Lifeforms

Product Information

We had DJs coming up to us saying the music on the album was rubbish. They liked Papua New Guinea because it was a dancefloor smash. We weren't interested in that anymore. We just wanted to make really unusual music." Spineless Jelly

Essentially, this is a great album that everybody should like but if you simply prefer faster more aggressive electronics this is not for you. Lifeforms" is a song by British electronic music group The Future Sound of London, released as a single through Virgin Records on 1 August 1994. [1] It is the second single from their 1994 album, Lifeforms. Vocals on the single were performed by Elizabeth Fraser of the Cocteau Twins. Time to review another classic ambient album: well, Lifeforms is THE classic ambient album. It's widely available and evokes the most wonderful of atmospheres. Really the magnum opus of FSOL, Lifeforms made the duo and is always referenced as their best. The Future Sound of London: Welcome to the Galaxial Pharmaceutical". Secondthought.co.uk . Retrieved 22 March 2009. a b Mikesn (7 February 2009). "The Future Sound of London – Lifeforms". Sputnikmusic . Retrieved 28 February 2012.Three years on, they followed the album with a continuation of the Amorphous Androgynous project, Alice in Ultraland. Rumoured to be accompanied by a film of the same title, the album took The Isness ' psychedelic experimentation and toned it down, giving the album a singular theme and sound, and replacing the more bizarre moments with funk and ambient interludes. The album was ignored by the press, but was received more favourably among fans than its predecessor. Unlike The Isness, which featured almost 100 musicians over the course of it and the various alternative versions and remix albums, Alice in Ultraland featured a fairly solid band lineup throughout, which extended to live shows which the band had undertaken away from the ISDN cables from 2005 onwards. Redmond, Steve, ed. (30 July 1994). "Single Releases" (PDF). Music Week. London: Spotlight Publications. a b c d e f "The Future Sound of London Interview". Barcodezine.com. Archived from the original on 27 September 2011 . Retrieved 22 March 2009.

Stuart Aitken (11 November 2013). "Stakker Humanoid: how the Future Sound of London won hearts and minds". The Guardian. FSOL news: 10/05/10 – Monstrous Bubble Records". Fsolnews.blogspot.com. 10 May 2010 . Retrieved 31 August 2010. From "Vit" till "Little Brother" takes you to its individual journey. It is a breathtaking trip to the core of the jungles and inner mind. It shines like a thousand stars and tastes like the most delicious fruit. It swims with dolphins ("Omnipresence"), takes you to a lovely hotel ("Room 208") and even makes the forest turn frozen solid ("Elaborate Burn"). Hehehe, i once was spending a night at a hotel and it also had a room #208 near my room. I bet the people who spent the night there had a jungle there. The Future Sound of London: Welcome to the Galaxial Pharmaceutical". Secondthought.co.uk. 5 December 1994 . Retrieved 22 March 2009.

Catalog

Whether or not now is the right time to splash out on this album is down to you. If you're at the stage where you are still out nailing the clubs, then you may want to hold out buying this for a few years. Everything is fairly downtempo, much more trip hop, ambient and, like an electro symphony. This definitely moves in a more orchestral way, with lots of wave like pianos, choirs and, enormous sounding string sections. In March 2007 they finally went independent and launched FSOLDigital.com releasing dozens of unreleased material (under the From The Archives series), as well as old and new material from their other aliases. One of the most anticipated albums in ambient history, Environments got released 13 years since its recording, and then Environments continued as a series, the first volumes were reproduced old material blended with new neoclassical material. By the time they reached Environment Five in 2014, all recorded material was brand new. Show more