Human Oddities

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Claire: Even in its day, there was something marvelously anachronistic about Mondo. It was an impossible object: a print magazine about how technology was going to dematerialize 20th-century culture, including, implicitly, print magazines! Nat David ( Shelley Berman, seasons 3–7) is Larry's widowed father. He tends to make mistakes that Larry calls him out on. Nat suffers from glaucoma and occasional hearing loss. He is not very confrontational, but he does have a high sensitivity for their Jewish culture. Nat calls bad drivers " Schmohawks". Nat first appeared in the Season 3 episode, "The Special Section". Larry has accidentally injured an important restaurant critic's hands. The investors Larry and Jeff have started a restaurant with implore Larry to apologize to the critic, who refers him to a chef, as Larry has fired the chef they already had. Larry is pleased with the hire, especially as he sees a number he assumes is a tattoo on the chef's arm, mistaking him for a Holocaust survivor. It doesn't take long for Larry, Jeff, and the other investors to realize the guy has Tourette, the cinematic kind that involves outbursts of extremely vulgar swearing. Worse, the restaurant has an open kitchen, which means the patrons will see and hear the chef. Find sources: "List of Curb Your Enthusiasm recurring roles"– news · newspapers · books · scholar · JSTOR ( July 2012) ( Learn how and when to remove this template message) The Greenes (played by Louis Nye and Mina Kolb, seasons 1–3) are Jeff Greene's elderly Jewish parents. Larry is constantly offending the Greenes by accident with careless remarks. They first appeared in the show's very first episode, "The Pants Tent".

Libba” at Meredith Music Festival 2016. Luke Nyko (Libba’s minder, not in shot) sent the picture in. It was Libba’s “last hurrah before pre-season began.” R.U.: There wasn’t a huge amount of techno-utopianism in Mondo, particularly after the first few issues. But it was kind of a selling point and got us into mainstream media as they salivated over things like VR and smart drugs. I got into the habit of telling reporters that I’d rather watch Ren and Stimpy on caffeine than go into VR on smart drugs, but they would usually just quote something upbeat. Dani says it is fun having them all together. Roberto says that it is almost perfect. Dani then says that Roberto is about to say that the only thing that would make this perfect would be having Sam Guthrie here with them. Roberto says that Sam should be here. Dani says that the only problem is that Sam is with his family off in Shi’ar space. When he is remembered, it’s often for the lurid aspects of his life: He was a pied piper for underage girls, he had a cult-like grip on his dancers, and his response to the death of his 3-year-old son was startling. Internet conspiracy theorists have suggested he was a Satanist or an FBI informant. That’s what people remember. Larry claims he once drove a limo and Ted, thinking he's ascertained the root of Larry's fixation with the bartender's attire, demands to know if he had to wear a bow tie. Larry says no, he drove a blind woman and she couldn't see what he was wearing.Godot died on Dec. 23, 1966, not long after a fall down an air shaft on the roof of Paulekas’ home/studio during a photo shoot with the Los Angeles Free Press. Sue says the fall was the result of the careless horseplay of teen boys, who’d been dangling the child. But she blames Los Angeles County General Hospital, where Godot was taken after the accident, for his death. Joining the previously announced Russian DJ, producer and songwriter Nina Kraviz is a host of other big-name DJs and producers. There’s techno icon Richie Hawtin, daring UK DJ Ben UFO

