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Mutations

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Pay No Mind (Snoozer)": "Response from ARIA re: chart inquiry, received May 24, 2016". Imgur.com . Retrieved May 24, 2016. Colors" did not enter the Flanders Ultratop 50, but peaked at number 29 on the Ultratip chart. [39] Loser": "Official Scottish Singles Chart 13 March 1994 - 19 March 1994". Official Charts Company . Retrieved March 24, 2022. The New Pollution": "Íslenski Listinn Topp 40 (NR. 212 Vikuna 13.3. '97 - 19.3. '97)" (PDF) (in Icelandic). Dagblaðið Vísir . Retrieved July 12, 2018. {{ cite magazine}}: Cite magazine requires |magazine= ( help) [ permanent dead link] Blue Moon" did not enter the Flanders Ultratop 50, but peaked at number 34 on the Ultratip chart. [39]

Hell Yes" did not enter the Billboard Hot 100, but peaked at number seven on the US Hot Singles Sales chart. [45] Dreams" did not enter the UK Singles Chart, but peaked at number 16 on the UK Physical Singles Chart. [62] Sexx Laws": "Íslenski Listinn Topp 40 (Vikuna 17.2. '00 - 24.2. '00)" (in Icelandic). Dagblaðið Vísir . Retrieved July 12, 2018. {{ cite magazine}}: Cite magazine requires |magazine= ( help) Mixed Bizness": "Official Scottish Singles Chart 02 April 2000 - 08 April 2000". Official Charts Company . Retrieved February 24, 2022.

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Dreams" did not enter the Swiss Hiparade Singles Top 100, but peaked at number 68 on the Swiss Airplay chart. [61] Top 100 peaks to December 2010: Ryan, Gavin (2011). Australia's Music Charts 1988–2010 (PDFed.). Mt. Martha, VIC, Australia: Moonlight Publishing. p.27. Up All Night" did not enter the Flanders Ultratop 50, but peaked at number 4 on the Ultratip chart. [39] Timebomb" did not enter the Billboard Hot 100, but peaked at number three on the Bubbling Under Hot 100 Singles chart, which acts as a 25-song extension to the Hot 100. [48] Timebomb": "Chart Log UK: Darren B – David Byrne". zobbel.de. Tobias Zywietz . Retrieved June 23, 2013.

For "Heaven Can Wait": "Charlotte Gainsbourg – Awards". AllMusic. Archived from the original on July 30, 2014 . Retrieved March 24, 2022. Nichols, Natalie (November 1, 1998). "Some Intriguing 'Mutations' ". Los Angeles Times. Archived from the original on March 3, 2016 . Retrieved February 20, 2016.Loser": "Íslenski Listinn Topp 40 (28.04.1994 – 04.05.1994)". Dagblaðið Vísir (in Icelandic). April 28, 1994. p.20 . Retrieved March 13, 2018. Listening to Mellow Gold, I’m always left with the same image: A child at play in the ruins of a dying world. “Tonight the city is full of morgues,” goes the first line on “Pay No Mind,” “and all the toilets are overflowing.” We’re at song two. (Or, as the tape-warped vocal at the beginning of the song puts it, “This’s song two on the album. This is the album right here. Burn the album.”) Singles [ edit ] 1990s [ edit ] List of singles released in the 1990s decade, showing selected chart positions and certifications The ARIA Australian Top 100 Singles 1994". Australian Record Industry Association Ltd. Archived from the original on October 25, 2015 . Retrieved November 2, 2015. Netherlands Single Tip Chart – July 9, 2016". Mega Charts. July 9, 2016 . Retrieved August 1, 2018.

Heaven Can Wait" did not enter the Flanders Ultratop 50, but peaked at number 22 on the Ultratip chart. [39] Devil's Haircut": "The ARIA Australian Top 100 Singles Chart – Week Ending 27 Oct 1996". ARIA . Retrieved June 2, 2016– via Imgur.com. Netherlands Single Tip Chart – June 27, 2015". Mega Charts. June 27, 2015 . Retrieved August 1, 2018. Tropicalia": "Íslenski Listinn Topp 40 (NR. 299 Vikuna 20.11. '98 - 27.11. '98)" (in Icelandic). Dagblaðið Vísir . Retrieved July 12, 2018. {{ cite magazine}}: Cite magazine requires |magazine= ( help)Beercan": "The ARIA Australian Top 100 Singles Chart – 09 Oct 1994". ARIA . Retrieved March 20, 2016– via Imgur.com. N.B. The HP column displays the single's highest position. Harding, Cortney (January 24, 2009). "Going Their Way" (PDF). Billboard. p.17 . Retrieved July 20, 2019. Pay No Mind": "Official Scottish Singles Chart 19 April 2009 - 25 April 2009". Official Charts Company . Retrieved March 24, 2022. Even when work isn’t in the picture, poverty is the frame. The stories on Mellow Gold take place in trailer parks and subsist on credit and suitcases of cheap beer. They are ground-down, washed-up and loving it, “dancing on the roof, shootin’ holes in the moon.” The music sounds like junk because junk is what he sees from his window. And the punchline of “Loser” isn’t that he lost, but that he didn’t have a chance in the first place.

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