Mona Lisa Women's Painting Costume

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Vasari publishes a second, revised edition of his Vite nearly 20 years later, in which he again describes the painting as unfinished. Giorgio Vasari - Leonardo e la Gioconda". Libriantichionline.com (in Italian) . Retrieved 15 November 2021. Opinion | Couldn't 'Mona Lisa' Just Stay a Mystery?". The New York Times. 9 January 1987. ISSN 0362-4331 . Retrieved 10 July 2022. Sassoon, Donald. "Why is the Mona Lisa Famous?". La Trobe University Podcast. Archived from the original on 4 July 2015 . Retrieved 20 January 2014.

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Research in 2008 by a geomorphology professor at Urbino University and an artist-photographer revealed that Mona Lisa 's landscape was similar to some views in the Montefeltro region in the Italian provinces of Pesaro and Urbino, and Rimini. [54] [55] History Creation and date Lisa del Giocondo was a member of the Gherardini family of Florence and Tuscany, and the wife of wealthy Florentine silk merchant Francesco del Giocondo. [23] The painting is thought to have been commissioned for their new home, and to celebrate the birth of their second son, Andrea. [24] The Italian name for the painting, La Gioconda, means 'jocund' ('happy' or 'jovial') or, literally, 'the jocund one', a pun on the feminine form of Lisa's married name, Giocondo. [23] [25] In French, the title La Joconde has the same meaning. a b Boudin de l'Arche, Gerard (2017). A la recherche de Monna Lisa. Cannes, France: Edition de l'Omnibus. ISBN 979-10-95833-01-7.De Beatis, Antonio (1979) [1st pub.:1517]. Hale, J.R.; Lindon, J.M.A. (eds.). The travel journal of Antonio de Beatis: Germany, Switzerland, the Low Countries, France and Italy 1517–1518. London, England: Haklyut Society. c.1778: The painting is believed to have been acquired in Italy by English nobleman James Thomas Benedictus Marwood, while making his ‘Grand Tour’, and brought to England as part of an art collection to be housed in his Somerset manor.

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a b "Mona Lisa – Heidelberg discovery confirms identity". University of Heidelberg. Archived from the original on 5 November 2013 . Retrieved 4 July 2010. It is thought that the sitter was Lisa del Giocondo, the wife of a wealthy Florentine merchant Francesco del Giocondo. For this reason, the painting is sometimes called La Gioconda. The earliest identification of the painting was provided by the Renaissance art historian Giorgio Vasari. In Vasari’s 1550 biography of Leonardo, he wrote about the magnificent portrait of Lisa del Giocondo, which Leonardo worked on between 1503 and 1506. Many were skeptical of Vasari’s account; however, a 2005 discovery at the University of Heidelberg provided compelling new evidence that confirms Vasari’s assertion. In a volume written by the ancient philosopher Cicero from 1477, there was a handwritten marginal by Leonardo’s contemporary, the secretary and assistant to Niccolò Machiavelli, Agostino Vespucci. In the note dated October 1503, Vespucci praises Leonardo’s skill by comparing him to the Greek and painter Apelles, and states that Leonardo is working on a portrait of Lisa del Giacondo. Botticelli: Three Scenes from the Life of Esther; Venus and the Three Graces Presenting Gifts to a Young Woman; A Young Man Being Introduced to the Seven Liberal Arts Asmus, John F. (1 July 1989). "Computer Studies of the Isleworth and Louvre Mona Lisas". Optical Engineering. 28 (7): 800–804. Bibcode: 1989OptEn..28..800A. doi: 10.1117/12.7977036 . Retrieved 26 July 2017. Thomas, Henry; Lee Thomas, Dana (1940). Living biographies of great painters. Garden City Publishing Co., Inc. p.49.Secret Portrait Hidden Under Mona Lisa, Claims French Scientist". Newsweek. 8 December 2015. Archived from the original on 8 December 2015 . Retrieved 8 December 2015. Culture Trip launched in 2011 with a simple yet passionate mission: to inspire people to go beyond their boundaries and experience what makes a place, its people and its culture special and meaningful — and this is still in our DNA today. We are proud that, for more than a decade, millions like you have trusted our award-winning recommendations by people who deeply understand what makes certain places and communities so special. Iqbal, Nosheen; Jonze, Tim (22 January 2020). "In pictures: The greatest art heists in history". The Guardian. ISSN 0261-3077 . Retrieved 17 April 2021. Louvre exhibit has most da Vinci paintings ever assembled". Aleteia. 1 December 2019 . Retrieved 1 December 2019. a b Carrier, David (2006). Museum Skepticism: A History of the Display of Art in Public Galleries. Duke University Press. p.35. ISBN 978-0-8223-3694-5.

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Woods-Marsden, Joanna (2001). "Portrait of the Lady, 1430–1520". In Brown, David Alan (ed.). Virtue & Beauty. London: Princeton University Press. pp.64–87. ISBN 978-0-691-09057-3. Sassoon, Donald (21 January 2014). #26: Why is the Mona Lisa Famous?. La Trobe University podcast blog. Archived from the original on 4 July 2015. of the podcast audio. Raphael: Angel Holding a Phylactery; La belle jardinière; The Holy Family of Francis I; Madonna with the Blue Diadem (with Penni); Portrait of Baldassare Castiglione; St. George; St. Michael; St. Michael Vanquishing Satan; Self-Portrait with a Friend; Small Holy Family Mona Lisa fans decry brief encounter with their idol in Paris". The Guardian. 13 August 2019 . Retrieved 24 August 2020. Farago, Claire J. (1999). Leonardo's projects, c. 1500–1519. Oxford: Taylor & Francis. ISBN 978-0-8153-2935-0.a b c Wallace, Robert (1972) [1966]. The World of Leonardo: 1452–1519. New York: Time-Life Books. pp.163–64.

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a b c Cotte, Pascal (2015). Lumiere on the Mona Lisa: Hidden portraits. Paris: Vinci Editions. ISBN 978-2-9548-2584-7.a b c d e f g h Mohen, Jean-Pierre (2006). Mona Lisa: inside the Painting. Harry N. Abrams, Inc. p.128. ISBN 978-0-8109-4315-5. On 6 April 2005—following a period of curatorial maintenance, recording, and analysis—the painting was moved to a new location within the museum's Salle des États. It is displayed in a purpose-built, climate-controlled enclosure behind bulletproof glass. [121] Since 2005 the painting has been illuminated by an LED lamp, and in 2013 a new 20 watt LED lamp was installed, specially designed for this painting. The lamp has a Colour Rendering Index up to 98, and minimizes infrared and ultraviolet radiation which could otherwise degrade the painting. [122] The renovation of the gallery where the painting now resides was financed by the Japanese broadcaster Nippon Television. [123] As of 2019, about 10.2million people view the painting at the Louvre each year. [124] Jestaz, Bertrand (1999). "Francois 1er, Salai, et les tableaux de Léonard". Revue de l'Art (in French). 76: 68–72. doi: 10.3406/rvart.1999.348476. Eyre follows up with a book on the painting, detailing ten reasons for recognising it as the earlier version of Mona Lisa by Leonardo da Vinci. In this book, he documents that the painting was brought to Rome in 1922 and was examined by Leonardo experts. Most of them confirmed its attribution to Da Vinci. Alastair Sooke. "The Isleworth Mona Lisa: A second Leonardo masterpiece?". BBC. Archived from the original on 2 January 2016.