Baker’s influence doesn’t stop there. As a producer he pushed the art of the remix into the mainstream, stretching out pop singles to suit the nightclub as B sides for 12-inch vinyl releases. Take a listen to his sensational remixes on Bruce Springsteen’s Born in the USA singles, particularly the dub mix for Dancing in the Dark. Douglas asks Krakoa if they should figure out how Krakoa is connecting to Mondo. Krakoa responds that this is a bad thing and that he does not like it very much and that it is now over. Krakoa’s face disappears from Mondo’s belly. Mondo regains consciousness. Mondo freaks out over what happens and threatens to punch Douglas if Douglas suggests doing this again. Douglas agrees. R.U.: Everybody talks about the obvious things, like the environment created by profit-seeking companies that use algorithms to fan the flames of the type of bad memes that excite people—or even just the existence of commerce on the internet, since it wasn’t that way at the start. But people hesitate to also ‘blame’ the masses. To slightly détourné [Jean-Paul] Sartre, hell is other peoples’ tweets. R.U.: I think part of the secret of the magazine was that behind the occasionally hyperbolic excitement about the possibilities was a desperation, an awareness that the situation we were in politically, economically, interpersonally, environmentally ad infinitum was not really acceptable, even then. We were living up in the Berkeley Hills in a mini-castle, but we had homeless friends occasioning our couch. We had the LA riots of 1991. It was like, not only isn’t the state of affairs acceptable for us brats, but oppression en masse isn’t acceptable, so we’d better try to fix it or we’re all in for trouble. And tech seemed like the only Hail Mary pass in the age of Reagan, Bush, and even Clinton. Maybe it still is.R.U.: I’m glad you noted the nature of Mondo 2000—that it combined boomer idealism and Gen X irony and snark. In the first editorial of High Frontiers, the magazine that we were before we became Mondo 2000, I closed with a section titled ‘The Irony and the Ecstasy,’ in which I mildly deflated the sermonizing about psychedelic– and techno- optimism. I mentioned David Bowie and Andy Warhol and being at play with ambiguity. Since that first magazine appealed mainly to the psychedelic culture, I think it zipped right past most of the readers. It would take Mondo to bring in a new generation of people who were less self-serious than most of the boomers. At the pre-party, as Larry and McEnroe get drunk their enthusiasm for the Freak Book gets louder and the crowd quiets just in time to hear them shouting "What a freak!" the moment Heather Mills (11) enters. The two are ejected from the party just as the Greens and Cheryl drive by. R.U. Sirius: It was so variable. Most days it was pretty much just an office. People being more or less busy with stuff that needed to get done, even though it was always done late. I would usually sleep until 11am, go upstairs to the kitchen in my silk bathrobe, nothing else, and make my coffee. I had a sexy, young girlfriend—Stara—she would come up to the kitchen right after me and start doing her morning narcissizes, which consisted of flouncing, flirting, pouting, laughing, and warbling in a loopy voice before, usually, hopping into her 1966 red Mustang convertible and heading off to have extreme experiences. When they arrive at the party, Larry is concerned that Charlie will be bored waiting, but Charlie insists he'll be fine: it's his job to wait. Inside, Larry strikes up a conversation with the bartender who is wearing a bow tie (3). When he finds out that Ted requested the bow tie, Larry insists on talking to Ted to get him to change his mind, in spite of the bartender's pleas that he not say anything. "You don't understand how I operate," insists Larry. R.U.: The aesthetics and politics of the web at the start was kind of a mix of two things: 1) American—mostly white, mostly male—boomer idealism about virtual communities and global brains and good, free, open communication that could lead toward positive change and common understanding and 2) an even more dominant Gen X sensibility of reflexive irony and evasiveness of politics and (the aforementioned) boomer idealism in favor of silly things largely unencumbered by political concerns. There was awareness, but concern seemed like an emotion that could be pushed away with ironic distancing.

Bridget ( Lauren Graham, season 9) is an NBC censor who dates Larry in season 9. She is a friend of Susie's, who helps to set up a date between her and Larry in "Namaste". She has a son named Eddie, whom she claims has Asperger's, which is doubted by Larry. After learning about Bridget talking to others about their sex life, Larry attempts to make her sign a non-disclosure agreement about their relationship, causing her to break up with him. Corsair walks Roberto to the exit of the space ship. Corsair says that he only promised to take the New Mutants to Shi’ar space. And this is Shi’ar space and where the New Mutants will get off his ship. The Starjammers blast off and leave Benevolence. When they arrive at the party, Larry is concerned that Charlie will be bored waiting, but Charlie insists he'll be fine: it's his job to wait. Inside, Larry strikes up a conversation with the bartender who is wearing a bow tie. When he finds out that Ted requested the bow tie, Larry insists on talking to Ted to get him to change his mind, in spite of the bartender's pleas that he not say anything. "You don't understand how I operate," insists Larry. Roberto drinks his bourbon and watches the Starjammers leave. Roberto asks if this is where he saves the day. Roberto smiles to the reader and says that it feels like that. Doctor Morrison ( Philip Baker Hall, seasons 4, 7) is a doctor who treats Larry for a cut he got when Mel Brooks hit him in the head with a door in "Mel's Offer". He returned in "The Hot Towel" to treat a hand injury Larry received due to a hot towel on a flight that Larry thought was "put in the microwave". He ended up giving Larry his personal number to ease the communication between the two, but regretted the decision instantly. He first appeared in "Mel's Offer".

