amaran 100d and 200d, they may become the new entry fixture for filmmakers with the Aputure 120d, 300d, and 600d Pro lines holding a place on the wish list for when need and opportunity arise. And ultimately, this is the difference between the two lines, so consider that when you see future Aputure and Amaran products that share similarities but land at different price points.

Aputureis aimed towards high-end users and professionals who want the best lighting system to aid them in their productions. Amaran,on the other hand, is for the newcomer to the video/photography space, online content creators and even streamers who need an affordable option that can provide a clean light source without spending hundreds of dollars. Both Apertureand Amaranproducts are regarded as some of the best you can get in regards to lighting units for their performance, build quality and listening to consumers to improve on products/firmware updates. accurate color rendering, with increased CRI [96], TLCI [99], TM30 RF [96], and TM-30 RG [103] values.Aputure are innovators and constantly pushing new features, products and options to its consumers. They have been the go-to for LED lighting products for years, and it’s always exciting to see the following new product they bring to the market. The Amaran was one of the first lines of products that changed the no-to-low-budget film industry, as it was one of the first affordable light fixtures that standard camera batteries could power—offering silent and reliable performance at a fraction of the price of lighting units at the time. Designed with the familiar monolight form factor, intuitive design, and solid core features, the 100d LED Light from Amaran is a 100W light source with 5600K color and a CRI/TLCI rating of 95/96 to indicate advanced accuracy in color rendering.

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