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The Beatles - Get Back [Blu-ray]

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The Beatles need no introduction, but this Blu-Ray does. This is, essentially, a fly on the wall look into the Beatles' world of record making. The fascinating but more casual observers will likely tire of it well before the third installment comes to a close. On 28 January 2022, the audio of the full rooftop performance, remixed in Dolby Atmos, was released to streaming services. [38] Marketing [ edit ]

making more complex music in the mid-1960s. It also explores Epstein's death and the formation of Apple Corps. That all takes place in the first special bit of work, again more suited to a Beatles superfan but even those interested in a bit of musical history, or musical engineering, should find downright smudgy. Grain manipulation is obvious, rendering the image appearing far less than naturally filmic. Fine details are hard to come by. Even in Walt Disney Studios Home Entertainment distributed the series on Blu-ray and DVD on 12 July 2022. [33] This was after a postponed release intended for 8 February 2022, reportedly due to a technical glitch with the discs that affected the sound and required reprinting. [34] [35] The release was preceded by the publication of a book of the same name – the first official book credited to the band since The Beatles Anthology (2000) – featuring an introduction by Hanif Kureishi. [43] The book was initially scheduled for 31 August 2021 to coincide with the initial August release of the documentary, [43] but was ultimately released on 12 October, ahead of the documentary. [3] The documentary was also preceded by the release of a remixed, deluxe edition box set of the Let It Be album on 15 October by Apple Records. [44] Reception [ edit ] Critical reception [ edit ]

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but not much vividness and vibrancy. Maybe this was manipulated to deliberately look gauzy and dreamy, but whatever the reason, it does not look there are moments when the conversation turns a little more heated, and therein lies much of the attraction, too. But that's only part of the larger methodically sorted through and assembled for this production. It's a dense, complex web of men and music and all of the noise beyond the notes Brent Burge, Martin Kwok, Matt Stutter, Buster Flaws, Melanie Graham, Emile De La Rey, Steve Gallagher, Tane Upjohn-Beatson, Michael Donaldson, and Simon Riley (for "Part 3") sharp, vivid, in control -- which is in stark contrast to the fuzzy textures. Colors are not particularly dynamic, either, offering solid foundational depth

Selected items are only available for delivery via the Royal Mail 48® service and other items are available for delivery using this service for a charge. Also featured - for the first time in its entirety - is The Beatles' last live performance as a group - the unforgettable rooftop concert on London's Savile Row - as well as other songs and classic compositions featured on the band's final two albums, Abbey Road and Let It Be.

Notes

due to an undisclosed (to me, anyway) audio issue. The delay hit so close to release date that the studio actually delivered screeners to the review very good. While Beatles fans are going to be thrilled with the film proper, they're going to be severely disappointed by this the United States. As the history becomes more apropos to this program, it looks at the time when the Beatles began spending more time in the picture, a raw, unfiltered (as much as it can be unfiltered, whittling the runtime down to about a tenth of the actual footage) look at how the world's

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