Princess Mary's Gift Book

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The photographs were examined by photographic expert Harold Snelling, who confirmed them as authentic images of “what was in front of the camera”, thus avoiding having to validate them as images of fairies. Gardner used the images in his lectures and also had prints created to sell afterwards. The images appeared in a spiritualist magazine where they caught the eye of Sir Arthur Conan-Doyle, a believer in spiritualism himself. He was about to write a piece on fairies for the Christmas edition of the Strand magazine, and asked Arthur and Elsie for permission to use the images.

The cousins were both still alive in the 1980s, and finally Elsie confessed to the hoax, probably with some relief, in 1983. What had undoubtedly started out as a cleverly stage-managed bit of fun, suggested by Frances, had got seriously out of hand. The cousins themselves were astonished at how readily people of the calibre of Conan-Doyle had accepted the images. Perhaps not wholly wanting to relinquish the story, Frances maintained all her life that “Fairies and their Sunbath”, the fifth and last image, showed real fairies, not fakes.Baroness Orczy, author of The Scarlet Pimpernel, contributed Out of the Jaws of Death: A Pimpernel Story, in which the intrepid hero, Sir Percy Blakeney, and five aristocratic English friends disguised as bloodthirsty French Revolutionaries, rescue an innocent French family from Madame Guillotine. Princess Mary’s Gift Book. Strap line: All Profits on Sale Given to the Queen’s ‘Work for Women Fund’ Charles Napier Hemy. R.A. (1841-1917). Illustration for bestselling novelist Hall Caine’s story, ‘Charlie the Cox’ My copy of Princess Mary’s Gift Book once belonged to my Great Great-Aunt Ida and is dated December 12 th, 1914. I found it in an attic when I was a child and I’m delighted to have it. Elsie’s father Arthur was a keen amateur photographer with his own darkroom and all the equipment required to develop the plate the girls had taken. The image, now a very famous one, shows Frances, head slightly tilted, gazing off just to the right of the photographer. In front of her several winged fairy figures dressed in diaphanous clothing are dancing. Frances looks as though she is trying hard not to laugh.

Distribution dragged on even beyond the Armistice in 1918. The final number of boxes produced was over 2.6 million. A treasured gift Copies of all these books can be freely consulted from open shelves at the Explore History Centre at IWM London. I want you now to help me to send a Christmas present from the whole of the nation to every sailor afloat and every soldier at the front. I am sure that we should all be happier to feel that we had helped to send our little token of love and sympathy on Christmas morning, something that would be useful and of permanent value, and the making of which may be the means of providing employment in trades adversely affected by the war. Could there be anything more likely to hearten them in their struggle than a present received straight from home on Christmas Day?Perhaps the timing had something to do with the way the images were so readily accepted. The horrific reality of the 1914-1918 war would leave people desperate for a different world, a world in which there might still be the possibility of magic. Conan Doyle’s own son was a victim of the war.