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A large coffee table book entitled 'Mondo Freaks,' with photos of various human freaks of nature including a guy who's just a head and a guy with three penises. In "Vow of Silence", Tessler asks Larry to participate in a charity gig, to which Larry attempts to get out of by claiming he will be in New York. After Tessler finds Larry at his office, Larry once again claims he's going to New York. Tessler then offers his friend's vacant apartment for Larry to stay at, forcing Larry to actually go to New York. In 1973, Paulekas formed an absurdist theater and musical troupe called Freestore, modeled after San Francisco’s Diggers. “Half of the guys were freaks from Hollywood that followed him up here,” says BB. Other members included Peggy Farrar, Leonardo DiCaprio’s stepmother.

Wilson Tanner: Wilson was the name of the neighbour in Home Improvement or the soccer ball compatriot to Tom Hanks in Castaway, depending on your age. Tanner (sic) salons have been linked with cancer and vacuousness. We shift to Mondo and Douglas in the garden in the Starjammer. Douglas is holding a Krakoan flower in a small flower pot. They walk over to the Krakoan gateway in the garden. Suddenly, Ch’od appears on the scene. Ch’od says that Douglas’s Krakoan flower is trying to talk to the Krakoan gate. Ch’od also says that Douglas’ Krakoan flower and the Krakoan gate want to terraform. This is causing all of the other plants in the Starjammer’s garden to die. Richard Lewis (as a fictionalized version of himself, season 1–) is a neurotic stand-up comedian who has recently recovered from alcohol and drug problems. Richard is one of Larry's oldest and closest friends, both having moved from New York City to Los Angeles to pursue careers in comedy. Despite this, his relationship with Larry is often volatile and complicated. Richard frequently becomes the victim of Larry's follies, causing Richard to blame Larry for almost everything wrong in his life. He is usually more sensible and moral than Larry. He has also had numerous very attractive girlfriends over the course of the show, which Larry tends to offend or clash with in some way. Lewis first appeared in the show's first episode (after the pilot), "The Pants Tent". Today, Paulekas’ attitudes toward sex would likely become a #MeToo firestorm, but in the 1960s, sexual adventurism was part of the youthquake-hippie manifesto. “Everybody was exploring countercultural possibilities and altered experience,” says Raine, “and I’m sure sex fit into that too. I mean, everybody had a lot of sex in those days, right?”

Jerry Seinfeld (as a fictionalized version of himself, seasons 4, 7) co-created the hit sitcom Seinfeld with Larry. Jerry Seinfeld attends the opening night of Larry David's play The Producers, grimacing after Larry failed to remember his lines. Jerry returned in season 7 to star in a Seinfeld reunion episode. Throughout the season, Jerry writes and produces the reunion show with Larry, often spending time with him outside of working on the show. Jerry pushes Larry to hire Meg Ryan for the role of George Costanza's ex-wife Amanda, but Larry wants to hire his own ex-wife Cheryl. Jerry first appeared in the season four finale, "Opening Night". Larry is leafing through the Freak Book, his gift for Ted, while he waits for Cheryl to get ready for Ted's birthday party. Cheryl updates Larry with good news: they secured their cemetery plots so they will be buried beside Ted and Mary and Jeff and Susie. Larry has to put the book aside when their driver Charlie (Toby Huss) arrives to take them to the party. It was just weird, she really put on a show pretending she was into him, usually girls are straight up they wont give you much to go on and just give an awkward laugh or be cordial she really was giving off a vibe like she liked him, until she pulled me over and said that she didn't like him and wasn't into Asian guys.